Hailing from Finland, today we have a very interesting duo, Champions of Sorrow, with a crafty take on Symphonic Death Metal/Deathcore. On their debut EP, “The Night Makes Us”, this outfit delivers a Fleshgod Apocalypse-meets-Lorna Shore onslaught of 16 minutes of well crafted music filled with epic arrangements, crushing drumming, and hearty growls to keep things heavy.

Reigning kings of Epic Folk Metal, Ensiferum, mark their return with “Winter Storm”, a ten track release filled with the band’s signature high-octane music perfectly blanched with folk elements and soaring vocal melodies. As anybody could expect, this release delivers 45 minutes of some of the finest music the band has ever produced. The band has been improving their style over nearly three decades and they are getting darn near perfection.

After setting the mood with an instrumental opener, “Winter Storm Vigilantes” quickly jumps at the listener with the band’s signature catchiness, and Petri’s harsh vocals. This track is quite lively, immediately shifting the mood into all-out-battle mode. The band’s use of multiple vocalists, both on cleans and harsh vocals, allows the tracks to be more dynamic and have some extra depth, keeping things fresh and exciting, like on the magical “Long Cold Winter of Sorrow and Strife”, and the playful “Fatherland” and its folky passages.

Always consistently good over the years, Swallow the Sun has constantly strived to deliver some of the most melancholic and depressing Death/Doom Metal music. With “Shining”, the band shakes things up and infuses more Gothic Metal elements to their original sound, creating a very interesting and different aural experience. With a ‘livelier’ sound, this release unravels ten tracks and around 49 minutes of crafty music that will certainly turn some heads. When something is labeled as the “Black Album” of Death Doom, you know there will be some controversy around it.

Opening with “Innocence Was Long Forgotten”, we instantly get a very distinctive difference in the band’s traditional style. While you still have the bleakness of Swallow the Sun, you also get some softer touches, making the song sound like Lacrimas Profundere, Beseech, To/Die/For, etc. There are definitely some vintage STS elements on songs like “What I Have Become”, at least in some parts, perfectly blending new elements with the old. Mikko Kotamäki does a great job mixing up his traditional snarls and growls with more emotive clean vocal sections.

Creating a very unique style of aural abuse, today we have Sludge/Post Metal and Crust outfit Immortal Bird and their third full-length release “Sin Querencia”. Featuring eight tracks and nearly 36 minutes of musical madness, this release is heavy, contrived, chaotic, and downright insanely good. There is some brilliance to creating such dissonance and yet feeling cohesive and devastating enough to captivate the listener, and this release delivers that in heaps.

Opening with “Bioluminescent Toxins” we get a fairly straightforward piece with piercing riffs, crafty drums and a slow progression that feels very traditional for Sludge. However, Rae Amitay’s vocals quickly shift the mood, ranging from hellish harsh screams to sultry cleans, creating very interesting and contrasting sections. Blistering brutality follows with the piercing “Plastered Sainthood”, the trippy “Consanguinity”, and the Djenty “Propagandized”, with the band showcasing raw brutality and tons of weird and crafty ideas.

If you thought that Iotunn’s debut release was impressive, wait until you hear how epic “Kinship” is. Taking their lively Progressive Melodic Metal sound to new heights, this release delivers eight highly emotional tracks that clock in at nearly 70 minutes of music. Perfectly surrounding Jón Aldará with excellent musicians and song-writers, this release is a testament on how retooling of traditional/progressive Metal elements and styles can work wonders with the right talent behind the vocals.

Opening with the dreamy and emotive “Kingship Elegiac”, the band rapidly sets a very melancholic vibe that brilliantly fits the emotion of Jón Aldará vocals. As the distorted guitars and weeping leads come into play, this track has hooked anybody that likes melodic/melancholic music, and it is just the beginning of this 13-minute piece. The proggy nature of the band’s music keeps things dynamic and very different from your run-of-the-mill Melodic Death Metal band, focusing more on creating epic moody melodies than on headbanging passages, as “Mistalnd” powerfully delivers.

Not satisfied after releasing the best album of 2023 (“Black Medium Current”) with DHG last year, Vicotnik returns with Camille Giradeau under the moniker Doedsmaghird, to push things even further and weirder. With a more raw and less bounded perspective “Omniverse Consciousness” unleashes nine tracks and over 50 minutes of Avant-garde Black Metal madness that is chilling, trippy, and extremely awesome.

