Completely blowing us away with their even more refined and enigmatic mixture of Doom and Psychedelic Metal with tons of lush atmospheric elements, today we have Messa and their latest opus “Close”. If you thought the band’s first two full-length releases were awesome, this one takes things to a whole new level. Delivering over 64 minutes of trance-inducing music, this release will most likely end up at the top of our best albums of 2022 list.

Slowly building up anticipation, “Suspend” quickly escalates into a powerful mixture of crushing distorted riffs and Sara Bianchin siren-like vocals. This track perfectly evolves into more Psychedelic and atmospheric territories as it progresses into more free-flowing pieces like “Dark Horse”, “Rubedo”, and the sultry “Orphalese”. There are obvious comparisons to be made to Jess and the Ancient Ones and Jex Thoth, but Messa manages to craft an aura of uniqueness around their music.

Always keeping things interesting, Avantgarde Music is set to unleash the debut release of Argentinian outfit Ysyry Mollvün. Eponymously titled, this release delivers nearly 36 minutes of punishing Black Metal, featuring a very old-school Scandinavian vibe paired with some interesting folk elements. While the release is more on the ‘traditional’ BM side, there is definitely some level of uniqueness to this band.

Starting with the ravaging intensity of “K’aux Rise”, the band’s sound is piercing and very guitar driven, featuring some vicious riffs and crafty drumming. Besides the traditional onslaughts, the band teases the listener with an eerie and engaging folky/atmospheric passage with a certain ritualistic feeling. After that small tease, “K’aux See Reconquista Ysyry” and “K’aux Lament” come back in full force with additional waves of aggressive riffs and a very oppressive and yet melancholic vibe.

Fronted by the charismatic Chiara Tricarico, today we have a superbly bombastic release filled with Symphonic/Gothic and Power Metal elements titled “Animus”. As the third full-length release of Moonlight Haze, the band shows maturity and refinement in their style, delivering almost 45 minutes of catchy and engaging music

Opening with “The Nothing”, we instantly get that lush and explosive vibe of bands like Nightwish, Visions of Atlantis, Epica, etc. However, what sets the band apart is Tricarico’s vocals and their own dynamism as shown in the dreamy “It’s Insane”, “Kintsugi” and its lush choral arrangements, and our personal favorite the cinematic “The Thief and the Moon”.

It is not every day we get to review a band from New Zealand, and it is definitely even better when the band is truly impressive. Olde Throne is unleashing upon the world their fierce debut full-length release “An Gorta Mór”. Featuring a very vicious pace and sinister atmospherics, this Black Metal album brings back memories of the early days of Emperor, Enslaved, and Immortal.

The release quickly strikes a punishing tone with the ravaging onslaughts of part 1 of the album title track. As the release transitions between the first track and “Knockdoe”, we get Emperor’s “Wrath of the Tyrant” vibes. Creating cavernous atmospheres, “Children of Lir” continues the brutality with a more sinister angle and subtle melodic undertones.

Led by Mikko Kotamäki (Swallow the Sun), Kuolemanlaakso, a Finnish outfit, delivers killer Death/Doom Metal with some Gothic elements. With “Kuusumu” the band further expands it sound and incorporates some more modern elements alongside their highly emotional and soul crushing antics. The band’s Finnish only lyrics add an extra layer of uniqueness to their piercing sound.

Opening with the dazzling atmospherics of “Pimeys laski”, a very somber and yet lush mood is set. The combination of clean and harsh vocals alongside female vocals and harsh shrieks gives the music a very theatrical versatility, like on the Therion-esque “Katkeruuden malja”, or the punishing “Surusta meri suolainen”. Far from linear and traditional, the band’s Doom influences provide a nice contrast to faster and heavier elements thrown into the mix as “Kuohuista tulisten koskien” showcases.

Unleashing waves of intensity and playful catchiness, Midnight has always stood out from the rest thanks to their bizarre lyrics and brilliant delivery. With “Let There Be Witchery” the band takes their sound to new levels with ten pummeling tracks filled with devilish sleaziness. Perfectly blending old-school Speed Metal elements with Black Metal undertones, this band is one that no Metalhead should miss out on.

The release kicks off with the blistering pace of “Telepathic Nightmare”, a solid piece with crafty guitars and extreme catchiness. Building up momentum, ravaging tracks like “Frothing Foulness”, “In Sinful Secrecy”, and “Nocturnal Molestation”, perfectly transmit that sleazy old-school vibe that the Athenar masterfully crafts thanks to the stripped-down sound and funky lyrics.

Perfectly tailored to fans of music that pushes boundaries and that incorporates many disparate elements, today we have Lord Agheros and their latest opus “Koinè”. Mixing Ambient, Atmospheric and Avantgarde elements with a Black Metal core, this one man outfit continues to deliver unique and engaging releases that are varied and evocative from start to finish.

Opening with “The Prophecy”, we are treated to an Elend-esque momentum builder filled with dreamy atmospherics and crafty guitars. The musical exploration continues with the Industrial-elements of “The Walls of Nowhere”, paired with lush vocal arrangements and the doomier onslaughts of “Hold the Line”. As you can read, as the album hits the middle track, “Sow”, there are plenty of engaging elements from different genres, nicely arranged to create an immersive experience.

Oozing malevolence and piercing riffs, today we have Ireland’s Valais and their self-titled debut release out in CD and tape format through Signal Rex. While Black Metal bands are a dime a dozen these days, there are only a handful, like this one, that bring the genre to life with gusto and a piercing precision.

A cavernous mood is nicely set with the opener “I”, a track that suddenly changes gears and delivers blistering drumming alongside crushing riffs. The hellish shrieks perfectly fit the band’s sinister nature as pieces like “III” demonstrate with a slower and creepier pace. Similar to outfits like The Ruins of Beverast and Urfaust, we particularly enjoy this style where pace, aggression, and varied vocal styles create unsettling atmospheres.