Satyricon - Satyricon & Munch (2022)

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Released entirely by surprise on digital platforms first, Satyricon’s commissioned piece for the Edvard Munch museum, titled “Satyricon & Munch”, is a piece full of promise that never really delivers. We understand that this music was supposed to be the backdrop of the exhibit in the new museum, but while putting in context with Edvard Munch’s art there is some cohesion, the 57 minute piece never really builds up to much.

Amongst The Ashes - The Fabricated Monolith (2022)

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Hailing from Finland, today we have Amongst The Ashes, a very interesting band that fuses Middle Eastern elements with a solid Melodic Death/Thrash Metal foundation. With a bit of an Orphaned Land/The Ottoman Empire vibe, “The Fabricated Monolith” provides the listener with a small sample of the band’s songwriting chops and solid execution.

Am Himmel - As Eternal (2022)

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Unleashing some creepy and aurally dominating release, today we have Dutch outfit Am Himmel and their opus “As Eternal”. With a ‘weirder’ approach to Post-Black Metal, this band creates roughly 37 minutes of captivating music with the magic of bands like An Autumn for Crippled Children and Lustre mixed in with a darker and drone-ish edge. Not recommended for close-minded people, this album is more of an aural exploration than your typical cookie-cutter BM.

Opening with the piercing “Bleared By The Infinite Wings”, the listener instantly knows this is a completely different release. The fuzzy and yet dreamy atmospherics are nicely flanked by harsh screams, delivered in a very monotonic way, creating a unique and engaging atmosphere. Things get dreamier and a bit shoegazy on “The Patience and Silence of a Saint’s Death”, a piece that slowly builds up momentum and creates plenty of tension.

Severe Torture - Fisting the Sockets (2022)

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Hailing from the Netherlands, Sever Torture is one of those bands that has been around for a while and still does not get the recognition they deserve. With their “Fisting the Sockets” EP, the band’s first formal release in over 12 years, we get three tracks of crushing (and catchy) Death Metal with that old-school Dutch flair and some modern elements.

White Ward - False Light (2022)

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Just when you think a band can’t get any better, you get a release like “False Light”, showcasing that White Ward’s sound and creativity are boundless. Digging deeper than in “Love Exchange Failure”, the band explores more sultry dark-jazz/avant-garde territories with the 66 minutes of music unleashed here. As one of the finest releases of 2022, this album needs to be enjoyed and carefully examined to get the fullest out of it.

Starting this magical tour-de-force we have the powerful “Leviathan”, a track that nicely builds up to some harsh Black Metal passages and nicely transitions into sultry jazzy greatness. With a more somber and darker tone, “Salt Paradise” mixes the guest clean vocals from Jay Gambit (Crowhurst) and the band’s more enigmatic and atmospheric side. “Phoenix” and “Silent Circles” nicely balance the band’s heavy side with melancholy and crafty instrumentation.

Under the Black Sun 2022 preview

Current line-up:

Featuring some of the biggest names in Black Metal, this German festival is set to return from its COVID hiatus with a super stacked line-up, with bands like: Arkona, Mgla, Ancient Rites, Psychonaut 4, just to name a few.

We are certainly making our way to Germany for this killer event.

Lord Belial - Rapture (2022)

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The moment we saw the name Lord Belial in our promo inbox, we immediately thought it was a re-issue of their earlier works, but we never expected that “Rapture” would be a brand new album from this Swedish outfit. We have been fans of the band’s unique take of the genre since their 1997 release “Enter the Moonlight Gate”, which featured a more melodic approach with some female vocals and additional elements. For nearly 50 minutes the band captures their past glory with a very interesting and yet punishing release.

Opening with the blistering “Legion” and the equally punishing “On a Throne of Souls”, one would never guess that this band has been quite a while in hibernation and that it still features all its original members. The band’s sound is savage and brilliantly produced by none other than Andy LaRocque. Mixing that old-school Scandinavian Black Metal of bands like Immortal, Tartaros, Naglfar, etc. with a more melodic and melancholic edge, the band manages to deliver pummeling pieces like “Rapture of Belial”, “Destruction”, and “Belie all Gods”.

Mournful Congregation - The Exuviae of Gods - Part I (2022)

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It’s been almost four years since Mournful Congregation’s last release and they have been some very doomy years indeed. Luckily for fans of Funeral Doom Metal, the band returns with a ‘short’ EP titled “The Exuviae of Gods - Part I”, which of course clocks in at 37 minutes and unleashes three piercing tracks. Needing no introduction, this Aussie band is about to make your day a whole darker and gloomier with this crushing release.

Visions of Atlantis - Pirates (2022)

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Finally stabilizing their sound and style around lead vocalist Clémentine Delauney, Visions of Atlantis unleashes their best album of their career with “Pirates”. Featuring nearly one hour of music, this release further elaborates on their pirate-related themes and creates a very dynamic and engaging mood thanks to dramatic atmospherics alongside soaring dueling vocals and killer instrumentation.

Setting a very regal mood thanks to its lush vocal arrangements and lively guitar leads, “Pirates Will Return” perfectly opens this very engaging release. The band showcases its versatility with the moody duets of “Melancholy Angel”, the over the top symphonic arrangements of “Master The Hurricane”, and the playfulness of “Clocks”. All pieces are perfectly brought to life with the masterful vocal duets of Clémentine Delauney and Michele "Meek" Guaitoli, perfectly boosted by excellent drumming and crushing guitar solos.

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