In Mourning – Monolith (2010)

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Hailing from Sweden, In Mourning returns after their highly acclaimed debut album “Shrouded Divine”. The new album “Monolith” marks a very big step in the right direction from the band since they have greatly improved their sound and show great promise for the future.

While “Monolith” features more experimentation than the band’s previous album, it still features a well crafted Melodic/Progressive Death Metal sound that makes this band standout from the rest. Some of the experimentation in this album is not 100% to my liking, like the screamed vocals, but the growls and overall structure of the songs make up for this.

Ihsahn – After (2010)

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“After” is one of the first albums of 2010 that I had the pleasure of listening to, and it blew my mind from start to end. Ihsahn is clearly one of the few musicians that are true visionaries and are not afraid of bending the boundaries of music in order to share their vision with the world.

With each album topping the previous one, Ihsahn has constantly been evolving and incorporating different elements to his music until “After” where he blended the use of the saxophone in a highly impressive way that had me listening over and over to make sure my ears were not deceiving me. This paired with brilliant musical composition skills make this album one of the most complex and intricate I’ve reviewed in years.

Troll – Neo-Satanic Supremacy (2010)

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After almost 10 years of creeping in the dark woods of Norway, Troll is back with a new symphonic Black Metal opus that restores the momentum the band had after the release of “Universal” back in 2001.

Featuring one remaining member of the original band, Nagash (a.k.a Stian Arnesen) the band is back with a full lineup and the purpose of kicking some major ass. “Neo-Satanic Supremacy” is less Industrial Metal than “Universal” but it sill sounds better than anything that the band released before.

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