Marking the band’s tenth year anniversary, today we have Leave’s Eyes latest release “Symphonies of the Night”. As anybody can expect, this 54 minute release is filled with lush atmospheric arrangements, angelic vocals, and a healthy dose of heavy guitars. The band reached far back into their origins and delivers a very effective mixture of elements from all their albums in a very cohesive and epic way. With a central theme about heroines through history, the band is at the top of their game and shows no signs of stalling or being content with their previous achievements.

The album opens with the haunting “Hell to the Heaves”, a track fueled by Liv’s extraordinary vocals and their contrast with Alexander Krull’s grunts. The music is quite reminiscent of their previous album “Meredead”, but with an edgier and even more aggressive take. The first instant hit comes under the name of “Fading Earth”, a track with very powerful guitar leads and a super catchy chorus section. For those of you that prefer the folkier side of the band circa “Vinland Saga”, “Galswintha” and “Nightshade” will satisfy your cravings.

Going in the stack of ‘why the hell is this band not signed yet’ promos, today we have Belgiums Natan and their sophomore release “Às”. With over 45 minutes of a very unique blend of Pagan Metal, Black Metal, and tons of Avant-garde influences, this release is one of the few that immediately caught our attention and we have been listening to it non-stop. Having a bit of everything for everybody, this band has a truly unique style that is impressively well-crafted.

Opening with a bang, “Asch” immediately reminds us of Greece’s Aenaon and their very crafty music. The riffing is quite funky and the vocals very harsh, giving a very unique and somewhat progressive vibe to the music. The addition of the clean vocals really gives the band an extra dimension that your average band usually lacks. The intense “Ride Out!” gives us very cool tempo changes and powerful riffs constructed in a very unique and progressive way, reminding us of Enslaved at points.

Bringing back the days of tape trading and home-made demos, today we have Yith and ‘their’ “Demo 3” on a Maxell tape. This American one-man battalion delivers six tracks of punishing Black Metal with Doom Metal influences. As we dusted off our tape player, this demo is quite well produced and will send shivers down your spine with its devastating riffs and demoralizing atmospheric passages.

Opening with “Beneath the White Mountains”, the Yith immediately punishes the listener with savage Black Metal riffs and vocals. The moment of awesomeness comes when the track mellows out a bit and atmospheric keyboards and a Doomy passages breaks through the cloud of BM onslaughts. “The Woman in Black” is a more ‘mellow’ track where the Black/Doom vibe is very well crafted and creates a very bleak landscape.

American guitar virtuoso Dario Lorina delivers to us one of the best shred instrumental releases we have heard in quite a with his debut self-titled release. Feature 13 tracks of expertly crafted music, we are given a unique opportunity to hear Dario’s expert guitar skills surrounded by very well constructed and catchy melodies. Avoiding many pitfalls of guitarists, like trying to sing, this release has everything a fan of Hard Rock/Metal could wish for, plus extremely awesome guitar solos.

Making an immediate impact with the playful “Demon Rum”, we instantly hear the quality behind Dario’s music. The drums and bass guitar are very well executed by Dan Conway and Marten Andersson, allowing this release to sound 100% professional by avoiding dull programmed drums and linear bass guitar lines. With shredding being the main attractive, we found that tracks like “Pipe Dreams”, “My Heroine”, “Villains”, and “Silhouettes” offer a lot more than insane guitar work. The melodic and catchy songwriting makes them more appealing than your average one-man shows we have these days.

Today we have Oruga and the re-release of their 2011 self-titled EP on Apathia Records. Delivering six punishing tracks of an excellent mixture of Doom, Stoner, and Sludge Metal, this French band makes quite an impact with their powerful sound. If like bands like Neurosis, Year of No Light, Dark Buddha Rising, and The Ocean, you cannot afford to miss this pummeling release.

Starting with the incisive riffing of “Northern Promises”, the band immediately gets a hold of the listener by the neck with their raw brutality. The guitars have a certain Stoner/Sludge inclination, but the overall Doom vibe is quite vibrant. The screams of Cedric M. are quite fitting for the genre and nicely resonate over the powerful song structures. Reminding us a bit of Hacride, “Kissing the Void” keeps the intensity with interesting tempo changes and imposing drumming.

Featuring a solid ensemble of musicians from bands like The Amenta and Mhorgl, today we have Malignant Monster and their Aussie Black/Death/Thrash Metal attack. In “Yours in Murder” the band delivers over 40 minutes of crushing music combining traditional Death and Thrash Metal elements with a BM edge and a very modern and refined sound.

Making their presence felt, Malignant Monster delivers crushing riffs since the first song. This track has a vibe similar to The Amenta, but this suddenly changes with the band’s piercing tempo changes and devastating drumming. Certain melodic moments of songs like “Until It Withers” and “Nothing Left” nicely give a different edge to the band’s already polished sound.

The hardest job here at Infernal Masquerade is giving a bad review to very well intentioned releases. Mr. Vu sadly falls in this category, since while their enthusiasm is amazing, the lack is musical skills gets the better out of “Dark Tales”. We understand this is just a demo version of the tracks, but there are some glaring issues with them. Trying to be as minimally mean as we can, we will continue to go over this album.

Opening with “Only the hard ones”, we can instantly hear the production deficiencies in this album, but since they are demo versions of songs we will let this go. The style is quite decent, reminding us of retro-80’s music at points; however, the vocals are just awful. We have heard tons of bad singing before, but sadly Mr. Vu is probably one of the worst. Components of the music are quite solid, like on “King of Vitiation”, where we have solid guitar/bass guitar lines, but the vocals and some of the arrangements are very odd.

The highly anticipated debut of Finish Post-Punk/Rock outfit Beastmilk is finally here. On “Climax” the band will surely elevate their cult status to a whole new level with 10 sultry tracks that put together influences from Killing Joke, Joy Division, Misfits and even some hints of Hexvessel and similar outfits. Delivering one excellent track after the other one, the band really captures a timeless vibe and makes it their own in this vibrant release.

Since the album’s opener “Death Reflects Us”, the band produces that excellent Punk-ish vibe thanks to the drums/bass guitar. The vocals of Kvohst are just brilliant and fit the vibe of the music in a very effective way; they sometimes remind us of the older Misfits stuff mixed with some Peter Murphy sultriness. With super catchy tracks like “The Wind Blows Through Their Skulls”, “Genocidal Crush”, and “You Are Now Under Our Control”, the band fully establishes their uniqueness and brilliant songwriting skills.

With Alrealon releases being so few in between all the stuff we get, we were quite excited to receive [ówt krì]’s “The New Seed”. As a one member outfit, this ‘band’ delivers chilling Ambient music with a very unique sense of space and time. If you like trippy music that slowly unravels before your ears in a very passive and expansive manner, this is one of those releases that will keep you at the edge of your seat.

The first two tracks “Deep South” and “The New Seed” nicely set the stage in a very ethereal and direct way. Both songs remind us of the music they play on documentaries of stargazing and the deep ends of the universe. The piano at the end of the second song is quite magical and one of the highlight of this release. In a darker mood, “On Hostile Ground” and “Abandoned Path” deliver a harsher experience. The vocals are quite penetrating and the guitars are very dissonant, creating a very unique sense of urgency.