Sylosis – Edge of the Earth (2011)

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Getting rid of the Metalcore-ish crap that influenced their near perfect debut album “Conclusion of an Age”, Sylosis returns sans previous vocalist with the crushing and mind-blowing sophomore release “Edge of the Earth”. If you thought the first one was pretty good, wait until you listen to this one.

With the band’s front man Josh Middleton now handling the vocals, Sylosis has become more vicious and will surely please any Thrash/Melodic Death Metal fan out there. This release features endless amounts of brilliant Thrash riffs and melodic sections that will pummel you into submission.

Leaves’ Eyes – Meredead (2011)

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After their over-produced previous release “Njord”, I was hopping to see the band bouncing back with a more natural and real sound. To my surprise, Leaves’ Eyes did exactly this with “Meredead”. In this album we are treated to 12 tracks of beautiful sounding music (and no over production) that will surely remind you of a ‘modernized’ version of “Vinland Saga” (my favorite album of the band).

Opening with the majestic “Spirit’s Masquerade”, the band will blow you away with lush choir arrangements and powerful guitars. Liv’s voice is as amazing as ever and in this song it’s very nicely surrounded by the choir and string instruments, this song alone made me forget about “Njord” instantly.  The chorus section of “Étaín” makes this song very enjoyable and a very typical Leaves’ Eyes styled song.

Cynthesis – DeEvolution (2011)

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Progressive wizards the Tipton brothers (Zero Hour) come together once more with vocalist Erik Rosvold (ex-Zero Hour) in this very ambitious project of Progressive Rock/Metal brilliance. Cynthesis debut album “DeEvolution” sets new standards for this gathering of musicians in a very trippy and atmospheric context.

With the quality of musicians in this project there is little doubt that the music will be extremely good, and this is immediately confirmed in the opening track “The Man without Skin”. In this song we are treated to Jasun’s wizard-like guitar skills and atmospheric elements that create a very futuristic and interesting atmosphere.

Midnattsol – The Metamorphosis Melody (2011)

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Three years after the release of their sophomore album “Nordlys”, Midnattsol returns with their masterful Gothic Metal release “The Metamorphosis Melody”. Providing over 55 minutes of music, the band shows more signs of maturity and the abilitie to create very effective songs.

Driven by the enchanting vocals of Carmen Elise Espenæs, the album opens with the album title track and you can quickly hear the massive guitar sound (for a Gothic Metal band) being surrounded by magical keyboards. Since the first song we can hear the excellent production behind this release and the raw power that the band tries to transmit with their sound.

Year of the Goat – Lucem Ferre (2011)

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Keeping the flam alive of 60’s and 70’s Psychedelic Rock, today we have the Swedes of Year of the Goat and their debut MCD “Lucem Ferre”. In this action packed 4 song release, the band shows their chops at creating dark anthems of pure evil just the right old-school vibe.

With the opening track “Of Darkness”, the band immediately turns back the pages of time and involves you in a magical atmosphere that only very few band’s can achieve these days. The guitars are spot on and the overall pacing of the song is just perfect. The vocals are greatly executed and the layering added provides the typical vibe for the genre.

While Heaven Wept – Fear of Infinity (2011)

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Continuing their aural assaults from “Vast Oceans Lacrymose”, While Heaven Wepts is back with another multi-faceted release that takes a little time to sink. However, once you get into the groove of this new release, it will surely win a place in your heart. Now on a bigger label, the band is ready to take their act on the road and take a shot at world domination.

“Fear of Infinity” has a familiar sound to “Vast Oceans Larymose” since the songs in this album were intended to be on said release. The first song “Hour of Reprisal” continues with the lush keyboard/vocal combination, but once you start getting comfortable this track explodes into an almost Black Metal-esque ending that will rattle your seat. While this sounds a bit out of place at first… you will grow to enjoy it.

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