Brilliantly pivoting between Death and Black Metal, today we have Immortal Bird and their crushing debut release “Empress/Abscess”. Pummeling through five tracks and over 30 minutes of material, this band’s sound is very unique and powerful, making them one of the freshest sounding artists of 2015. If you are a fan of music that is challenging, brutal, and melodic, this is one of those rare releases that will satisfy your cravings.

Opening with the dissonance of “Neoplastic”, the band sets the mood with piercing riffs and massive drums. With a certain melodic flair to a mixture of Death/Black Metal riffs that weaves back and forth between old-school Entombed-like Death Metal to Watain-caliber riffage, the band instantly grabs your attention. With Rae Amitay delivering a punishing vocal performance, it allows the band to deliver brutal tracks like “Sarophyte”.

In a year filled with truly innovative and thought-provoking Black Metal releases, Godz ov War Productions present us with the decadent “Ghost Chants” from Polish new-comers Outre. Perfectly deconstructing the genre and making it their own, this album features seven track of truly sickening Black Metal unlike anything you have ever heard before. The band’s unique pummeling musical approach sounds like a mixture of Watain, Behemoth and Weapon with some of the Shining/Bethlehem craziness sprinkled into the mix.

Setting the stage with a pummeling wall of noise decadent opening ‘intro’ titled “Chant 1. – Departure”, which feature some eerie ritualistic vocals. It is until “Chant 2. – Shadow” that the band’s blasting blasphemy commences with a pummeling track filled with oppressive riffs and deranged vocals. The Black Metal aural devastation is excellently crafted to be as demoralizing as possible thanks to the killer drumming and intricate guitar work that is viciously present on
“Chant 3. - The Fall”.

The legendary Symphony X has returned with the band’s ninth full-length release titled “Underworld”. Perfectly mixing elements from the band’s extensive musical trajectory, this album further refines their musical pedigree and delivers 63 minutes of catchy and engaging music. Always being crowd pleasers, the fans will certainly not be disappointed by the continuity and level of quality the band’s music presents.

After the traditional warm-up intro/overture, the band gets down to business with the killer “Nevermore”. Featuring a wide variety of exciting guitar leads and an extra catchy chorus section, this song is the prefect mood setting piece for such a diverse and entertaining release. The first truly epic song in this release is the dramatic “Without You”, led by Russell Allen’s charismatic vocals; this is a very memorable epic-feeling track.

Delivering waves of neck-breaking Death Metal, today we have Embrional and their crushing sophomore release “The Devil Inside”. Hailing from Poland, this three man outfit produces some of the most clinical and hateful Death Metal we have heard in a while. Forget about all that virtuoso Tech Death stuff, this is exactly what dreams of brutality are made from, and we have around 43 minutes of it.

Stepping up to the plate with the demolishing drumming of “Evil's Mucus”, the band makes an instant splash thanks to their raw power. Nothing extremely fancy, but high on surgical precision, this band produces piercing moshing moments like nobody’s business and tracks like “The Abyss” and “Funeral March” are perfect examples of this. A personal favorite is the decadent “In Darkness”, a piece that punishes the listener with Kamil’s inhuman double kick skills.

All the way from Germany, today we have Powerwolf and their sixth full-length release “Blessed & Possessed”. As one of the catchiest Power Metal bands in the world, the wolves return with another epic album filled with bombastic elements and their signature over-the-top antics. Only improving on their legacy, the band continues their musical onslaught with 11 brilliant tracks.

Setting the stage for a truly epic musical experience, “Blessed & Possessed” opens this release with crushing vocal arrangements and powerful guitar riffs. The band’s clean cut and well defined Power Metal foundations allows them to fully engage the listeners with epic songs. Attila Dorn’s vocal talents are only comparable to Joakim Brodén, meaning they are extremely amazing and very well exploited on tracks like “Dead Until Dark”. With such a charismatic presence and powerful range, tracks like “Army of the Night” are truly an amazing experience.

Arriving from France, today we have a very interesting and different release titled “Altra” from a band called Naïve. Mixing Progressive Rock/Metal influences with some trip-hop, shoegaze, and tons of electronic elements, they manage to create a very unique and dramatic cinematic experience in this album. Being more of the commercial-friendly spectrum of things, this release is quite mellow and perfectly enjoyable on a rainy day.

Opening with the playful “Elevate/Levitate”, we are instantly treated to a very well put together track that nicely navigates through multiple moods and different soundscapes. With every track featuring soaring vocals and powerful guitars, this French trio has developed a very unique and solid formula to deliver high-quality songs like “Yshbel” and the excellent “Mother Russia” to name a few.

Unleashing over 50 minutes of crushing Symphonic/Atmospheric Funeral Doom Metal, today we have Luna and their latest opus “On the Other Side of Life”. Hailing from Ukraine, this one man show delivers waves of brilliant atmospheric passages filled with crushing Doom riffs and proficient tempo changes.

The first part of this release comes under the 21-minute long “Grey Heaven Fall”, a highly atmospheric piece that nicely sets the mood. While there are not vocals in this release, the heavy riffs and powerful ambiance makes you forget about this and allow you to enjoy the release without even noticing.

As one of the biggest surprises of 2015, today we have the infamous Cradle of Filth and their 12th full-length release “Hammer of the Witches”. Bringing us back to when the band was turning heads left and right with their “Dusk and Her Embrace” and “Cruelty and the Beast” releases, this is by far the best release from them in over 10 years. Delivering 11 punishing tracks of lush Symphonic Black Metal we are sure that most old fans of the band will come flocking back to them.

After the warm-up intro, things are blown wide open with the intense drumming of “Yours Immortally…”, courtesy of Martin Škaroupka coming quite close to the glory days of the band with Nick Barker. The mood is as magical as on “Cruelty and the Beast” with crushing tempo changes and the howling of Dani Filth. The band finally got back to their mojo of crafting songs with tons of tempo changes and perfect combinations of howls, growls and clean male and female vocals as in “Enshrined in Crematoria” and “Deflowering the Maidenhead, Displeasuring the Goddess” (one of our favorites).

Delivering one of the most bombastic and ridiculously epic releases of 2015, today we have Luca Turilli’s Rhapsody with “Prometheus”. Vastly improving over their 2012 “Ascending to Infinity” the band elevates its game to reach new heights in terms of lush cinematic experiences. If you could imagine Therion paired with Blind Guardian and old Stratovarius, that is exactly what this album sounds like.   

Building a very dramatic opening with “Il Cigno Nero”, the band’s signature intense tempo and theatrical vibe is felt instantly through Alessandro Conti’s vocals and Luca Turilli’s talented musical composition skills. The extreme usage of orchestrations and choir arrangements greatly pays off on tracks like “Anahata”, the dramatic “One Ring to Rule them All”, and the majestic “Prometheus”. The basic Power Metal core aspect of the band’s sound is kept very tidy through Alex Landenburg’s drumming and Patrice Guers’s bass guitar lines.