Hailing from Indonesia, today we have one-man battalion Pure Wrath with the very impressive “The Forlorn Soldier” EP release. Unleashing a masterful combination of dramatic atmospherics, blistering Black Metal onslaughts and a hearty sense of melody, this release delivers almost 30 minutes of flawless music. Highly recommended for fans of bands like Sad Legend, Saor and Vallendusk, be prepared for an aural assault with this one.

The release opens with the blistering “When a Great Man Dies” and its waves of punishing riffs perfectly intertwined with catchy atmospheric elements and harsh vocals. This combination creates a very chaotic, yet refined and lush experience that will quickly grab the listener's attention and never let go. We particularly enjoy the solemn clean vocal arrangements in the superbly melodic closing stages of the song.

Unleashing an early front-runner for Black Metal album of the year, today we have Blaze of Perdition and their fifth full-length release. Featuring over 50 minutes of sinister music, this release delivers the perfect mixture of atmosphere, brutality and melody that few achieve. As their first release through Metal Blade Records, the band showcases a ravaging sound that is ready to be massively divulged.

The opener “Suffering Made Bliss” delivers a devastating blow of layered guitars, hellish vocals and bestial drumming that slowly eases into crafty and more melodic passages with a throbbing bass guitar line. Using creepy samples and a very hypnotic atmosphere, “With Madman’s Faith”, builds up on the first onslaught and unleashes a more sinister and hellish side to the band, additional to their pummeling and ravaging onslaughts.

Hailing from Spain, Diabulus In Musica is a band that has passed under the radar to many fans of Symphonic Metal. However, their music has always been top-notch and up to par with genre greats such as Epic, Delain, etc. With “Euphonic Entropy” the band casts a wider net with a few more influences incorporated to their already bombastic style.

After the traditional intro, “Race to Equilibrium” delivers over-the-top dramatic orchestrations, rich choir arrangements and powerful growls. This track makes a great statement as to the band’s chops to deliver complex songs that are both intense and complex in nature. Opening with crushing guitar riffs, “Nuevo Rumbo” and “Otio” have a very Epica-esque feeling that is nicely shifted once Zuberoa and Gorka sing in a different language, immediately challenging the listener’s idea that most songs in the genre are usually sung in English.

Oozing melancholy, today we have Karg’s latest opus “Traktat”. As a one-man project from J.J of Harakiri for the Sky fame, this band focuses more on a more dreamy Post-Black Metal style, perfect for any fan of the genre. While this project has evolved from Atmospheric Black Metal territories to this more compact sound, this release shows the evolution of a musician refining his signature elements and further complimenting them with subtle improvements. Delivering the perfect mixture of bleak desolation and harsh aggressiveness, this release is certainly an intense ride.

Opening with the dreamy layered guitars of “Irgendjemand wartet immer”, this release sets a very moody atmosphere that is quite traditional of Karg. With J.J handling all instruments, you can hear the very effective interplay of the drums and guitars. The vocals are the typical harsh screams that add anxiety inducing helplessness to the songs, perfect examples of this are “Jahr Ohne Sommer”, and the doomier “Stolperkenotaphe” and its excellent string arrangements.

After a super busy touring schedule since joining Architects since mid-2016, Josh Middleton and company finally return with their crushing fifth full-length release “Cycle of Suffering”. Building up on their powerful Melodic Death/Thrash Metal sound, this release unleashes 50 minutes of crafty music filled with intricate guitars and punishing aggression. Like no time has past, this release continues the band’s legacy of well crafted brutality and melody.

Quickly getting in the listener’s face, “Empty Prophets” delivers an exquisite balance of crunchy riffs and crafty guitar leads. Others might prefer the more melodic and mellow side of the band with tracks like “I Server” and the album title track delivering a unique mixture of Death-like guitars and intricate melodic passages. The headbanging value of the band’s music is unrivaled as we can enjoy sweeping transitions from dramatic melodic passages into brutal agressive onslaughts thanks to Josh Middleton’s harsh vocals.

