Black Metal

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    Armagedda - The Final War Approaches (2019)

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    This re-issue of the Black Metal classic “The Final War Approaches”, showcases Armagedda and their raw sound that inspired legions of BM bands to this day. Originally released in 2002, this release has aged very well as we still get 20-30 albums a year that try to capture the grittiness of such old-school albums. Armagedda has long split-up, but this debut release is a testament to their contributions to the early days of Black Metal.

    Opening with the intense “Deathminded”, we instantly get that old-school European Black Metal rawness with its intense riffing and hellish vocals. The signature punk-ish drumming on tracks like “Sign of Evil” and “Skogens mörka djup” keeps the songs tight and engaging. The songs in this release perfectly combine speed and all-out destruction with more moderate melodic passages, similar to bands like Satyricon and Enslaved (early days). Vintage songs like “Unholy Sacrifice” are the types of tracks that got us into BM back in the day, and are still effective in delivering the genre’s aggressive message.

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    Nordjevel - Necrogenesis (2019)

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    Taking the scene by storm, Nordjevel has been destroying stages with their ravaging Black Metal assaults in the last couple of years. With “Necrogenesis” they unleash 47 minutes of intense music that puts them on the level of bands like Old Man’s Child, Dark Funeral and Marduk. With vicious intensity and a knack for melody, this Norwegian band’s sophomore release is very refined and highly stylistic, blowing past any expectations.

    The album kicks off with the savage “Sunset Glow” and its intricate riffing. The band quickly makes a statement with the sheer intensity delivered by the aggressive guitar melodies and crushing harsh vocals in this opener. The onslaught continues with the violent riffing of “Devilry”, a track that reminded us of early 2000’s European Black Metal. The Dimmu Borgir-esque “The Idea of One-Ness” is definitely one of our favorite tracks, thanks to the crushing atmosphere created and the blistering drumming.

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    Laster - Het wassen oog (2019)

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    Completely taking the boundaries of Black Metal for a spin, today we have Laster and their latest effort “Het wassen oog”. Featuring over 44 minutes of truly bizarre and yet completely intoxicating music, this release will have you listening to it over and over and over to discover all the little weird and quirky details baked into their music. If you like outfits like Mord'A'Stigmata and Fruze, you will find this band amazing.

    Opening with the dreamy and intense “Vacuüm ≠ behoud”, the band opens a can of weird after the first couple of minutes. This track features a very comfy pace and dreamy guitars, flanked by a mixture of intense harsh vocals and ethereal clean vocal sections. The overall atmosphere is quickly established to be kind of dreamlike and very trippy, thanks to the throbbing bass guitar lines and the funky jazzy elements thrown into the mix, like the piano arrangements of “Schone schijn”.

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    Aoratos - Gods Without Name (2019)

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    From mastermind Naas Alcameth (Nightbringer, Akhlys), today we have a very interesting Black Metal/Dark Ambient release titled “Gods Without Name”. Under the moniker of Aoratos, this outfit unleashes nine highly atmospheric pieces to comprise their debut release. Full of ideas perfectly executed, this release is in the vein of experimental BM bands like Blut Aus Nord as well as Mysticum and with some hits of Diabolos Rising thrown in the mix.

    After setting a very hellish ambiance with “Parallax I”, the band slowly drifts into heavier territories with the ravaging “Holy Mother of Terror”. The band unleashes a commanding aural onslaught filled with dissonant riffs and blistering drumming. Paired with hellish vocals, the attack continues as “Of Harvest, Scythe and Sickle Moon” unravels. The band’s sound is both raw and punishing without the need to sound like it was recorded on a shed, allowing the listener to experience it at full blast and not damage their speakers.

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    Malokarpatan - Cesta podzemnými sálami Kovovlada (2019)

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    Hailing from Slovakia, Malokarpatan delivers a re-issue of their 2018 EP via Sun & Moon Records. While we don’t really subscribe to the hype behind the band, this 7” presents us two conceptually related tracks that continue to push the boundaries of the genre, as the band has set to do since their origins a few years ago.

    The release opens with an instrumental/atmospheric side A track that sets a very sinister and engaging mood. Not too much else to talk about here. Side B gives us a proper old-school Black Metal piece, sounding like Master’s Hammer and Tormentor, but with thicker and more punishing atmosphere. The riffing and vocal’s give this track a very raw and punishing vibe, thanks to the contrasting underlying melodic nature of the track.

