The brutal reissue of D.E.R’s 2008 “Quando A Esperanca Desaba” comes to us through Polish label EveryDayHate. Featuring 16 tracks of head crushing Gore/Death Metal this is one of those heavy has hell releases that should be in everybody’s collection when you want to get the party started (and the neighbors extremely pissed at you).

Pummeling across tracks that are less average around one minute a piece, this album blows you away since the punishing opener “O Que Foi Escrito eu Apaguei”. Thankfully the booklet comes with English translation of the lyrics, just to know what exactly is being spewed through the band’s brutal vocalist pipes. The songs are heavy and brutal with some nice melodic elements that keeps them separate and provide nice pacing between tracks.

Hailing from Finland, today we have the relatively unknown Halladrol and ‘their’ brand of Blackened Death/Doom Metal. Being a one man project, Halladrol actually combines plenty of influences to make quite a stir, but leave us a bit disappointed with the end results.

Opening with typical 90’s Death Metal guitar riffs, “The Last Mile on the Earth” delivers quite a powerful introduction to this release, but also feels a bit dated in its execution. There are some pretty interesting Avant-garde elements here and there, but the rather simplistic core of the music takes away from any possible magic behind this track. The drumming is pretty intense and the vocals are ok, but there is that feeling of something missing always present in the track.

Originally released back in 2000 through Morbid Records, today we have EveryDayHate’s reissue of the incredible “Loathesongs” of the legendary Haemorrhage. Hailing from Spain, this Goregrind band has made a name for themselves through violent music and sick blood-drenched live performances. In this re-release we also get a few extra songs that weren’t available on the original “Loathesongs”, but come from the band’s vast early catalogue.

The opener is Defecation’s “Megaton” blended with “Vestige of Earthly Remains” allowing the band quickly sets the bar very high in terms of crushing pace and aggressive growls. While not all covers in this release are ‘extremely’ good, the band does a nice job in keeping some of the essential elements in the tracks, such as in Carcass’s “Pyosisified” and its relentless riffing.

Genre-bending Ephel Duath finally makes a comeback since their acclaimed “Through My Dog's Eyes” released back in 2009. With their latest EP “On Death and Cosmos” the band mixes musical maturity with their typical experimentation in such a way that very few bands can pull off without sounding overly pretentious, or like total shit. Featuring three tracks, Ephel Duath is band with their crazy Jazzy mood layered with aggressive BM elements.

Opening with the intricate “Black Prism”, the band delivers a hefty dosage of aggressive riffs accompanied by a very moody bass guitar line, perfectly blending the aggressive aspect of the band’s music with a rhythmic jazzy vibe. The drumming is quite well timed to fit the excellent tempo changes. Without abusing, you can hear some progressive hints here and there, nicely blended into the aggressive atmosphere.

Delivering one of the most intense and brutal aural onslaughts we have heard this year, today we have Noisebazooka and their latest full-length “Humped World”. If you ever tried to picture what somebody on bath salts would sound like when trying to make music, Noisebazooka is the first thing that comes to our mind.

Opening with a very weird sample intro, the album fully comes into full bloom with the deranged “Jaded Pleasures”. Piercing drums and hellish screams is pretty much the perfect way of describing this band. The bass guitar line is sick and twisted, adding an extra layer of weirdness to the overall insane atmosphere. The fragmentation of songs is something that we don’t really enjoy in Grindcore releases, and “Humped World” is not the exception, the band pummels through 32 tracks and delivers less than 45 minutes of music!

After being shelved for several months by Delain’s European label, “We Are The Others” finally sees the light of day in North America on July 3rd, through Sensory Records. Featuring four bonus live tracks, this North American version is packed with enough material to keep the fans of the band pleased for a long time.

Three years have passed since the highly popular “April Rain”, and with “We Are The Others” the band is looking to establish themselves as one of the premiere Gothic Metal bands in the world. Following the same musical direction, Delain delivers 12 tracks of well composed Gothic Metal with heavy Rock influences. The band does a few adjustments in terms of making their music catchier, but nothing much has changed.

Delivering the first ‘Lita Ford’ album, as she has claimed, since her return back in 2008, “Living Like a Runaway” is an excellent musical journey to the past of Heavy Metal / Rock. Featuring ten super catchy and well-crafted songs, this release is probably one the few albums that we can say has no filler tracks and only features high-quality music.

Taking a very ‘back to the basics’ approach, the opener “Branded” delivers high-octane guitar riffing and catchy vocal lines. The structure of the music is very basic, and this makes it work even better by having that nice old-school vibe that traditional Heavy Metal fans like in their music. The guitar work is top notch and nicely enhances the overall sound with some subtle solos. In a more Glam-like approach, “Hate” has a super catchy chorus section that will have you humming it in your head for the rest of the week.

Delivering three excellent Death/Thrash Metal tracks, today we have Alter self and their 2012 promo. In this short but sweet release, we are treated to nearly 12 minutes of very well composed music that will have you headbanging since the first minute. With a well-balanced mixture of old-school Thrash and aggressive Death Metal elements, this band has a very clear and direct sound that many others can only dream about.

Opening with a bang, “My Sober Reflection” delivers very powerful riffs and a very nice bass guitar line that is pulsating in the background. With a very aggressive sound, this track delivers a hefty balance between Melodic Thrash Metal and hard-hitting Death Metal. The band’s musical abilities are pretty solid and all elements of this song work very well together.

Arriving from the Netherlands today we have a pretty interesting Progressive Metal/Rock release with Unwritten Pages “Fringe Kitchen”. Featuring over 65 minutes of enchanting melodies, this album is quite a musical experience from start to end. Bordering more in the ‘commercial/Mainstream” side of things, “Fringe Kitchen” delivers nine excellently composed tracks that have something for every fan of the genre.

Setting a very cinematic tone with “Hejo”, the band quickly begins building a nice atmosphere to things. This bleeds into “Asylum Tragedy”, a mysterious progressive piece with excellent percussions and a nice futuristic vibe. Things get a bit heavier with “Intoxicating Sweets”, with the band building some nice powerful distorted guitars into their weird but intoxicating atmosphere. Having six musicians in the band that handle all kinds of different instruments, keyboards and an array of backing vocals makes Unwritten Pages sound very rich and diverse, with so many layers to pay attention to.

Balsting their way to the USA with eight tracks of instrumental Doom/Stoner Metal, today we have France’s Kyzyl Kum and their debut release “Sable Rouge”. Featuring a high-dosage of crushing riffing and tight drumming, this debut release showcases the abilities of this two-man destructive machine in the vein of Black Cobra, Bison, Kylesa and Bongzilla.

Clocking in around 40 minutes, this release gets going with the atmospheric intro “Kosmiska Superskunk” and fully kicks into gear with the super catchy “Cause des smicards sur du funk”. The band has a little Southern twang in their sound, and this track clearly shows that groovy side of things. The guitars keep assault the listener with “Because Death of Icare Sucks”, a track that has a very raw nature to it, but still sounds crisp enough to fully enjoy the waves of distortion coming at you.