Black Metal

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    At The Altar Of The Horned God - Heart Of Silence (2023)

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    Unleashing some of the most eerie and ritualistic Atmospheric Black Metal musings, today we have At The Altar of the Horned God and their sophomore release “Heart of Silence”. Released by I, Voidhanger Records, we instantly knew we were in for a totally unique and aurally impressive release. Mixing elements of bands like Urfaust and The Ruins of Beverast, this one-man battalion manages to craft forty minutes of highly magikal music.

    Setting a very ritualistic and immersive vibe, “Listen” and “Closing Circle'' create a sinister atmosphere nicely outlined by creepy vocals and highly bipolar music ranging from simple percussions to full on BM riffs. The album title track nicely blends all these elements together with some chilling clean vocals and fierce heavy onslaughts, creating a very punishing and yet cathartic experience.

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    Funeral Winds - Stigmata Mali (2023)

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    As to be expected from a Osmose Productions release, “Stigmata Mali” showcases Funeral Winds at their most devastating and demoralizing. Spewing eight tracks and nearly 35 minutes of punishing music, this release is crushing and powerful with a certain pestilent sound of 90’s raw Black Metal. If you are a fan of raw, uncompromising, and punishing music, this is certainly the release for you.

    Blasting off with “Open the Wounds”, the first noticeable thing is the buzzing distorted guitars and hellish mixture of vocals, courtesy of the band’s founder Hellchrist Xul. The pace suddenly changes thanks to blistering onslaughts of brutality, particularly as the opener transitions into tracks like “Stigmata Mali”, “By These Hands, by Your Command”, and “Odious Emanations”.

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    Great Cold Emptiness - Immaculate Hearts Will Triumph (2023)

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    Creating one of the most majestic Atmospheric Post-Black/Doom Metal releases of recent days, today we have Great Cold Emptiness and their third full-length release “Immaculate Hearts Will Triumph”. Brilliantly blending dramatic atmospherics with crushing vocals and highly melancholic passages, this release is as cathartic as they come. If you enjoy bands like Germ, Violet Cold, Alcest, etc., this outfit should become your new favorite band.

    Opening with the brilliant “The Patron Saint of Whalewatching”, we get the traditional lush keyboards and heavy guitars combination but with a very dramatic emphasis on dreamy atmospheres and ravishing vocals, courtesy of Meghan Wood. The Germ vibe is quite high, but it shifts as Doom and purely atmospheric elements are thrown into the mix. The track “To Die for the Ideal” is the perfect example of this, as its moody tempo changes and dreamy atmospherics are unrivaled.

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    Tulus - Fandens kall (2023)

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    As one of the most underrated Black Metal bands from Norway, Tulus carved a path with excellent releases in the late 90’s and went on hiatus for a while. With their music being raw and punishing, one can argue that Tulus should have been as recognized as Darkthrone, Immortal, Satyricon and Enslaved. With that signature frosty and incisive brand of BM, the band has nicely baked Black’n’roll elements into their sound to create superbly catchy music, and “Fandens kall” is a brilliant example of this.

    Opening with the album title track, Blodstrup and Sarke waste no time to unleash waves of vicious riffs, nicely enveloped in highly melodic passages and a hellish snarl. The band’s core sound is simple and yet quite effective, keeping the old-school Scandinavian Black Metal sound alive while delivering bangers like “Lek”, “Slagmark”, and the chaotic “Allstøtt”. Perfectly balancing funky melodies with the sinister bass guitar of Crowbel, the band creates some engaging and yet powerful tracks like “Isråk” and the Darkthrone-esque “Snømyrkre”.

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    Vermineux / Prieuré - Split (2023)

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    Delivering a quick and swift blow to the listener's morale, today we have Vermineux and Prieuré unleashing a hellish split release with two tracks from each band. Showcasing some of their most promising bands, Purity Through Fire created a very unique pairing and the perfect teaser with this release. If you like hellish and punishing Black Metal, this release will introduce you to two very interesting one-man battalions.

    Opening the split we have Vermineux, hailing from the USA, and its crushing “Ashes” track. With a piercing lo-fi production, the BM riffing in this track is excellent and it pairs wonderfully with Spectre’s intense shrieks. The second track is a pretty decent cover of “Holocaust to the Natural Darkness” from Vlad Tepes, again showcasing raw power around a gritty sound.

