Constantly improving with each release, Oceans of Slumber continue their storied career with the masterful “Where Gods Fear to Speak”. This release perfectly showcases the band’s unique style with Progressive Metal/Rock elements paired with the soulful vocals of Cammie Gilbert. Clocking in at over 50 minutes, the ten tracks in this release showcase the different facets of the band’s wide ranging influences, from Death/Black Metal to more playful and experimental styles.

Opening with the album title track, we get a solid mixture of sultry female vocals, crafty drumming, and diverse tempos. The opener even features some hectic and heavy passages with harsh vocals and intense drumming. The heaviness continues with “Run from the Light” and ““Don’t Come Back from Hell Empty Handed”” with their hypnotic interludes alongside faster paced proggy sections. The drumming of Dobber Beverly is quite diverse, changing tempos very effectively to intricately make transitions during songs.

Delivering over 50 minutes of fierce World War I inspired Black Metal, today we have rising newcomers Kanonenfieber and their sophomore release “Die Urkatastrophe”. With an elaborate live show production and a Eisregen-meets-Mgła style, this band unleashes some kick ass music and this release masterfully builds on their earlier work and success. If you are looking for uncompromising and catchy Black Metal with a different angle than most bands, definitely check this one out.

After setting the mood with the intro, the band does not fuck around and delivers the pummeling “Menschenmühle”, a track that feels like an all-out-war just broke out and it is raining blast beats. The German lyrics really immerse the listener into the music, with Noise unleashing all hell in vocals alongside well crafted riffing. The band’s guitar driven melodies quickly stand out as tracks like “Sturmtrupp”, “Der Maulwurf”, and “Lviv zu Lemberg” completely demolish the listener with their fierce nature and masterful melodies.

As one of the most underrated Post-Black Metal bands, Agrypnie has been one of our favorite bands for quite a while thanks to their ‘heavier’ take on the genre. With “Erg”, Torsten and company continue to polish the band’s sound, making it tighter and equally explosive and melodic as before. Having had a wide variety of musicians participate through the history of the band and in the live setting, this outfit features familiar elements from like Heretoir, Harakiri for the Sky, Anomalie, and Theotoxin, but always creating its own unique brand of madness and atmosphere.

Opening with the piercing “Aus rauchlosem Feuer”, we quickly get that duality of melodic and slower interludes with fierce guitars and Torsten’s signature snarl. There are always surprises around the corner, like the dramatic choir arrangements of “Meer ohne Wasser”, or the more solemn and moody nature of “Sturm”. Then, quickly transitioning to instrumental songs, like “Blut” part I, and then back to oozing melancholy with part II. This is certainly one of the specialties of this band.

Unleashing waves of highly melancholic Black Metal, today we have Germany’s Groza and their latest opus “Nadir”. With a vibe similar to Ellende, Heretoir, and Harakiri for the Sky, this outfit explores the depths of darkness with fierce aggression and technical proficiency in six tracks that span over 42 minutes of excellent music. This emotionally charged release is a rollercoaster of unadulterated raw power that is rare to find these days.

Unleashing one of the most unexpectedly interesting releases, today we have Trelldom and their long awaited fourth full-length release, titled: “.​.​.​by the Shadows​.​.​.”. While many will be waiting for a traditional Black Metal release, the singles have steered people in a completely different direction as the album is more of an avant-garde/experimental release. Featuring a sound reminding us of the later stages of The 3rd and the Mortal, Lethe, and similar outfits, this release features seven tracks of unconventional and highly engaging music.

Setting a very chaotic and contrived tone with “The Voice of What Whispers”, this release starts its aural explorations with a jazzy and a bit proggy piece that clearly signals this is going to be a very different release than expected. As “Exit Existence”rolls in, we get a sultry sax playing alongside Kristian Eivind Espedal’s (Gaahl) haunting vocals, creating a very eerie and yet intoxicating effect. We particularly love how this track transitions into sinister Black Metal riffs and a heavier nature as it progresses.

Just when you think you have heard it all, a band like Vestige drops a release like “Janis”. Creating a very unique amalgamation of Post-Metal, Shoegaze, Alternative Metal and a hefty dose of melancholy, this release delivers nearly one hour of captivating music. With influences from bands like Alcest, SOM, Mountaineer, Cult of Luna, Deafheaven, just to name a few, this release is full of emotional swings and dreamy interludes that will captivate any fan of unique and atmospheric music.

Setting a playful and engaging mood, “Différent” nicely leads into the dream-like opener of “Deviens la Nuit”, which quickly brings crushing riffs alongside dreamy vocals giving that Mountaineer meets Cult of Luna vibe as the harsh vocals come in. A good dosage of Alcest-like shoegaziness comes front and center with “Démence de l' me” and “Océan”, further cementing a very ethereal atmosphere alongside dramatic tempo changes.

Creating a very hypnotic and dream-like atmosphere, today we have Atmospheric Black Metal outfit Tour d'Ivoire with their eponymous debut release. With four tracks and over 33 minutes of music, the band’s sound reminds us of one of our favorite bands: Enid. With a good dose of synths, multiple vocal styles, heavy guitars, and a very mellow tempo, this release creates a very dense and immersive vibe that only a handful of more experienced outfits can deliver.

Setting a very mystical mood with “La Tour”, we get a taste of lush atmospherics paired with a river of distorted guitars and harsh vocals. This harshness is masterfully contrasted by ethereal clean vocal choirs, creating a very dissonant and yet pleasing effect. With “Brouillard” and “Forteresse de Marbre” this outfit fully immerses the listener into their world with more waves of catchy and melancholic melodies that continue to showcase the band’s duality.

Unleashing a hefty dosage of Doom/Post-Metal brilliance, today we have Austrian outfit Glare of the Sun with their latest release “Tal”. Featuring a very well balanced sound that mixes elements of bands like Swallow The Sun and The Ocean, this release delivers nine tracks and nearly one hour of highly emotive and yet crushing music. Highly recommended for fans of bleakness with a dose of heaviness, the music here is both emotive and crushing.

Opening with the Swallow the Sun-esque “Colossus”, the band unleashes powerful riffs and thunderous harsh vocals. This first track showcases a Doomier side of the band that slowly gets transitioned as other songs like “Rain”, “Äon”, and “Relikt” introduce more layers to the band’s sound like excellent clean vocals, and highly melancholic (and slower) interludes. The mixture of atmospheric elements alongside piercing riffs keeps tracks like “Stonefall” quite balanced and diverse, avoiding falling into formulaic territories.

Over the years the Atmospheric Black Metal scene has exploded and many bands have crowded it, however, Winterfylleth has always been at the top thanks to their creativity and ability to greatly improve with each release. With “The Imperious Horizon”, the band takes their sound to a whole new level with over 70 minutes of bombastic music that perfectly balances aggression and melancholy.

Setting an enigmatic and lush mood with the instrumental opener, the blasts away with the piercing “Like Brimming Fire”, a track filled with crushing drums and savage riffs, giving us a certain Der Weg einer Freiheit vibe. After the furious opener, “DishonourEnthroned” keeps the intensity but carves some masterful melodic elements into the mix, creating a very enveloping sound, with Chris Naughton harsh vocals brilliantly adding to the turmoil. With no sign of slowing down, “Upon this Shore” and the album title track perfectly deliver a delicate balance between ravaging brutality and melancholy, with some epic headbanging passages and dramatic keyboards/clean vocals.