Mixing things up when combining traditional Black Metal with some industrial/drone elements, today we have Italy’s Visthia and their latest release “In Aeternum Deleti”. As one of the most complicated albums we have received in quite a while, this release posed a great challenge to sit through and finally make up our minds about a review of it. The band combines some elements of experimental bands like DHG, Aborym and others that are pushing the edges of Black Metal, but still fails to achieve anything more than shock value with their very disturbing and dissonant sound. Calling their new ‘style’ Black Powernoise, we can’t stop feeling that they might be a bit ahead of their time.

Switching back and forth between spoken Latin sections, some beats and drone elements and a mid-tempo Black Metal, Visthia does achieve a very cavernous and disturbing atmosphere, but nothing more. The vocals are excellent and very creepy indeed, but the slow tempo of things and the samples kind of kill the mood of the BM guitars.

Nicholas Leptos and company return with yet another impressive Power Metal release that any fan of the genre should not miss. With “Ira Imperium”, the band looks to establish themselves as one of the best bands in the genre and the have the music to do so. Featuring 13 tracks of very well crafted music filled with catchy guitar melodies and impressive vocal harmonies, Arrayan Path is clearly one the best ‘relatively unknown’ bands of this genre.

Getting down to business since the opener track “Dies Irae”, we get a glimpse of the band’s abilities to create powerful music that feels fresher than most Power Metal we get these days. With a strong Greek/Mediterranean influence in the band’s sound, you are guaranteed to step away form the traditional Power Metal sound we are all accustomed to. Nicholas Leptos nicely leads the band’s characteristic sound and in the second track “Gnosis of Prometheus” this is very evident, especially on the chorus section.

Australian Funeral Doom masters have returned with another release that will crush your soul and spirit, and you will be begging for more. In “The Book of Kings”, Mournful Congregation present four tracks clocking in at an impressive 76 minutes of morale-crushing Funeral Doom Metal, the stuff nightmares are made of. If you are a fan of the genre, be prepared to burn all your previous Funeral Doom CD’s and only listen to this gem for a few years (until the band releases something else).

With the band’s traditional three guitarist approach, the album opens up with the gut wrenching, 19 minute “The Catechism of Depression”. Not only does this track has an epic title, it also features excellent and depressive guitar riffing, a tempo so nicely set up that you could listen to this until you grow old, and a very emotional flow. This monumental opening track features a nice mixture of distorted guitar sections (tuned very low of course) and some acoustic passages that add to the emotional charge of this song.

Four years have passed since Nemeasea’s last album “In Control” and on this 2011 they return stronger than ever with the very well crafted “The Quiet Resistance” release. Morphing from a Symphonic Gothic Metal outfit to a more alternative and fresher Gothic Rock sound, the band manages to keep things ‘heavy’ and not sound overly Pop-ish like many Gothic Rock/Metal bands have been doing in the last years.

Lead by the charismatic and powerful vocals of Manda Ophuis, Nemesea’s sound has matured greatly over the years and now they deliver confident and efficient songs that go straight to the point and never get dull. The band’s alternative and almost mainstream sound is still on their own terms and they never sound like a mash up of Britney Spears with some distorted guitars thrown into the mix (hint: Amaranthe).

Playing something called “Bear Metal”, according to what the band says, Svölk delivers us their latest full-length release “Svölk ‘ Em All”. This release is basically their 2009 self-released debut but with three new songs. Through 12 tracks the band delivers a heavy dosage of Stoner Rock/Metal elements with some ‘Nordic redneck attitude’, but it still sounds just like any other Stoner Rock album.

With all the hundreds of Stoner Rock/ Metal albums that come out almost each day, it is very hard to keep listening to the same stuff and like all of it. While Svölk is undoubtedly a solid band and the songs in this album are pretty good, they can’t avoid sounding just like everybody else. The best thing we found about this release is that the band does not try to play (too much) the ‘Southern’ vibe in their music, but this might be what is coming in the future of this band.

After dabbling into more ‘mainstream friendly’ lands with their previous release “Altitude”, Autumn returns to the darker side of things with the highly emotional “Cold Comfort”. In this new release the band delivers nine beautifully crafted melodies that nicely combine Progressive Rock elements with more traditional Rock influences under a very melancholic atmosphere that had us completely hooked into the album since the first track.

The band’s vocalist Marjan Welman seems more integrated into the band’s sound and her sultry voice fits perfectly into the darker and more melancholic mood of this release than on the band’s previous ‘pop-goth’ release from 2009. Every song in “Cold Comfort” features a nice Progressive Rock/ Melancholic Rock blend of sounds, something like The Gathering with Anneke but in a less experimental way.

Just as other people have indicated in the past, once we received a CD with a band named Vomitron and a semi-naked chick in the cover we expected the worst. However, we were quite surprised to hear that almost all tracks in this release are of extreme musical quality and very carefully crafted. Transforming old Nintento music into Metal tunes, Vomitron’s mastermind Peter Rutcho showcases his excellent musical abilities and delivers some of the best re-interpretations of these songs we have ever heard.

Opening with a filler intro, the first real song of this release is an epic interpretation of the “Contra” theme. Showing Power Metal and Progressive Metal elements, this song will immediately get you psyched about the tracks to follow in this excellent release. “Blaster Master” is a nice combination of powerful riffing and trippy keyboard sections, a very enjoyable track for fans of futuristic Power/Progressive Metal. The song that almost everybody will be waiting for has to be “The Legend of Zelda” theme, and Vomitron does an amazing rendition thanks to Peter’s great guitar skills.