Setting a very tormentous mood, “Heart of Hell” delivers harsh riffing, funky atmospherics, and the unique vocal antics of Vicotnik. Of course there are some inevitable DHG elements in this release, however they are merely components to a more complex and chaotic palette of sounds that tracks like “Sparker Inn Apne Dorer” and “Then, to Darkness return” showcase. With some songs being as fierce as they can, to others exploring weirder and more psychedelic territories, like “Endless Distance”, this release features a bit of everything for everybody.

There is ‘normal’ experimental/weird music, and there is Oranssi Pazuzu weird, which is 100x more intense than the latter. Unleashing their sixth full-length release with “Muuntautuja”, the band goes down into the depths of hell and delivers seven unnerving tracks that are both intense and insane. Anybody familiar with the band would not expect anything less, and for nearly 45 minutes, they manage to push the boundaries of aural assaults with their music, creating one truly chaotic and ravaging release.

In no time, the band immediately grabs the listener with their hypnotic opener “Bioalkemisti”, a track that slowly lures them into the band’s madness. The hellish vocals and crafty samples work wonders until the deranged guitar work unleashes its magic. With the album title track we get an interesting ‘drum and bass’ core aligned with crazy samples and electronics to create a very bleak soundscape. If the listener is not smitten already, “Voitelu” and its creepy subtle keyboards allows the band to further expand the atmospheric madness of this release.

Unleashing one of the catchiest and most engaging releases of 2024, today we have Gothic Rock supergroup Cemetery Skyline and their debut release “Nordic Gothic”. Featuring a line-up with Mikael Stanne (Dark Tranquillity), Markus Vanhala (Omnium Gatherum), Santeri Kallio (Amorphis), Victor Brandt (Dimmu Borgir) and Vesa Ranta (Sentenced), this outfit delivers a very refreshing synthwave-infused 80’s/90’s music unlike anything you have ever heard before. For fans of Depeche Mode, Lacrimas Profundere, End of Green, etc. this release features ten bangers that will be stuck in your head for days.

The release starts with the bombastic “Torn Away” and its dramatic synths that create a very dynamic and engaging atmosphere. Mikael Stanne’s deeper clean vocals have a certain Ville Valo-esque undertones, but as soon as the chorus section hits, Stanne’s trademark sound appears. Keeping things super lively, “In Darkness” delivers some crunchy Markus Vanhala riffs alongside crafty drumming from Vesa Ranta, the band is showcased having endless fun creating some superbly catchy melodies, and some epic vocal arrangements.

Feeling like getting hit by a bag of bricks to the face? Well, that is exactly how “The Wolkf and the King” feels thanks to its incisive rawness and pummeling aggression. 1349 returns after five years with their best release to date. Featuring eight tracks and nearly 40 minutes of music, this release reminds the listener that Black Metal is powerful and visceral, as the band keeps their sound raw and crushing while still delivering tons of stylistic and technical nuances. If you like uncompromising and pummeling music, this is the release for you.

Opening with the crushing “The God Devourer”, we get massive drums, courtesy of none other than Frost (Satyricon), and Ravn’s signature fierce snarl. The riffing immediately fills the air with piercing precision and the throbbing bass guitar line masterfully adds to the mix. The band’s sound is raw and piercing, with pieces like “Ash of Ages”, “Shadow Point”, and “Inferior Pathways” always focusing on brutality amongst crafty tempo changes and interesting rhythms that quickly make the band stand out.

Creating a very unique and intoxicating vibe, today we have Norwegian supergroup Whispering Void and their debut release “At the Sound of the Heart”. Featuring members Lindy-Fay Hella and Kristian "Gaahl" Eivind Espedal on vocals,Ronny "Valgard" Stavestrand on guitars and multi-instrumentalist Iver Sandøy handling the rest, this collective delivers eight magical tracks filled with dark/folk rock influences paired with lush vocal arrangements and enriched instrumentation. Think of Tenhi meets Hexvessel, this release is a gratifying aural experience.

Opening with the sultry “Vinden Vier”, Lindy-Fay Hella instantly shines as this enigmatic track delivers waves of crafty string instruments alongside dreamy atmospherics and a very hypnotic pace. On “Vi Finnes” the band steps it up a notch with a solemn Gaahl being added to the vocal mix, amongst crafty percussion and a very hypnotic atmosphere. One of the best tracks in this release has to be the eponymous third song, which features some eerie vocal arrangements with a nice Post-Rock-ish vibe, creating a very unique and enveloping vibe.