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    Siculicidium - A halál és az iránytű (2019)

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    Béla Lugosi and Pestifer are back with this short but sweet 7” Siculicidium EP titled “A halál és az iránytű”. Always crafting a truly unique and foul sound, this Romanian outfit unleashes two powerful tracks that will generate expectations of what is to come in the future.

    Opening with the clean intro of “A halál”, this tracks slowly builds up to a cool Black’n’Roll-ish guitar section that gives a certain twangy vibe to the song. Béla Lugosi’s deep vocals perfectly fit the funky tempo of this track, mostly marked by the Punk-ish drum patterns.

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    Ellende - Lebensnehmer (2019)

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    As one of the most anticipated Atmospheric Black Metal releases of 2019, today we have Austria’s Ellende with “Lebensnehmer”. Slowly gaining underground notoriety with their first two releases, this one-man band is ready for the spotlight with their lush atmospheric sound that perfectly combined melody with sheer aggression. For over 50 minutes and eight tracks, this release continues to polish the band’s sound and delivers ravaging soundscapes that should not be missed by anyone.

    After a moody intro, “Augenblick” delivers waves of punishing riffs, blasting drums and melodic passages, perfectly combined in one hell of an emotional rollercoaster of a song. Handling all instruments (except drums) and all songwriting duties, Lukas Gosch is an expert in creating raw melancholic tracks, like “Die Wege”, which are full of charisma and a massive wall of sound. Never getting dull or repetitive, Ellende’s strength lies on timing and flawless execution, introducing plenty of tempo changes that completely change the shape of songs.

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    Chrome Waves - A Grief Observed (2019)

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    Unleashing one of the most demoralizing and punishing Post-Black Metal releases of 2019, today we have Chrome Waves and their debut full-length release “A Grief Observed”. Formed by members and ex members of USBM bands like Twilight, Abigail Williams, Wolvhammer, this outfit crafts some truly harrowing songs filled with emotions and contrasted by savage Black Metal undertones. Presenting brilliantly atmospheric and moody songs, Chrome Waves makes a huge splash in the Post-Black Metal/Blackgaze scene with this release.

    Opening with “Burdened”, we instantly get the vibe of bands like Old Silver Key, Grey Waters, thanks to the mixture of dreamy clean vocals and harsh screams. The instrumentation in this opener is quite dramatic with solemn atmospheric passages that perfectly change the tempo of the track. Keeping things heavy and melodic, “Past the Lights” delivers catchy riffs and tight drumming, creating a very powerful and yet melancholic vibe. Again, there is some magic to the way the clean vocal arrangements contrast the pace and intensity of this track, creating a very trippy dreamy depressing vibe.

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    Maestus - Deliquesce (2019)

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    Being huge suckers for heavily atmospheric releases, we instantly liked Maestus full-length release “Deliquesce”. Magically combining Atmospheric Doom Metal elements with Funeral Doom and some Black Metal influences, this release is an aural delight from start to finish. With four tracks delivering over 50 minutes of music, each song crafts an oppressive atmosphere that slowly chokes the listener with its sonic intensity.

    Opening with the album title track, we have a 15-minute behemoth that opens with a ray of light as the lively atmospherics lead into gargantuan riffs and crushing growls. The band brilliantly knows how to mix repetition with atmosphere to create a very crushing mood. With all the elements of an old-school Funeral Doom masterpiece, “Black Oake” blends in dramatic tempo changes, lush synths and plenty fo head banging passages for any fan of the genre.

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    Rotting Christ - The Heretics (2019)

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    The ever changing and always improving Rotting Christ return this 2019 with yet another brilliant release. Further developing the Melodic BM sound with dramatic vocal arrangements and subtle atmospheric elements, “The Heretics” delivers over 45 minutes of expertly crafted music that is both engaging and brilliant for a long head banging session. If you have been following the band’s music progression, this release takes their sound and makes it even more grandiose and expansive.

    Fully immersing the listener into the band’s dark world, “In the Name of God” starts the album with the signature Rotting Christ melodic riffing. The band crafts a very eerie atmosphere in this track (and release) thanks to the choral arrangements that brilliantly contrast Sakis Tolis harsh vocals. The addition of female vocals on “Vetry Zlye” creates a very unique vibe that is well complemented with dramatic arrangements and tight drumming.

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