Constantly evolving over the years, Hanging Garden returns with a very atmospheric release titled “Blackout Whiteout”. Featuring nice tracks of pure melancholy, the band manages to combine elements from Theatre of Tragedy (“Aegis” era), Anathema (their transition period), Katatonia (their more recent stuff) and throw in some Cure/ShamRain elements just for kicks. This release still keeps the growls in the mix, allowing the album to be harsh and brutal when needed, but it is mostly very melancholic and mellow.

Opening with the enticing “Borrowed Eyes”, we are instantly swept by Toni Toivonen’s moody clean and harsh vocals. This track also pulls you in with its subtle bass guitar line and keyboards. The band is always in motion and the very Cure-like rocking anthem “Whiteout” further shows their evolution since the band’s harsh and bleak Death/Doom days from “Inherit the Eden”. However, the depressive atmosphere is still present in a very unique and refined way.

Hailing from France, today we have a very unique band that pushes the limits of Post-Metal, Post-Hardcore and Math Metal, creating a very unique and devastating mixture. Nerv delivers seven relentless tracks in “Vergentis In Senium”. Perfectly crafted for fans of bands like Neurosis and Dysrhythmia, this is one very powerful release that will rattle your senses.

Opening with the punishing wall of riffs in “Cathars” we brace ourselves for a brutal and nihilistic release. The vocals are very similar to Neurosis and the overall sense of urge in songs like “Tortures” has a Dysrhythmia edge to it. The band does a great job in crafting complex song structures, leaving the listener puzzled and always expecting something different.

Hailing from Switzerland, today we have a very unique Melodic Modern Metal band named Promethee. Mixing some of the good elements of modern Deathcore with the agility and precision of old-school Melodic Death Metal, “Unrest” delivers twelve solid tracks filled with moshing and headbanging moments. Recommended for fans of Hacride, Dagoba, Hatesphere and such, we are sure that anybody with a knack for melody and pounding riffs will find this appealing.

Opening with the punishing riffs of “Our Common Fall”, the band quickly establishes the rich and devastating sound with very well crafted guitars and tight drums. The vocals are on the raspy side, reminding us of Hacride but the music makes us thing more of Whitechapel or TBDM. What makes Promethee unique is that they can instantly switch from pummeling riffs to blistering fast passages of Melodic brilliance as they constantly deliver on “Unspoken” and “Dark Souls”.

Bands these days try to mesh all kinds of genres together and get pretty odd or awesome results. Unluckily for Deer Blood their mixture of Groove and Thrash Metal falls flat to expectations in “Devolution”. Featuring over 13 tracks and 58 minutes of music, this release has some interesting moments that are quickly obscured by an iffy production and a very odd mixture of styles.

Opening with “Bushmaster” we instantly get a weird Groove/Sludge vibe that morphs into Thrash after a few minutes. The raspy vocals are oddly mixed and come out too loud for the rest of the elements to shine. The guitar riffs individually are pretty decent, and in songs like “Born Strong Live Young Die Hard Born Again” and “Trapped Inside” we have some interesting rhythmical sections and a few leads that are very Thrash-tastic, but the groove vibe manages to kill all sense of cohesion and flow.

The most active man in Finish Black Metal: Shatraug, returns with his main band Horna and their devastating production “Hengen Tulet”. Playing in at least seven bands, Shatraug delivers 10 tracks of pure satanic destruction in this release, showing no signs of slowing down or creativity lapses. Keeping their throne as the rawest BM band from Finland, the band does a great job in pummeling the listeners psyche with this monumental release.

Opening with the ravaging riffing of “Amadriada”, the album kicks off with style. Spellgoth’s vocals steal the show by providing that old-school harsh screams characteristic of the band. Filled with epic head banging pieces like the bestial “Ajan päättyessä” or the moody “Nekromantia”, drummer Vainaja keeps a tight ship with a piercing performance. For those of us that enjoy the band’s senseless brutality and relentless guitar work, “Tämä maailma odottaa” and “Saatanalle” are the best pieces to get drowned in the band’s aggressive nature.

With Black Metal bands appearing like the plague these days, it is quite refreshing to receive a majestic album from a band that has been lurking in the shadows for many years. Norway’s Isvind has been around since 1992 (with some breaks in between), and their pedigree shows in their latest full-length release “Gud”. Delivering nine crushing songs, this is one hell of an album from start to end.

Opening with some angelic vocals, “Flommen” sets a very ethereal mood only to flip the coin on you with some brutal BM riffs and hellish vocals. This song has a certain melodic edge that uses choirs and melodic riffs to create a very involving atmosphere. With AntiChristian of Tsjuder fame filling in on drums, the band blasts away with pummeling tracks like “Ordet” and “Himmelen”, keeping that frosty Norwegian Black Metal vibe present at all times.

Hailing from Spain, today we have Embersland and their very catchy and well-crafted Symphonic/Gothic Metal with some Power Metal elements thrown into the mix. Featuring nine tracks and around 48 minutes of music, this release is an emotional rollercoaster filled with powerful guitars, tight drumming, and masterfully led by the vocals of Will, May and Xavi. Appealing to a wide spectrum of listeners, “Dark Ages” is one memorable release.

Opening with the 9 minute playful piece “Sunrise (Part II)”, the band instantly showcases their evolution since their 2013 release. With more focused songwriting and more mature skills, this track features majestic vocal melodies and emotional keyboards. The band nicely keeps up the initial track’s momentum with solid songs like “Closer”, “Hope”, and the superbly catchy “WTF…Fuck Off!”, which has a killer chorus section. It is quite evident that the band is nicely maturing as their sound is very cohesive with all their elements coming together quite nicely.

Arriving all the way from Slovakia, today we have Mora, an Atmospheric Black Metal outfit with a very raw and visceral sound. In their demo “Hmlisté obdobie”, the band presents six songs of sickening raw Black Metal with creepy atmospheric elements that will haunt your dreams for weeks to come.

Immediately after the piano intro, the band sets a very bleak and sinister mood with mid-tempo traditional BM riffs and ‘swishy’ drums. “Neviditelne zlo” is the perfect momentum builder for the band’s savage vocals that nicely appear after a few minutes of creepy music. The vocal style is quite deranged and dissonant, mixing growls with shrieks, this will leave an impression on you for the foreseeable future thanks to songs like “Mrtvolny chlad” and “Jesenna depresia”.