Packed with tons of great releases, this 2018 fall also gives us a brand new Sylvaine album. Filled with her characteristic charisma and angelic vocals, “Atoms Aligned, Coming Undone” is another brilliant step in her career which features a more consolidated sound and plenty of memorable songs. The combination of fragility, craftsmanship and occasional burst of aggression make this release one of the best albums of 2018.
Opening with the album title track, Sylvaine slowly builds up with an intense bass guitar line that leads into dreamy vocal arrangements a very melancholic pace. The track continues with some brilliant instrumental passages that feel exploratory in nature, but very well fitting to the overall mood of the song. The Shoegazey/Post-Rock-y vibe arrives in full force with “Mørklagt” a very lush track that explores the more ethereal side of Sylvaine’s music, but not without some heavier sections thrown into the mix.
Right up there with Behemoth, Vader and Hate, Outre is one of the most brutal and demoralizing Metal bands to come out of the Polish scene. Delivering another ravaging release with “Hollow Earth”, the band focuses on unleashing pummeling tracks filled with hate and destruction. Greatly improved from their 2015 debut “Ghost Chants”, the band is here to stay and level audiences and listeners in their path.
Setting the mood with a foul atmospheric intro, the release does not wait to hit hard with the blistering pace of “The Order of Abhorrence”. The band’s new vocalist, Mateusz Zborowski, keeps things interesting with a wide range of styles and levels of intensity that perfectly drive the aggression of the musical foundation. The guitar work in this release is exemplary as layers upon layers of distortion and crafted to create very thick and demoralizing walls of sound, like on “Combustion” and “Let the Earth Be Silent”.
Black Metal battalion Sargeist is finally back, with a new line-up and a new release titled “Unbound”. Featuring over 47 minutes of unholy and destructive music, this release is the band’s most refined album to date. With Shatraug on guitars and Profundus handling vocal duties, this release is quite raw and punishing, the perfect addition to any BM purist collection.
Opening the fold with “Psychosis Incarnate”, we are instantly immersed in the band’s harsh aural devastation path, filled with incisive riffing and pummeling drumming. With new member Gruft on drums, the band’s sound remains as intense as every as he pummels his way through hectic tracks like “To Wander the Night’s Eternal Path” and the ravaging “The Bosom of Wisdom and Madness”.
The most recognized Metal band in Poland makes their unholy return with one of the most devastating releases of 2018. With “I Loved You at Your Darkest”, Behemoth takes all the elements they have been refining over the years and unleashes 46 minutes of truly masterful music that blows away all the high expectations riding on this release. With a ravaging attitude and tons of technical grace, the 12 tracks presented in this album are brilliantly engineered to deliver a crushing blow to Christianity and its acolytes.
Opening with the ominous “Solve”, the band sets a sinister and very dark atmosphere that is further elevated by creepy choir arrangements and brutal riffs as it transitions into “Wolves ov Siberia”. With a firm grasp on relentless brutality, this track inflicts major pain thanks to the intense drumming and violent guitar work. Not letting go, “God = Dog” delivers a consecutive blow of massive drums and hellish vocals from Nergal. The contrast between the choir arrangements and the sickening melodic passages make for one hell of a song that is far from average.
As one of the most pummeling underground Black Metal acts to ever come from Norway, One Tail, One Head delivers Black Metal in its rawest and most foul form. Ending their existence with “Worlds Open, Worlds Collide”, the band unleashes ten tracks that comprise their full-length ‘debut’ and final testament to their unrivaled talent and crafty driving force.
When the atmospheric opener, “Certainly Not”, closes, the band quickly unravels the raw and decadent “Arrival Yet Again”, a piece that crafts a chilling atmosphere filled with catchy tempo changes and wild vocal onslaughts. Luctus, the band’s vocalist has a imposing style that is quite firm and filled with hate, making songs like the album title track and “Stellar Storms” come to life. Not being your average band, the mixture of mysterious minimalist interludes and atmospheric passages create a very creepy vibe that is unique to “One Tail, One Head”.
