The most recognized Metal band in Poland makes their unholy return with one of the most devastating releases of 2018. With “I Loved You at Your Darkest”, Behemoth takes all the elements they have been refining over the years and unleashes 46 minutes of truly masterful music that blows away all the high expectations riding on this release. With a ravaging attitude and tons of technical grace, the 12 tracks presented in this album are brilliantly engineered to deliver a crushing blow to Christianity and its acolytes.
Opening with the ominous “Solve”, the band sets a sinister and very dark atmosphere that is further elevated by creepy choir arrangements and brutal riffs as it transitions into “Wolves ov Siberia”. With a firm grasp on relentless brutality, this track inflicts major pain thanks to the intense drumming and violent guitar work. Not letting go, “God = Dog” delivers a consecutive blow of massive drums and hellish vocals from Nergal. The contrast between the choir arrangements and the sickening melodic passages make for one hell of a song that is far from average.
As one of the most pummeling underground Black Metal acts to ever come from Norway, One Tail, One Head delivers Black Metal in its rawest and most foul form. Ending their existence with “Worlds Open, Worlds Collide”, the band unleashes ten tracks that comprise their full-length ‘debut’ and final testament to their unrivaled talent and crafty driving force.
When the atmospheric opener, “Certainly Not”, closes, the band quickly unravels the raw and decadent “Arrival Yet Again”, a piece that crafts a chilling atmosphere filled with catchy tempo changes and wild vocal onslaughts. Luctus, the band’s vocalist has a imposing style that is quite firm and filled with hate, making songs like the album title track and “Stellar Storms” come to life. Not being your average band, the mixture of mysterious minimalist interludes and atmospheric passages create a very creepy vibe that is unique to “One Tail, One Head”.
Unleashing one of the most disturbing and yet highly original and complex releases of 2018, today we have A Forest of Stars and their fifth full-length release “Grave Mounds and Grave Mistakes”. As a total cacophony, the band delivers over 64 minutes of chaotic Black Metal that features so many different layers, making a very complex album to fully digest. We love these types of release were you keep finding new little things with each time you listen to a track, never fully revealing themselves to the listener until a great effort is made.
Setting a very lively mood with the album intro track, the band fully explodes into madness with the harsh vocals and convoluted riffing of “Precipice Pirouette”. With dramatic violins serving as highlights to a very dense and powerful wall of sound, this track has an unnerving pace that induces anxiety and and despair. On “Tombward Bound”, the band splits up the punishment with a somber interlude between a hectic start and a Devil Doll-esque climax that is some of the band’s finest work to date.
Continuously working on punishing their listeners eardrums, today we have Anaal Nathrakh and their latest opus of madness “A New Kind of Horror”. As one of the most brutal bands in the world, this British twosome deliver ten ravaging tracks that blend elements from Industrial/Death/Black Metal with Grindcore aggression in a way they will have you asking for mercy after 5 minutes. If you are a fan of their destructive ways, this release should perfectly please your need for some extreme music.
The aural assault starts with the bone-crushing “Obscene as Cancer” with massive drums and harrowing vocal arrangements that will haunt you for life. We particularly love how the band adds the clean vocals as a contrast to their demoralizing music, giving them a certain Borknagar-esque vibe but in a completely different, and more brutal, context. If you are not punished enough, “The Reek of Fear” features some creepy atmospherics that we equate to the trumpets of the rapture.
The Canadian Black Metal scene is now flourishing with intense Black Metal bands that easily rival their counterparts from any part of the world. Today we have Quebec’s Délétère and their sophomore release “De Horae Leprae”, and it is quite a strong showing for this young and promising outfit. Delivering over 60 minutes of intense riffing, bestial drumming and an overall impressive sense of destruction, this release is geared for those of us that love relentless BM with a sense of melody and brutality.
Quickly steamrolling through the listener with the opener: “Teredinis Lepra” the band sets a fierce pace while adding some enticing atmospheric elements that keep things fresh and quite crafty. The band’s brutality is unquestionable after the brilliant “Sagina Caedendis”, where the sinister guitar layering works wonderfully well with the harsh and punishing vocals. With member Thorleïf handling the vocals, we are treated to an intricate mixture of traditional BM screams and deeper somber passages that perfectly contrast and create very unique haunting atmospheres as found in “Ichthus Os Tremoris”.
