With Roy Khan reviving Conception back in 2018, the band took a while to deliver their return full-length “State of Deception”. Delivering around 40 minutes of music, this release has that old Kamelot vibe with a few sprinkles of Evergrey and Queensrÿche. The nine tracks here are catchy and engaging and will surely be loved by Roy Khan fans, as his vocals take front and center to solid songwriting skills and crafty arrangements.

After the mood setting intro, the album kicks off with the hard rocking “Of Raven and Pigs”, a track that starts a bit slow and it takes a while to settle with its lush vocal melodies and crafty guitars. With “Waywardly Broken”, the band goes into that Power/Progressive Metal vibe that we were expecting, thanks to the lively vocal leads and lush atmospheric keyboards. Thankfully, “No Rewind” continues this mood with dynamic guitars and crafty tempo changes, making it one of our favorite songs in this release.

Switzerland has been recently surprising us with their masterful Black Metal bands, Aara is another one of those outfits. Focusing on dramatic atmospherics and lush melodies, “En Ergô Einai” delivers over 33 minutes of emotionally intense music that brings back memories of bands like An Autumn for Crippled Children and Deafheaven. For those that like a melody and ambiance with their brutality, this album is one hell of a discovery.

Easing the listener into a state of hypnosis, a lush opening to “Arkanum” was laid down by Vindsval (Blut Aus Nord), as the band quickly escalates things with furious drumming, dreamy riffs and harrowing shrieks. The cohesion presented by seemingly disparate musical elements is quite effective as the duo’s music perfectly blends that subtle dreaminess with crushing aggression, perfectly illustrated by “Stein auf Stein”.

Enigmatic dutch outfit DOOL is ready to unleash their latest full length release with “Summerland”. Led by charismatic front-woman Ryanne van Dorst, this outfit delivers the perfect mixture of Dark Rock, Gothic Pop and Psychedelic Metal spread out in nine elaborate tracks. Featuring members of bands like Gold, The Devil’s Blood among others, the band’s sound is quite intoxicating, so be prepared for a dark and sinister ride.

The album opens with the masterful “Sulphur & Starlight”, a very somber and yet catchy track that slowly builds up on enigmatic guitars and crafty drumming. The soothing raspy vocals of Ryanne perfectly blend with the playful bass guitar line as the mood changes throughout the song. The hard rocking attitude of the band is truly evident in the epic “Wolf Moon” and the dreamy “God Particle”. The band’s musical influences are vast and varied, as you can even hear some Cult of Luna-esque elements in the later of the previously mentioned tracks.

Hailing from Finland, today we have yet another crushingly frosty Black Metal outfit with Grieve. With no social media, or even internet presence for that matter, Werewolf productions unleashes to a wider audience the bands debut recording. For those that can’t get enough of the nostalgic 90’s Black Metal from bands like Vargrav and Faustian Pact, this 12” release will give you an extra fix.

Taking the listener to the past with their cavernous sound, the band quickly unravels the brutality of “Spiteful Scourge”. In this track the mood seems to be quite straightforward until the tempo changes and eerie clean vocals add an extra mysterious vibe to the song, similar to Ancient’s “Cainian Chronicle”. The dreamy atmospheric keyboards nicely add that extra ethereal touch to the band’s already ravaging sound.

As the perfect companion for those gloomy days ahead, today we have Nergal’s Me and that Man band delivering “New Man, New Songs, Same Shit, Vol.1” a masterful apocalyptic/dark folk/rock release. Featuring eleven tracks filled with guest appearances this release unleashes an emotionally charged atmosphere filled will bluesy and folky vibes. If you are into Hexvessel, Grave Pleasures and King Dude, this release will hit close to home.

The release opens with the imposing “Run With The Devil”, which Jørgen Munkeby on vocals and sax, giving the song a very lively mood thanks to its catchiness and simplicity. Darkness descends upon listeners with the bluesy “Coming Home” and the eerie folky “Burning Churches” with Mat McNerney handling vocals alongside creepy chorus arrangements and lush acoustic guitars.

Unleashing a very refined futuristic release, today we have Italy’s one-man band Master Boot Record and their latest release “Floppy Disk Overdrive”. Besides the massive geekiness of the band’s name, concept and the album’s song names, this instrumental release is quite enjoyable and engaging. With the current state of affairs in the world, it is refreshing to be able to escape into a dystopian world with the songs in this release.

Opening with the Blade Runner-esque “ANSI.SYS”, the mood is set to be a very dynamic and engaging one. For those that are not followers of Video Game Metal/Nintendocore, bands like Vomitron and others have been releasing similar 8-bit/MIDI inspired music, but Master Boot Record takes it to a whole new level with additional influences and a bigger and more bombastic theatrical vibe, as shown in songs like “EDIT.COM”, “DEFRAG.EXE” and “DISPLAY.SIS”.

Unleashing a very unique musical concoction of Progressive elements mixed in with Death/Black Metal, today we have Bay Area’s newcomers Dawn of Ouroboros and their full-length release “The Art of Morphology”. With over 40 minutes of crafty music, this release showcases plenty of musical talent and creativity paired with a high-octane delivery and intensity. If you are a fan of creative music that blends genres together and delivers high-replay value, this is the album for you.

Opening with the dreamy intro to “Revivified Spirits”, the band quickly shifts into 5th gear with brutal onslaughts of harsh vocals, violent drumming and intense riffing, showing off their versatility from the start. With a certain jazzy and proggy vibe, “Pinnacle Induced Vertigo” is one of those playful tracks that nicely transitions into the mood setting instrumental “Gateway to Tenebrosity”. Fronted by Chelsea Murphy, the band’s sound is perfectly suited for her mixed use of demonic harsh screams and angelic clean vocals as the ethereal “Lunar Cathexis” contrasts.

Hailing from Italy, today we have the superbly lively Symphonic/Power Metal release “Multiverse” from the band Aevum. Delivering nearly one hour of high-octane music, this release will certainly brighten your day and infuse neck-pain inducing headbanging onslaughts. Recommended for fans of bands like Sonata Arctica, Avantasia and Rhapsody, this album is both bombastic and well crafted.

The release kicks off with the dynamic opener, “The Pilgrim”, this track showcases most of the band’s tricks as it combines clean female and male vocals, harsh screams and dramatic guitar leads. Not losing the momentum, the band continues with bombastic tracks like “Spark of Life”, “Tair”, “The Time Machine”, which feature excellent arrangements, crafty vocal melodies and superb instrumentation. Showing a darker side, we have one of our favorites “Black Honeymoon”, a mellower and more sinister song than the first ones.

Perfectly combining Post-Rock with Sludge Metal influences, today we have UK’s Telepathy and their third full-length release “Burn Embrace”. Creating a cinematic aura with their instrumental music, this outfit delivers over 40 minutes of melancholy. Highly recommended for fans of bands like Mono and The Ocean, this band creates a very unique middle point between those two bands with their expansive style.

Opening with the darkness of “Eternal Silence”, the band creates a very mysterious and yet intoxicating atmosphere. The band’s heavier side comes into light with the relentless guitars and drums of “Aonaran”, creating a more dynamic and textured atmosphere. The band hits their stride with the crafty “Black Earth” and show their Sludginess on the Amenra-esque “Pariah”, both different and yet very engaging tracks.