Black Metal

  • Dysangelium - Death Leading (2019)

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    Unleashing a bestial Black Metal release, today we have Germany’s Dysangelium and their commanding sophomore release “Death Leading”. Featuring pummeling guitars and hellish vocals, the band unleashes over 40 minutes of piercing music that is not for the weak of heart. With many bands focusing on being too ‘kvlt’, this outfit focuses on crafting a crushing sound that will haunt your dreams.

    After building an eerie atmosphere with the opener instrumental, the riffing onslaught starts with “Fated”. With a certain old-school BM vibe, this track perfectly introduces the band’s oppressive sound and hyper drumming. Sektarist 0 vocals are quite firm and very fitting to the aggressive nature of the music. We particularly enjoy how the band weaves into their songs slower atmospheric passages, creating a piercing effect of clam in between aural assaults, like on “Homo Larvalis” and “The Great Work”.

  • Devilish Impressions - Postmortem Whispering Crows (2019)

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    The amount of quality Polish bands breaking into the Metal scene in the last few years has been outstanding. Today we have Devilish Impressions and their uniquely Melodic/Symphonic Blackened Metal style. Featuring all new members other than founder Quazarre, the band delivers a very promising and short EP, demonstrating their excellent craftsmanship and promise of what is to come.

    Starting with the bleak “Dvma”, the band sets a very enigmatic and oppressive mood. The catchy guitar work is perfectly contrasted by a nice variety of vocal styles and tight drumming. We particularly enjoy the creepy mournful slower sections that are highly atmospheric and pretty eerie. The meaty hooks of “Cingvlvm Diaboli”, give a certain Death Metal vibe to this more intense track, filled with Satyricon-esque guitars and solid headbanging passages.

  • The Kryptik - When The Shadows Rise (2019)

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    We are huge suckers for Symphonic/Melodic Black Metal and luckily for us The Kryptik delivers one hell of a release with “When The Shadows Rise”. Clocking nearly 40 minutes, this album features eerie atmospherics, killer vocals, and an overall very melodic and explosive nature. If you are a fan of older bands like Limbonic Art, Tartaros, etc. this release is right up your alley.

    After a dreamy instrumental intro, the band pounces on the lister with the demonical “Damned”. This track has that old-school vibe of just synths and no over the top orchestrations BS. While we enjoy dramatic orchestrations, there is something chilling and eerie about regular synths creating an enveloping atmosphere. The melodic nature of songs like “Flames of Revenge” showcases the band’s guitar driven mentality that while nicely leveled during the mix, they allow the track to be punishing and yet atmospheric.

  • Aegrus - In Manus Satanas (2019)

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    Unleashing a savage Black Metal attack, today we have Finland’s Aegrus and their latest full-length release “In Manus Satanas”. With a very traditional and yet catchy BM sound, this band delivers over 44 minutes of intense music filled with crushing vocals and a dramatic pace. If you like intense music that is relentless and destructive, this is the release for you.

    The pillaging starts with the relentless “Hymn To The Firewinged One”, a track that has a certain early Emperor/Limbonic Art vibe with its intense guitars and hellish vocals. The band’s no bullshit attitude oozes out of the magnificent “Nightspirit Theosis”, full of melody and aggression, making it one hell of a headbanging ride. The band continues to belt out pummeling tracks like “Gestalt of Perdition” and the somber “Ascending Shadows”, which features a darker and even doomier vibe. We enjoy how Aegrus does not stick to a single style and blends in a wide variety of elements in their crushing sound while never straying from the left hand path.

  • Alcest - Spiritual Instinct (2019)

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    The initiators of the Blackgaze movement are back with yet another majestic release in “Spiritual Instinct”. With over 40 minutes of music, Alcest finds a middle ground between their heavier and harsher sound of albums like “Souvenirs d'un autre monde” and “Écailles de lune” with the dreaminess and directness of “Shelter”. While “Kodama” felt more back to basics, this release feels more of a hybrid of their calmer sound with their early days exploits.

    With the release opening with the playful “Les jardins de minuit”, the band leads with their signature guitars and crafty drumming. We particularly enjoy the typical dreaminess of the clean backing vocals as it contrasts with the heavier guitar sections. Of course there are faster paced passages with harsh vocals and furious drumming for their older fans, like on “Protection”. There are certain Post-Metal elements which make the songs a bit different than what “Kodaima” presented, like on the funky “Sapphire” and its intricate bass guitar line.

