Hailing from Hungary, today we have a very energetic outfit named Perihelion. Seamlessly blending Post-Rock and Progressive Metal elements with soaring vocals, this band delivers a very melancholic release with “Zeng”. All sung in Hungarian, this release is quite unique as it constantly changes between styles at the exact moment you think you have figured them out.

Opening with the dreamy “Tündöklés”, the band nicely moves around from a very atmospheric and Post-Rock-ish pace to a faster and more aggressive stance at the end of the song, which seamlessly blends into the second track “Vég se hozza el”. You can clearly hear some Alcest/Post-Black Metal worship here in the guitars, but they are interestingly contrasted by the soaring clean vocals of Gyula Vasvári. Things even get a bit folky in “Felemészt a tér”, a track that reminds us of another Hungarian band Dalriada, but with a male vocalist.

Arriving from Apathia Records, today we have a very weird Ambient / Trip-hop / Electronic release titled “Sidermesis”. Hailing from Paris, France, Erdh is a pretty unique outfit with a good ear for crafting intoxicating atmospheres and very diverse soundscapes. If you like their weird side of The 3rd and the Mortal, Ulver, and even Depeche Mode, this is right up your alley.

Opening with the slowly building atmospheric title track, we get a moody piece that nicely introduces the listener to the band’s world. The vocals provided by Emmanuel Lévy fit the music nicely giving it a certain ethereal and gothic vibe. Nicolas Pingnelain’s music is pretty intense and creates a certain sense of urgency as we can hear from the very solid “Backup 1011”.

After releasing a couple of lukewarm releases, Children of Bodom are back in fully force with the brilliant “I Worship Chaos”. The band mixes their early days intensity and naivety with their more modern elements to deliver a high-octane release that is full of memorable songs and brilliant musicianship.

Opening with the intense “I Hurt”, we get a killer pace set by blistering guitars and very hectic drumming. This track is both fun and precise, keeping the listener headbanging since the first minute. The festive mood continues with the pummeling “My Bodom”, a track that increases in tempo and creativity as it progresses, leading to some signature solo face-off sections near the end. Perfectly blending the band’s “Something Wild”-era antics with their cleaner and more direct recent sound, “Morrigan” is the first track in this release that gets stuff in your head. The melody is quite intoxicating and the atmosphere is just magical, a typical older CoB track but with an edge.

As one of the most underrated Bay Area Thrash Metal band in the scene, today we have Ulysses Siren and their EP “Justifiable Homicide”. Featuring some songs of their 2011 demo and three live songs, this release was slated for a couple of years back but the loss of Jon Torres derailed all the band’s plans. A few line-up changes and a couple of years later, we are finally able to get our hands on a few songs from the demo and some live goodies.

Opening with the title track, the band delivers an intense punch of old-school Thrash brilliance. The guitars are quite vicious and the drumming delivers the perfect tempo for this great piece of period music. The band’s experience allows them to deliver their timeless sound with an unspoken authenticity that only the real Bay Area Thrash bands have. “Bludgeoned Mass” keeps things nice and heavy with some killer guitar acrobatics and very tight drums. Paired with a very upbeat tempo, this track is quite enjoyable.

After being quite intrigued by the band’s 2011 release “Antimatter”, this band released the lukewarm “Ansia” back in 2013. Fast forward two years, now we have their latest EP “Our Hearts Slow Down” which features three songs and around 30 minutes of Post-Metal/Post-Black Metal songs. Not too much better than their 2013 release, this album sees the band move away almost entirely from their Avant-garde influences into the fertile Post-Metal/Post-Black Metal realm with three so-so songs.

Opening with the hypnotic “The Mantra of Anguish”, we are presented with very powerful riffs and a bleak landscape. The band keeps things simple by attacking the listener with ravaging guitars and spacey drum. There are some brilliant melodic passages that make the track more interesting, but still fails to fully impress. Things get a bit more hectic and enjoyable with the chaotic “Those Above” and its high-intensity drums. The riffing in parts is more on the traditional Black Metal side, making this track quite crushing and powerful.

Heavy Metal amazon Jill Janus and crew returns with yet another solid and superbly catchy release with “Static”. Featuring a more mature sound, Huntress has clearly evolved over their meteoric rise in the last 5 years and with this release they aim to solidify their status as one of the premier modern Heavy Metal bands. Pleasing fans and luring bystanders into their sound, this release is one fin example of Huntress and their power.

Quickly blasting away with superbly catchy and energetic tracks like “Sorrow”, “Flesh” and the soaring “Brian”, Jill Janus is again the most iconic feature of the band, but the riffing also entices the listener. The band specializes in crafting catchy and simple tracks that are full of melodic guitars and a very upbeat tempo that makes you want to start headbanging. The uber catchy “I Want to Wanna Wake Up” has that old-school Heavy Metal vibe that some of the NWOBHM band brought to the scene back in the day.

With a larger than life attitude, today we have Poois and their latest release “Soul Spook Collector”. Featuring 10 songs of very diverse and crafty music, this album has tons of influences mixed into a very cohesive and party-like sound that you rarely hear these days. By further enriching their sound, this American band manages to provide a very unique and energetic album that people will greatly enjoy.

The album opens with very unique and engaging tracks like the hectic “Fuckin’ Job” and the superbly catchy “Love Gun”. This clearly shows that the listener is in for a treat thanks to the wide variety of sounds and styles they will hear. The song lyrics are quite quirky with songs like “$19.95” and the funky effects of “Crack the Whip”, this gives that extra dimension to the music, and makes up for quite a hilarious time when trying to follow them.

Arriving just in time to close the summer, The Black Dahlia Murder deliver their most recent outburst of brutality titled “Abysmal”. Featuring ten tracks of acrobatic Melodic Death Metal, the band finally sheds all remaining elements of their Deathcore days and delivers one of the most destructive and yet melodic releases of 2015. The Carcass worship is clearly present alongside the band’s own devastating sound.

Opening with the dramatic “Receipt”, the band blasts away at listeners with their relentless drumming and crushing riffs in a demolishing fashion. And immediate standout in this release is the track “Abysmal” that reminds us of a mixture of Thulcandra/Dissection and Carcass with it harsh vocals, melodic guitars, and very oppressive atmosphere. The band’s founding members Trevor Strnad and Brian Eschbach have come a long way over the years and this release is testament of their musical evolution.