Hailing from Greece, today we have the sinister Dødsferd and their latest opus “Wrath”. Featuring ten tracks and nearly one hour of crushing Black Metal, this band shows the listener no mercy with their high-octane tracks and fierce sound. Highly recommended for purists of the genre, this album packs a lot of punch and shows that the band means business.

Waiting no time to establish a pummeling atmosphere, “Restoration of Justice” opens the release with incisive guitar work and hellish vocals, courtesy of Wrath, one of the most consistent and fierce vocalists in the scene. The band pummels through pieces like “Decay of Sanity”, “Raging Lust of Creation”, and “Spiritual Lethargy”, unleashing long tracks (up to 10 minutes long) of sheer brutality.

Hailing from France, today we have a pretty interesting outfit with Demande À La Poussière and their mysterious Blackened Post-Metal/Sludge music. In “Kintsugi”, the band unleashes eleven crushing tracks filled with crafty tempo changes, ripping riffs, and punishing vocals. Mixing elements from outfits like The Ocean, Downfall of Gaia, and sludgier outfits, the band creates a very piercing and unnerving unique style.

The band starts building a thunderous momentum with the crushing riffs of “Inapte”, masterfully crafting a very unnerving and yet immersive atmosphere, as it transitions to “Kintsugi” and “ La Parabole des Aveugles”, two tracks that showcase the band’s Sludginess. Weaving back and forth between hypnotic dreaminess and punishing dissonance, “Ichinawa” is our favorite track in this release thanks to its engaging tempo changes.

Hailing from Israel, today we have Tomorrow’s Rain and their highly polished mixture of Gothic/Death/Doom Metal, unleashing their sophomore release “Ovdan”. Making a big impact with their debut “Hollow” and its plethora of high profile guests, with this release the band continues on a similar path, but also starts to showcase more their own style in tracks without guests.

The release kicks off with the elegant “Roads”, a Doomy song that features Andreas Vingback (Dark Funeral) and Tony Wakeford on guest vocals, creating a very sultry and jazzy vibe at times. Transitioning into “Sunrise” we get the band’s uncompromising Death/Doom core with crafty atmospherics, guitar leads, and tempo changes. In “Muaka”, the acoustic guitars give a certain Empyrium-esque vibe that transitions into distorted guitars and dramatic leads alongside Attila Csihar’s vocals.

After blowing us away with their debut release in 2022, Mark Deeks and Arð return with another monumental release titled “Untouched by Fire”. Perfectly mixing eerie choir arrangements with traditional Doom Metal, or monastic doom as the band has been pegged, this release is more epic, more solemn, and more dreamy than the last one. So be prepared for a truly immersive and mournful listening experience.

Opening with the crushing riffs of “Cursed To Nothing But Patience”, this outfit sets a very ethereal and regal atmosphere that only a handful of bands can create, like Hamferð and Skepticism. The lush instrumentation adds an extra layer to the music, with tons of intricate elements perfectly introduced in precise moments to capture the cinematic experience of Arð’s music, as show in the opener and other excellent tracks like “Name Bestowed”, “Hefenfelth” and our favorite, the even more melancholic “He Saw Nine Winters” and its weeping lead guitars.

There must be something in the water in Poland that produces excellent Black Metal bands like Mgła, Kriegsmaschine, Behemoth, and Blaze of Perdition to name a few. On the subject of the latter, today we have their latest opus with “Upharsin”, a 41-minute beast filled with five tracks of punishing and hateful music. If you like intensity and nerve wrecking atmospherics, this release will satisfy your cravings.

Opening with the monster “W kwiecie rozłamu”, the band unleashes eight minutes of uncompromising brutality and harshness. While not as clinical as outfits like Mgła, Blaze of Perdition compensates with sheer intensity and crafty sinister melodies, as the powerful “Przez rany” slowly builds its momentum and creates dissonant soundscapes. The band’s execution is immersive, as tracks like “Niezmywalne” perfectly deliver blistering drumming, alongside incisive guitars and engaging tempo changes.

Unleashing a fierce Black Metal debut, Satanic North comes out of Finland and is ready to rival any of the genre’s best bands with their raw and punishing style. In this self-titled full-length release, the band cranks out ten tracks and nearly 40 minutes of all-out war with their incisive style. Did we mention that this outfit also features Petri Lindroos and Janne Parviainen of Ensiferum fame? With this line-up we get a killer debut filled with old-school vibes.

Opening with “War”, we get some foul opening riffs that show the band means business. Having that old-school 90’s BM vibe, the track quickly escalates to all-out rage with blast beats and strong shrieks. One of the band’s strengths is the raw power of their sound, with tracks like “Arise”, “Village”, and “Hatred and Blasphemy” being quite punishing, in part thanks to its double vocal onslaught, and yet featuring some clean and modern production.

Unleashing a very lively and engaging EP, today we have North American Symphonic/Power Metal outfit Dialith with “Alter”. Featuring four bombastic tracks and around 14 minutes of music, this release is a great calling card from a promising young band. If you are a fan of bands like Visions of Atlantis, Xandria, Serenity, Delain, etc., this release will be a solid addition to your rotation.

The legendary My Dying Bride is back with another mournful release filled with their magical Gothic/Doom Metal exploits. With nearly 55 minutes spread around in seven tracks that showcase the band’s signature powerful style. Never disappointing, the band always delivers very engaging and diverse releases and “A Mortal Binding” is no exception.

Opening with “Her Dominion”, we instantly get the signature Andrew Craighan riffs alongside the band’s crafty tempo changes, with the drumming handled by Dan Mullins since his return to the band last year. The perfect balance between the fragility of the atmospheric elements like the subtle keyboards and violins is nicely outflanked by the staple combination of growls and dramatic clean vocals of Aaron Stainthorpe, and tracks like “Thornwyck Hymn” and “The 2nd of Three Bells” really exploit these elements.

Having been fans of this one-man project since their early days on Sun & Moon records, Selbst has greatly matured over time and with “Despondency Chord Progression” the band reaches new heights in terms of demoralizing and punishing music. Featuring seven tracks and nearly 44 minutes of music, N takes a different approach with this release focusing more on creating layered atmospheres that are both crushing and yet elegant and refined.

The release opens with the Spanish titled “La encarnación de todos los miedos”, a very typical Selbst track with fierce vocals and incisive guitar riffs. This track continues with the brutality and harshness of “Relatos de angustia”, making the perfect opener to set the vibe. The masterfully titled “When True Loneliness is Experienced”, mixes in some more melodic and highly melancholic passages, creating a very depressing and chilling vibe that is only exacerbated by the eerie clean vocals thrown into the mix.

After taking the scene by storm with “Summerland”, DOOL had set an impossibly high bar for their follow-up release. Fast-forward four years and the band is ready to unleash “The Shape of Fluidity” to the world, featuring nine tracks and nearly 50 minutes of their signature Dark Rock. Further improving their energy level and songwriting abilities, this release more than delivers on the potential and promise of this excellent outfit.

From the opening single, “Venus in Flames”, Raven Van Dorst’s presence is immediately felt thanks to her signature vocals and guitar playing chops. The album starts with a bang, thanks to a very well crafted and energetic song with some epic passages and dreamy interludes. The band’s music is very melodic and guitar driven, with pieces like “Self-Dissect”, the album title track, and “Evil in You” delivering highly intoxicating riffs and perfectly crafted tempo changes. While other songs like “Currents” serve to create atmospheric pauses and brace the listener for what follows.