Always bringing to the listeners the most unique underground Metal bands, today we have LifeForce Records one-man project Bonjour Tristesse and their sophomore release “Your Urban Nightmare”. Perfectly blending elements of Post-Black Metal with influences from bands like Heretoir, Alcest, Austere, etc., this release unleashes over 44 minutes of intense and highly emotional music.
Opening with the album title track, we start with a very intense barrage of hectic riffs and solid harsh vocals that slowly blend into more melodic territories. The band’s musical approach while similar to other bands in the genre, explore more melodic and atmospheric passages, crafting a very unique and disharming sound.
Making justice to such a bleak title, today we have NONE’s sophomore release. Featuring over 50 minutes of the most demoralizing and gut wrenching music you will ever hear, “Life Has Gone On Long Enough” is a brutally emotional Atmospheric Black Metal release that any fan of Austere, Lifelover, Mortualia, etc. cannot miss.
After a moody opener, “A World, Dead and Gray” kicks off with crushingly dissonant guitars and punishing vocals. The atmosphere is quickly set to total bleakness by the pace songs’ pace and knack for very minimalist and yet effective keyboards. Bleeding into “Bed the Cold Earth”, NONE’s ability to continue its atmospheric endeavors is brilliant as the transitions are seamless and keep the listener fully immersed into the vibe of the release.
Finally returning after all the legal battles with Abbath over the band's name and legacy, today we have Immortal and their latest frosty release "Northern Chaos Gods". Unleashing eight tracks and 42 minutes of traditional Immortal-style Black Metal, Demonaz and company keep the flame alive with superbly catchy tracks filled with an unstoppable barrage of riffs.
Starting strong with a powerful album title track, Immortal sets sails on their melodic icy journey with the brilliant "Gates To Blashyrkh" track, which immediately brings back memories from their "Battles of the North" era. The album's production is top notch, with songs like "Grim and Dark", sounding like a million bucks, everything down to the smallest detail makes the band's music have their timeless sound and with a modern edge to it. Handling all guitar duties, Demonaz unleashes a wide array of killer riffs on songs like "Called to Ice" and the exhilarating "Where Mountains Rise". By also handling the vocals, Demonaz shows he is the main engine and heart and soul behind Immortal.
Featuring remastered versions of their demo tape, “Veritas filia temporis” and two other splits, “Secular Compendium” showcases Selbst’s early days and how they have evolved to become one of the most savage Black Metal artists to ever come out of South America. Clocking in at 53 minutes, this limited release will rock your socks off and provide more insight into the band’s musical journey, not to be missed by any BM fans.
Opening with the dense riffing of “Veritas Filia Temporis I”, this album kicks off a demoralizing Black Metal journey with razor sharp guitars and an oppressive atmosphere. While staying true to their punishing nature, the band also showcases excellent melodic passages that remind us of bands like Dissection and many 90’s European BM outfits. “Veritas Filia Temporis II” continues the onslaught with hellish vocals and a somber and yet piercing atmosphere.
Eight years have passed since Dimmu Borgir’s last release and tons of speculation an expectations have been building up to the unleashing of “Eonian”. Without wasting any more time, this release is truly outstanding as it builds on the band’s legacy of uncompromising creativity and musical exploration. In “Eonian” the band features a very raw and evil Black Metal core, reminiscent of the band’s older releases with retaining the grandiose orchestral and symphonic edge the band has been maturing since “Enthrone Darkness Triumphant”.
The band makes a bold opening statement with the lush “The Unveiling”, a song filled with incisive Black Metal riffs and dramatic choir arrangements. This song brings us back to where “Abrahadabra” left off, bringing back the lush and complex sound that made that release amazing. The album’s first single “Interdimensional Summit”, unleashes unparalleled catchiness in its chorus section, while delivering killer drum patterns and playful tempo changes. As “ÆTheric” and “Council of Wolves and Snakes” roll by, we are totally intoxicated by the band’s powerful atmosphere and brilliant execution. The creepy wolves sound paired with the throat singing of this later track make up for one hellish experience.