  • Ossuaire - Derniers Chants (2019)

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    Continuing their takeover of the Canadian Black Metal scene, today we have Ossuaire and their second full-length release of 2019: “Derniers Chants”. Delivering over 45 minutes of neck-snapping music, this band continues to punish their listeners with a barrage of riffs and hellish vocals. If “Premiers chants” was not enough, this release will surely satisfy your cravings for nihilistic BM thanks to the band’s direct and pummeling style. Any fan of the genre must not miss out on such a monumental release.

    The savagery starts with the intense “Pestilence Rampante”, a track that starts with punishing guitars and never lets go. The band’s sound is quite massive and ravaging, allowing all elements to be nicely channeled to blow your eardrums apart. As impressive as any other Norwegian or Finnish Black Metal band, Ossuaire excels in crafting brutal tracks like the pummeling “À l'ombre du Très-Haut” and it's perfect balance of intense riffs and mid-tempo rhythmic drumming.

  • Botanist - Ecosystem (2019)

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    After nearly getting hives and having to puncture my eardrums to make the sound stop with Botanist “I: The Suicide Tree / II: A Rose From The Dead” release back in 2011, I have seen the band from afar evolve their sound and actually saw them play live once. Arriving to our inbox, we have “Ecosystem”, the band’s latest offering through Aural Music. Hearing the band with a new perspective after 8 years, we have to say that their sound now seems more cohesive and engaging, completely changing our initial shock reaction to their music.

    Opening with “Biomass”, the hammered dulcimer creates a very unique and chaotic atmosphere, nicely exacerbated by the harsh screams. We are quite surprised by the contrast created by the angelic clean vocals in tracks like “Alluvial”, were they nicely change the mood of the track until the following hellish onslaught of harsh vocals and fast paced drums appear. Creating a very tense and dramatic atmosphere, the ravaging dulcimer makes “Harvestman” one of the best songs in this release.

  • Blut Aus Nord - Hallucinogen (2019)

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    The ever changing Blut Aus Nord returns with their most impressive release to date with “Hallucinogen”. Everybody knows the band’s releases always push sonic boundaries, but with this opus, Vindsval and W.D. Feld take their sound to completely new cosmic dimensions. For over 48 minutes of music the band explores uniquely melancholic and ethereal territories with an interesting blend of lush atmospherics and intricate guitar work. Unless something drastically changes, we can almost be sure that this album will be our top release of 2019.

    Opening with the mesmerizing “Nomos Nebuleam”, the band sets a very dreamy and highly atmospheric mood. The dramatic guitar work perfectly blending with the intense drumming to create a very powerful vibe. Combining the intensity of Progenie Terrestre Pura and the sci-fi-esque edge of Frozen Ocean, Blut Aus Nord crafts some very intense moments on tracks like “Nebeleste” that are both punishing and highly inspired. The clean vocal arrangements are quite unique and adds to the music’s overall weirdness and atmosphere.

  • Vorna - Sateet palata saavat (2019)

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    Always surprising us with their excellent taste in music, LifeForce Records is prepared to unleash “Sateet palata saavat”, Finland’s Vorna’s latest effort. Magically combining elements of Folk/Pagan/Black Metal in a very atmospheric palette of sounds, this release delivers over 50 minutes of superbly melodic music. The closest band to Vorna’s sound that comes to mind has to be Eternal Tears of Sorrow and their highly diverse sound. This should let you know you are in for a treat with this album.

    After the traditional mood setting intro, “Toinen” delivers the first onslaught of atmospheric brilliance. Creating a very moody and mystical atmosphere, the band pummels the listener with superb drumming, heavy riffs, and harsh vocals. The swings between lush melodic keyboard arrangements, harsh/clean vocals, and intense riffing, are just magical, creating a very immersive and engaging experience as heard on both “Toinen” and “Syvyydet”.

  • Advent Sorrow - Kali Yuga Crown (2019)

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    Australia is a place were some pretty interesting bands like Austere and Germ have spawned. Finally breaking into the global scene a few years back, Advent Sorrow delivers brutal Depressive Black Metal to the masses with their incisive and nihilistic style. “Kali Yuga Crown” is the band’s sophomore full-length release and with the wide release through Werewolf Records should propel the band to new audiences.

    The album is all atmosphere start to finish, and it perfectly sets a very sinister and melancholic mood with the dramatic opener “Verminblood”. Unleashing intricate guitar melodies and a mournful bass guitar line, this track unleashes the band’s pain to the listener. Not settling for only one particular style, “Wolfhook and Weapon” showcases the band’s more upbeat and intense side, with an old-school sounding Black’n’Roll-ish style.

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