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    Enslaved - Heimdal (2023)

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    Always surprising their listeners, Enslaved returns with yet another brilliant exercise in crafty Progressive Black/Viking Metal with “Heimdal”. Skillfully refining their sound over time, this release unleashes seven tracks and nearly 50 minutes of complex and yet digestible music that perfectly carries the band’s signature style with a few new surprises. Any fan of the band of the genre will be satisfied with this highly dynamic and engaging release.

    Opening with “Behind The Mirror”, the band sets an atmospheric tone with the first minute before unleashing some superbly catchy riffs that slowly transform into sweeping melodic guitars to adorn the band’s signature clean vocal arrangements. The band’s sound is quite cinematic and crafty, with excellent layered guitars and a good dose of aggressive sections and growls, as we can hear in “Congelia”,”Forest Dweller” and the proggy/psychedelic catchiness of “Kingdom”.

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    Morwinyon - Wastelands (2023)

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    Unleashing a masterful Atmospheric Black Metal masterpiece, today we have Italy’s Morwinyon and their sophomore release “Wastelands”. Featuring both members of Falaise, this band is more of an outlet for more traditional Atmospheric BM without (too much of) the shoegaze and Post-BM elements. Think more along the lines of Saor and Winterfylleth, with tons of atmospherics. If you are a fan of the genre, the band manages to deliver quite engaging and immersive tracks that will transport you for a magical forty-plus minutes.

    The release kicks-off with towering atmospheric keyboards and the crafty riffs of “Devouring Flames”. There is a certain ethereal mood that quickly sets, even after the harsh vocals and aggressive drumming start to gain momentum. The release is very well mixed, with the atmospheric layer front and center, while the guitars and screams provide additional textures and change the tempos, as we can hear on “Wastelands” and “An Agonized Look”, both of which remind us a bit of Lustre.

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    Høstsol - L​ä​nge leve dö​den (2023)

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    Unleashing nearly 45 minutes of hellish Black Metal, today we have international supergroup Høstsol and their debut full-length “L​ä​nge leve dö​den”. Featuring Niklas Kvarforth on vocals, Cernunnus (Manes) on guitars, Rainer Tuomikanto (Ajattara) on drums, and Vesa Wahlroos (Ajattara) on bass guitar, this stacked lineup delivers five tracks of intense music that is both moody and demoralizing.

    After an atmospheric mood setting opening, “As seen through the eyes of the prophet” nicely warms up to melodic riffs and Niklas Kvarforth’s signature snarls. While the opener does not show all the cards the band has, “Det som en gång var (det kommer aldrig igen)” quickly escalates into crushing heaviness with intense drumming and blistering guitar-work alongside a throbbing bass guitar line. This track is as sinister as they get, perfectly shifting the release to higher gears.

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    Oerheks - Landschapsanachronismen (2023)

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    Storming the listener with waves of melancholy and aggression, today we have one-man project Oerheks and their 2023 demo “Landschapsanachronismen”. Delivering nearly 25 minutes of music in two crushing tracks, this release showcases a very promising band with excellent ideas and a knack for oppressive atmospherics paired with lush interludes.

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    …and Oceans - As in Gardens, So in Tombs (2023)

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    We are extremely glad that the band that got us into Symphonic Black Metal in the 90’s is back in full form and has stayed away from their weird Techno/Industrial phase. …and Oceans delivered two brilliant releases in the late 90’s, then dropped two super weird and ahead of their time releases only to mostly disappear for almost a decade. With “As in Gardens, So in Tombs” the band showcases a lush and evolved sound filled with epic melodies and crafty atmospherics.

    Opening with the album title track, the band’s retro approach to the genre perfectly balances furious guitar work over playful keyboards. While most bands these days make the keyboards overbearing, this Finnish outfit uses them to complement their core sound as they never feel over the top. Tracks like “The Collector and His Construct”, “Within Fire and Crystal”, and “Carried on Lead Wings” have that old Tartaros and Limbonic Art vibe adorned with ‘new’ vocalist Mathias Lillmåns of Finntroll harsh scream onslaughts.

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