Delivering a firm and switch brutal onslaught of intense riffing, today we have God Dethroned and their latest opus “Illuminati”. Luckily for early fans, Henri Sattler decided to revive the band a few years back and now they unleash one hell of a release divided into nine ear-piercing tracks. While not long in duration, the 36 minutes of music presented are some of the finest this Dutch outfit has ever produced.

The album title track opens the release with a vicious old-school Death Metal vibe, perfectly adorned with Blacked Harsh screams and lush atmospheric keyboards. With “Broken Halo” continuing in the same fashion, we are completely floored as “Book of Lies” unleashes hell with piercing riffs and brilliant melodic intensity. This last track is definitely one for brutal headbanging, and with some contrasting solemn guitar leads, it is just magical.

Consistently pushing their sound and delivering excellent releases, today we have Delain’s fifth full-length release “Apocalypse & Chill”. With a very modern concept and image, the band unleashes 13 hyper catchy songs that are full of lush orchestrations and the signature angelic vocals of Charlotte Wessels. If you are a fan of the band, this release will certainly rank among their best, after a small adaptation period.

Opening with style, “One Second” sets a very bombastic and explosive mood. The band’s well oiled machinery seemingly effortlessly crafts one intense and lush opener. As the band experiments with some electronic elements on tracks like “We Had Everything”, “To Live is to Die”, and “Chemical Redemption”, we get a slight modern Within Temptation and Amaranthe edge, but of course with Delain’s brilliant balance of melody and crunchy guitars. While the band hasn’t gone full-on mainstream Pop-ish Metal, this release does hedge them a bit more into that space.

As a highly mysterious duo from Sweden, Greve unleashes upon the masses their debut full-lenght release “Nordarikets strid”. Featuring an eerie retro Atmospheric/Symphonic Black Metal sound, this album transport the listeners across aural planes with its incisive furious onslaughts and dramatic atmospherics.

Setting the mood with a dreamy intro, “Vid Dödens Tröskel” fully unleashes Greve’s fury with pummeling drums and piercing shrieks. The band’s Black Metal core is on point, delivering waves of crushing riffs and crafty tempo changes to keep things interesting as one can hear on the album title track and the Dissection-esque “I Svarta Solens Magi”.

Hailing from Greece, today we have yet another crushing Black Metal band to come out of World Terror Committee’s label roster. With a very visceral and incisive sound, Serpent Noir sounds like BM, but not like everybody else does. Mixing elements from genre greats with a crystal clear production and a vicious passion, “Death Clan OD” is one hell of a pummeling release.

After the typical mood setting intro, the band wastes no time and delivers the cavernous “Cutting the Umbilical Cord of Hel”, a track filled with pummeling guitars and dramatic atmospherics. Taking a more melodic stance, “Hexcraft” delivers waves of hypnotic drum patterns, a throbbing bass guitar line and sinister vocals. The release turns into more mystical and ritualistic territories with the creepy “Asmodeus The Sword of Golachab”, one of the densest and most powerful tracks in this release.

With most bands happy to just crank out full-length after full-length releases, Black Metal pioneer Ihsahn decided to challenge himself and do the opposite: break up a full-length release and deliver it as two EP’s. In “Telemark” we can hear some of his most rawest and direct compositions in quite a while, showing that this experiment has allowed Ihsahn to focus on the duality of his sound in compartmentalized approaches.

The incisive opener “Stridig” perfectly balances raw and punishing BM onslaughts with trippy Saxophone elements and a very dreamy and yet aggressive stance. With all the lyrics in Norwegian, this track has a brilliant pace and feels like yet another exploratory dimension to Ihsahn’s unique musical vision. With a bluesy aggression to it, “Nord” perfectly combines heavy riffs with crafty tempo changes and a sultry hypnotic pace thanks to a piercing bass guitar line and sinister drum patterns.