Unleashing one of the most disturbing and yet highly original and complex releases of 2018, today we have A Forest of Stars and their fifth full-length release “Grave Mounds and Grave Mistakes”. As a total cacophony, the band delivers over 64 minutes of chaotic Black Metal that features so many different layers, making a very complex album to fully digest. We love these types of release were you keep finding new little things with each time you listen to a track, never fully revealing themselves to the listener until a great effort is made.
Setting a very lively mood with the album intro track, the band fully explodes into madness with the harsh vocals and convoluted riffing of “Precipice Pirouette”. With dramatic violins serving as highlights to a very dense and powerful wall of sound, this track has an unnerving pace that induces anxiety and and despair. On “Tombward Bound”, the band splits up the punishment with a somber interlude between a hectic start and a Devil Doll-esque climax that is some of the band’s finest work to date.
Continuously working on punishing their listeners eardrums, today we have Anaal Nathrakh and their latest opus of madness “A New Kind of Horror”. As one of the most brutal bands in the world, this British twosome deliver ten ravaging tracks that blend elements from Industrial/Death/Black Metal with Grindcore aggression in a way they will have you asking for mercy after 5 minutes. If you are a fan of their destructive ways, this release should perfectly please your need for some extreme music.
The aural assault starts with the bone-crushing “Obscene as Cancer” with massive drums and harrowing vocal arrangements that will haunt you for life. We particularly love how the band adds the clean vocals as a contrast to their demoralizing music, giving them a certain Borknagar-esque vibe but in a completely different, and more brutal, context. If you are not punished enough, “The Reek of Fear” features some creepy atmospherics that we equate to the trumpets of the rapture.
The Canadian Black Metal scene is now flourishing with intense Black Metal bands that easily rival their counterparts from any part of the world. Today we have Quebec’s Délétère and their sophomore release “De Horae Leprae”, and it is quite a strong showing for this young and promising outfit. Delivering over 60 minutes of intense riffing, bestial drumming and an overall impressive sense of destruction, this release is geared for those of us that love relentless BM with a sense of melody and brutality.
Quickly steamrolling through the listener with the opener: “Teredinis Lepra” the band sets a fierce pace while adding some enticing atmospheric elements that keep things fresh and quite crafty. The band’s brutality is unquestionable after the brilliant “Sagina Caedendis”, where the sinister guitar layering works wonderfully well with the harsh and punishing vocals. With member Thorleïf handling the vocals, we are treated to an intricate mixture of traditional BM screams and deeper somber passages that perfectly contrast and create very unique haunting atmospheres as found in “Ichthus Os Tremoris”.
Always bringing to the listeners the most unique underground Metal bands, today we have LifeForce Records one-man project Bonjour Tristesse and their sophomore release “Your Urban Nightmare”. Perfectly blending elements of Post-Black Metal with influences from bands like Heretoir, Alcest, Austere, etc., this release unleashes over 44 minutes of intense and highly emotional music.
Opening with the album title track, we start with a very intense barrage of hectic riffs and solid harsh vocals that slowly blend into more melodic territories. The band’s musical approach while similar to other bands in the genre, explore more melodic and atmospheric passages, crafting a very unique and disharming sound.
Making justice to such a bleak title, today we have NONE’s sophomore release. Featuring over 50 minutes of the most demoralizing and gut wrenching music you will ever hear, “Life Has Gone On Long Enough” is a brutally emotional Atmospheric Black Metal release that any fan of Austere, Lifelover, Mortualia, etc. cannot miss.
After a moody opener, “A World, Dead and Gray” kicks off with crushingly dissonant guitars and punishing vocals. The atmosphere is quickly set to total bleakness by the pace songs’ pace and knack for very minimalist and yet effective keyboards. Bleeding into “Bed the Cold Earth”, NONE’s ability to continue its atmospheric endeavors is brilliant as the transitions are seamless and keep the listener fully immersed into the vibe of the release.