Satyricon – Live At The Opera (2015)

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As one of the most refined bands of the early wave of Norwegian Black Metal, Satyricon has kept pushing their sound over the years. In “Live at The Opera”, we get to hear some of their earlier works and their most recent pieces play seamlessly together in a 94 minute concert that incorporates a 55-person choral arrangements into their music. Allowing the band’s sound to be more sinister than ever, this is one hell of a live release…. And we have only heard the audio portion of it.

Slowly starting with an extra creepy version of “Voice of Shadows”, the band sets the mood quite effectively with the second track “Now Diabolical”. With a very subtle usage of the choir arrangements to create very oppressive moods, the band greatly improves on songs like the previously mentioned one and other classics like “Repined Bastard Nation”. The band’s newest songs “Nocturnal Flare” and “Our World it Rumbles Tonight” feature very effective arrangements to make already catchy songs even more dynamic and engaging.

Nightwish + Sabaton + Delain - 4/28/2015 - The Warfield- San Francisco, CA

Even with tons of shows coming to town each month, we have been super excited about the Nightwish tour since it was announced months ago. Along with Delain and Sabaton this is probably one of the most expected shows of 2014 and the crowd response was indicative of that. With the entirety of the floor tickets sold out even when there was another solid show across town, people gathered en-masse to show their support for these exciting bands.

Biopsy – Fractals of Derangement (2015)

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Hailing from India, today we have Death/Grind outfit Biopsy and their short but sweet EP titled “Fractals of Derangement”. With a very quiet scene until the last few years, India is delivering some very solid band and getting attention from Metalheads as a source for quality music. Biopsy is one of their stronger exponents with their oppressive sound and superbly crafted tracks.

Opening with “Hemolytic Crisis”, you are instantly treated to a high-octane piece with surgical precision drums and crunchy riffs. The mixture of growls and shrieks is quite solid and works very well for the level of brutality the music presents. With very traditional Death Metal song structures, “Anatomical Reconstruction” and “Genesis” have that old-school vibe nicely mixed in with some faster and Grind-ier moments that are perfect for headbanging en masse.

Kamelot – Haven (2015)

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As one of the most anticipated releases of 2015, today we have Kamelot and their 11th full-length release “Haven”. Featuring a more explosive and theatrical sound, the band delivers around 54 minutes of brilliant music that shows a very well integrated Tommy Karevik with the rest of the band, making their music more cohesive and extra melancholic.

In a very lively and dynamic opening, “Fallen Star” sets a very emotional mood for this release. As the first super catchy song of this release appears with “Insomnia”, featuring a great chorus section, it is very evident that Karevik is now perfectly integrated into the dramatic atmospheric keyboards and the playful guitar works of Thomas Youngblood. Moving into more lush and symphonic territories, “Citizen Zero” features a very Symphonic Metal-centric approach with excellent vocal arrangements and modern sounding guitars.

Emerged – Letting Go of Certainties (2015)

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Formed by Tom Palms of Phlebotomized fame, this Dutch outfit delivers a nice five-song EP bridging genres between Progressive Metal, Heavy Metal, Stoner Rock, and some Doom. It is hard to standout these days, but the band’s music makes this quite effortless for Emerged. With a knack for epic melodies and super catchy song structures with a certain 90’s Metal feeling to them, this band is set to take the scene by surprise.

With every song being quite different and a thing to individually explore, the band leads off with the melancholic “Dark Corner of my Mind”. In this track the band delivers a mid-tempo Proggy track with heavy riffs and some quite retro speedups. As we head into “Don’t Speak”, we have a livelier atmosphere with some chugging riffs and a certain old-school Psychedelic/Stoner vibe. Heavy Metal meets Prog Rock is the theme for the super catchy “Get a Life”, a song we can picture having vocals both by Dio and James LaBrie.

Ether – Hymns of Failure (2015)

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Is Canada the new Black Metal cradle? Seems like it based on the fact that some of the best Black Metal releases of 2015 have all been from this country. Adding to the count of amazing BM albums, today we have one-man behemoth Ether and its sophomore release “Hymns of Failure”. Clocking in at 90 minutes, this double CD perfectly blends melancholy, depressiveness, and brutality in a crushing manner.

Opening with the intense “Failure”, we had to instantly check if the drums are real… and oh yes they are. This 10-minute piece is piercing and brutal, feels like Mysticum on crack. Scythrawl masterfully manages tempo changes and mood swings in this release from insane blast beats to ambient passages as “Enmity” clearly shows. Slowly morphing into more melancholic blistering music, the album starts quite intense and it transforms brilliantly as time passes by, clearly showcased by our favorite “Coldness” and its eerie vocal arrangements.

Interview with The Vintage Caravan - Óskar Logi Ágústsson (2015)

A few weeks before the release of "The Arrival", we managed to strike a conversation with The Vintage Caravan's charismatic Óskar Logi Ágústsson. In our conversation we discussed in detail the band's upcoming release, what is it like to lick bunnies among other things. In order to listen to this 20+ minute interview, please click on the player below this text.

Luciferian Rites – When the Light Dies (2015)

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Just when you think that Horna and more specifically Shatraug, has the market corned for raw and demoralizing Black Metal, we get a band like Luciferian Rites and their soul crushing sophomore release “When the Light Dies”. Featuring total savagery from start to finish, this Mexican band deliver one of those raw and punishing Black Metal releases that instantly standout from the rest.

The album opens with the fulminating violence of “Eternal Misanthropy of the Black Cosmos”, a crushing track that sets a very intense mood with pummeling riffs and eerie vocals. The music is by no means innovative, but it is so flawlessly executed that it sends chills through our skin. Ravaging through songs like “Incinerated Cross” and “Infernal Manifestation”, we are still blown away by the raw brutality behind the band’s sound and the crisp quality of the production behind this release.

Ereb Altor – Nattramn (2015)

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Featuring Crister Olsson and Daniel Bryntse of Isole, Ereb Altor delivers a Viking infused Epic Doom Metal that is very distinctive and enjoyable in nature. As the band’s fifth full-length release, “Nattram” shows great maturity for the band and clearly showcases the well-polished chops this group of musicians has developed over the years.

After a warm-up instrumental, the band brings forth their best Epic Doom Metal skills with the intoxicating “Midsommarblot”. Just imagine Tyr-meets-Candlemass and this is something similar to what you will get with this highly atmospheric and melodic piece. In terms of headbanging, “Nattramn” is the perfect piece to do this with its crushing harsh vocals and killer drumming. We greatly enjoy that the band moves from a heavy song into a more melodic and Epic one in a nearly seamless fashion as we can see with the transition to another epic anthem titled “The Dance of Elves”.

Délétère - Les heures de la peste (2015)

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Hailing from Canda, today we have the debut full-length of Délétère titled “Les heures de la peste”. Playing vicious Black Metal that is quite raw and punishing, this band delivers eight tracks and around 50 minutes of crushing music that has a certain 90’s European flair. Out on Sepulchral Productions, you know this band will be awesome due to their excellent skills in uncovering underground Black Metal acts.

The band immediately explodes with raw songs like “Matines – Portepeste” and “Laudes – Credo II”, both tracks have a certain Low-fi rawness that makes them quite punishing. The use of odd vocal arrangements also makes them quite unique and unpredictable. We particularly enjoy tracks were the band changes up the tempo and delivers and slower aural assault such as “  Tierce - Aux thaumaturges égarés, une étoil...”, a more melodic and atmospheric piece that changes the mood of this release.

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