Left at a crossroad when three band members left the band in 2012, Diabulus in Musica comes back in full strength with their third release “Argia”. Featuring 13 songs and around 55 minutes of brilliant music, the band pushes the boundaries of their sound. Perfectly balancing aggression with lush symphonic elements, Diabulus in Music has crafted one of the best Symphonic/Gothic Metal releases of 2014.

The release opens with the very cinematic “Et Resurrexit (Libera Me)”, only to fully develop into the bombastic “From the Embers”. In the later track we have a strong Metal foundation with powerful riffs and harsh vocals. The ‘beauty and the beast’ approach works very effectively for Diabulus in Musica, perfectly blending Zuberoa Aznárez and Gorka Elso dynamic vocals. Zuberoa’s unique range is very characteristic and provides an identifiable signature for the band’s music.

Marking the return of the most epic band in the Metal universe, today we have Sabaton and their latest release “Heroes”. As the first Swedish Metal band to achieve platinum sales (in Sweden) with their previous release “Carolus Rex”, the band lives up to the expectations with ten excellent songs in this release. Characterized by their intensity and their very lively songs about war and history, Sabaton is one of those bands that immediately lights up a room with their unique music.

Jumping immediately with the intoxicating “Night Witches”, the band continues the certain heroic vibe they transmit with their music. Joakim Brodén’s charismatic vocals are perfectly crafted for such intense music filled with quality arrangements and brilliant tempo changes. With Joakim and Pär Sundström being the only remaining original members of the band, the new guys are perfectly incorporated into the Sabaton ethos and you can instantly appreciate it on songs like “No Bullets Fly”, “Smoking Snakes” and the dramatic “Inmate 4859” – one of our favorites in this release.

As one of the most anticipated Nuclear Blast releases of 2014, Epica returns with their sixth studio album titled “The Quantum Enigma”. Led by the charismatic Simone Simmons and the very active Mark Jansen, the band delivers another outstanding release filled with bombastic and explosive tracks that takes the band to new musical heights. With over 69 minutes of music, this is one release that no fan of the genre will want to miss.

Opening with the lush arrangements of “Originem”, the album slowly transitions in to the very heavy “The Second Stone”. In this song we have the traditional catchy vocal melodies, but the band added an extra level of aggression with more powerful guitars and blistering solos, elements that greatly complement the band’s signature sound. The band’s excellent choir arrangements are perfectly complemented in tracks that have more teeth and will surely take fans by surprise, like the groovy “The Essence of Silence”.

Featuring Carmen Elise Espenæs (Midnattsol) and the ex-The Sins of Thy Beloved duo Stig Johansen and Anders Thue, Savn is a new comer band to the Gothic Metal/Rock scene that delivers a very imposing debut self-titled released. With a sound based on ‘older’ Gothic Metal/Rock from the late 90’s and early 2000’s, the band has a very familiar vibe to Theatre of Tragedy, Tristania, and The Sins of Thy Beloved. Packed with guest appearances, this is one release you don’t want to miss in 2014.

The album instantly opens with a stunner: “Musical Silence”. In this song we have a very upbeat vibe with a certain Folkish atmosphere to it that quickly changes as the very prominent keyboards make their way. This is the first impression one gets of Savn, and it is a majestic one, reminding us of TSOTB and Theatre of Tragedy in their Liv Kristine days. The music is quite upbeat but with a certain melancholic edge, something that retains the darkness of TSOTB but with a certainly different context, like we can see on “Hang On”.

Spreading their aural sickness all the way from Italy, today we have Throne of Molok and their latest offering: “Beat of Apocalypse”. Featuring an hearty combination of incisive Death Metal riffs with Industrial beats, this release is very aggressive and in your face. Move over bands like Pain, Kovenant, etc., Throne of Molok exchanges catchiness for brutality and delivers one of the most crushing Industrial Metal releases of 2014.

As the release opens with the punishing “Beat of the Apocalypse” and “Something Black”, the band focuses more on having devastating riffs accompany powerful drum samples than having the catchiest beats like other bands do. Things start to get more traditionally ‘Industrial’ in the intoxicating “Atm:ind:inferno” and the ravaging “Tuned by Holocaust”, a song that has some fierce riffs.

With a very traditional Death/Doom Metal sound, today we have Italy’s Tethra and their debut full-length release “Drown Into the Sea of Life”. Featuring nine tracks of engaging tracks that bring back memories of the genre’s heyday we have some serious My Dying Bride worship on our hands with this one.

After the intro track, “Sense of The Night” brings forth the goods with some solid clean vocals as the track transforms with some Doom riffs and tight drumming. The song structure is quite typical, and while not revolutionary is quite sufficient. The band’s melancholic presence is felt in the trio of songs “Drifting Islands”, “Vortex Of Void” and “Drown Into the Sea of Life”, featuring a wide variety of catchy riffs, memorable guitar leads, and a very well structured core.