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Top 10 Doom-ish albums of 2015

With so many genres bleeding into each other, and us not being huge fans of 'traditional Doom', we present our top Doom-ish releases that include Death-Doom, Atmospheric Doom, and some more exotic variants. Other good albums we did not review but are worth mentioning are: My Dying Bride "Feel the Misery" and Swallo the Sun "Songs From the North "

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Nucleus Torn – Neon Light Eternal (2015)

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After their impressive 2014 release “Street Lights Fail”, Nucleus Torn returns with one last perplexingly beautiful release titled “Neon Light Eternal”. Featuring three songs and clocking in at around 40 minutes of music, Fredy Schnyder’s experimental outfit delivers one hell of a swan song. If you though the band’s last releases have been weird, you are in for quite an experience with this one.

Opening with the mellow and Jazzy “A Declaration of Mistrust”, we instantly get a glimpse of Anna Murphy’s enchanting vocals. This track again reminded us of a mixture of Lethe with Tenhi/Empyrium thanks to the dramatic Neo-Folk passages weaved into this track. The whole proggy/jazzy vibe in this track is amazing, and considering it lasts 22 minutes, we are very amused at the wide variety of elements and influences introduced throughout that keep the song fresh and engaging.

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Necroblaspheme – Belleville (2015)

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Always pushing the envelope, French bands have managed to craft some of the most interesting Metal albums of the past few years. Today is the turn for Necroblaspheme and their crushing Atmospheric mixture of Black/Death/Sludge Metal, on their third full-length release “Belleville”. Featuring members and ex-members of Glaciation, this outfit delivers a very unique sounding mixture of elements that will entertain all fans of any of the genres they combine.

Opening with the dissonant riffs of “Rempart”, the band crafts a very thick and sickening atmosphere that weaves back and forth between aggressive vocals and catchy guitar melodies. As “Le discours du bitumen” and the instrumental “How Did We Get There” roll in, we start to see the band’s true intentions with their highly aggressive wall of sound that brilliantly transforms over the duration of each track.

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Blaze of Sorrow – El Eremita del Fuoco (2015)

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Being one of the finest Atmospheric Black Metal bands in the scene, Blaze of Sorrow returns with yet another excellent release with “El Eremita del Fuoco”. Filled with brilliant melodic passages, this album reminds us of the earlier Alcest stuff mixed with some older Agalloch as well. Clocking in at around 40 minutes, this is one of the best releases of the genre in 2015.

Opening with the ethereal “La Conquista del Cielo”, the band sets a very melancholic mood early in this release. Featuring very subtle atmospheric elements and bleak soundscapes, the track nicely explodes into BM riffs that are more melodic than aggressive. Continuing strong, “La Madre” is a bit more aggressive and playful with very well defined drum patterns and headbanging passages.

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Secrets of the Moon – Sun (2015)

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As one of the most unique and compelling bands in the scene, Secrets of the Moon returns to further evolve their musical craft with “Sun”. Further moving away from their Doomy Black Metal days, the band manages to spill into Dark Metal territories with seven sinister tracks. The band’s signature atmosphere and tension is always present, but the mood shift is quite evident as the deliver song after song of magical musical darkness.

Opening with the more ‘typical’ “No More Colours”, the band continues their older style with very dense distorted guitars and a very aggressive vocals/drumming combination. However, there is an evident change in their sound as this track feels darker and more sinister than normal. sG’s clean vocals are remind us of a mixture of Decoryah’s Jukka Vuorinen and Killing Joke’s Jaz Coleman, allowing tracks like “Dirty Black” to works perfectly with a less distorted and aggressive stance.

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A Sickness unto Death – The Great Escape (2015)

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Hailing from Germany, today we have Doomsters A Sickness unto Death and their sophomore release “The Great Escape”. While typical Epic Doom Metal gets pretty boring after 20 minutes or so, this band delivers over 60 minutes of very creative music that while staying true to the genre, manages to incorporate unique elements to keep things fresh and engaging.

Opening with the album title track, we are treated to heavy distorted guitars and repetitive riffs that are quite enjoyable. Tim Ziegeler’s vocals are more on the Epic Doom side with a splash of ICS Vortex making them quite enjoyable and not tiring at all. The riffing at times is a bit less heavy than your typical Doom release, making for some crafty an interesting tracks like the melodramatic “Lost” and October Tide-esque “The Uniqueness of the Two”.

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