Creating a very unique and engaging style of Metalcore, today we have France’s Novelists and their latest opus “Coda”. Mixing elements from Progressive Metal, Post-Rock, Djent, alongside some electronic/Industrial elements, the band manages to unleash a very engaging and diverse ten tracks and over 40 minutes of music. Fronted now by Camille Contreras, the band’s sound is quite lush and crafty, providing tons of unique soundscapes along the way. Be prepared from Metalcore unlike you have never heard before.

Opening with the complete banger “Say My Name”, the band oozes melancholy alongside playful melodies. Camille’s vocals are dreamy and the perfect addition to the band’s dynamic sound, giving them a different edge. Continuing with the Djenty/Industrial antics of the album title track, the band quickly shows versatility and tons of new ideas, as well as some powerful growls. However, what hooked us is the soaring chorus sections and crafty instrumentation, creating a very hectic and yet magical pace.

Unleashing a cavernous and quite engaging Doomy Black Metal release, today we have Portland’s Drouth and their third full-length release “The Teeth of Time”. Featuring a fierce mixture of crafty melodic interludes and blistering aural onslaught, this album delivers five tracks and over 40 minutes of intense music. With a very piercing and yet balanced sound, the band’s songwriting is quite polished and intense.

Opening with the piercing “Hurl Your Thunderbolt Even Unto Death”, we get a twin guitar onslaught that unleashes harsh screams and deep growls. The song is both crafty and heavy, setting a very hectic pace for the release. This sinister atmosphere continues in the commanding “False Grail” with Doom and Crust elements thrown into the mix as the song progresses. Far from linear, the band also oozes melancholy when needed with the album title track providing crafty duality, and sustained intensity through this piece.

Showing their breakthrough release “Liminal Rite”, was not a fluke, North American outfit Kardashev returns with the brilliant “Alunea”. Perfectly blending genres and creating totally unique aural experiences, this outfit delivers eight tracks of crushing melancholy. Taking their “Deathgaze” genre to new heights, the band showcases extra maturity and polish in one of our early candidates for album of the year.

Opening with the dreamy “A Precipice. A Door.”, the band embarks on a very ethereal journey that is perfectly flanked by completely crushing Deathcore onslaughts. Mark Garrett’s vocals are some of the most exhilarating in Metal music, as they go from dreamy cleans to insane growls and harsh shrieks, creating an extremely contrasting and yet satisfying experience, through tracks like “Reunion”, “Seed of the Night” and “Speak Silence”.

Unleashing a savage debut full length release, today we have Belgium’s Solfatare with “Asservis par l'espoir”. Featuring six tracks and over 40 minutes of crushing Black Metal, this release showcases that there are still bands pushing the limits of the genre and crafting releases that do not sound exactly like most. With a ferocious take on the genre and the musicianship to back this up, this release is as intense and fierce as they come.

Starting with the blistering “Des monarques anhédoniques” we get that crispy Mgła-esque guitar driven style, but with some sinister twists, creating a very haunting experience. The harsh vocals masterfully add that extra level of desperation and aural abuse that songs like “D'hommes et d'isoptères” and “Du deuil affairé” need to be pushed over the edge. There is a certain intoxicating nature to the sneaky melodic undertones of the guitar work that makes them more effective.

V. Wahntraum (aka J.J) has been on a roll as of recently, not only with his exploits in Harakiri for the Sky, but also with this upcoming crushing Karg release titled “Marodeur”. With eight tracks and over 54 minutes of piercing music, this Post-Black Metal release is full of visceral rawness. Masterfully crafting highly melancholic music, this release is both punishing and demoralizing, creating a very bleak and yet lush atmosphere.

Opening with the enigmatic “ Schnee ist das Blut der Geister”, which also features guest vocals from Perchta and solemn piano elements from Michael Eder, the band sets a very emotional mood. There are certain similarities to Harakiri for the Sky, due to the vocals and some of the guitar melodies, however, this band takes it further into darker and bleaker territories with more solemn and direct songs like “Findling”, “Yūgen”, and our favorite “Annapurna” and its very dramatic atmospherics and cathartic moments.

Six years have passed since the last release from the Swiss masters of Celtic/Folk Metal Eluveitie and they sure make up for it with the awesome “Ànv”. Filled with their highly crafty and melancholic brand of Metal, this release delivers twelve tracks and over 40 minutes of the band’s highly refined music with a few extra more modern influences thrown into the mix.

Starting with a mood setting atmospheric intro, the band quickly gets to business with the explosive “Taranoías”, a fierce track that sets a high-octane vibe from the get go. The hard-hitting “The Prodigal Ones” keeps the momentum going as Chrigel Glanzmann and Fabienne Erni deliver engaging alternating “Beauty and the Beast”-styled vocals, while the album title track changes the pace with an eerie ethereal piece that showcases Fabienne’s range.