Hailing from Sweden, today we have Psychedelic/Occult Rockers Year of the Goat peddling their craft with “The Unspeakable”. Having loved their 2011 MCD “Lucem Ferre”, we were looking forward to this one for quite a while. Creating a special aura filled with an authentic retro vibe and a high emphasis on melody, the nine tracks presented in this release are magical and intoxicating.

Slowly building up a very mysterious ambiance with “All He Has Read”, the band sets a magical shroud of mystery around their album early in the game. Combining elements of bands like Witchcraft, Purson, Jess and the Ancient ones, tracks like “Pillars of the South” and “The Emma” are haunting and very authentic sounding. Thomas Sabbathi is one hell of singer and his vocals greatly elevate all the songs in this album while giving them a very eerie vibe.

Continuing with their crafty melodic but brutal brand of Death Metal, today we have Kataklysm and their twelfth studio release “Of Ghosts and Gods”. In this ten-song album, the band dwells between mesmerizing melodic passages and punishing onslaughts keeping this release very fresh and well balanced. Releasing one music video per track, this is Kataklysm’s most ambitious album to date.

Opening with the album with the pummeling drumming of “Breaching the Asylum” sets a very high note for the rest of this release. As “The Black Sheep” and “Marching through Graveyards” roll in we notice a certain melodic tempo that reins the first three songs, which greatly enhances the band’s unique and punishing sound. This last track sounds like a very interesting mixture of Cannibal Corpse with some Swedish Death Metal.

Arriving in a beautifully hand-crafted package, today we have “im draußen bricht sich das drinnen” from the German band O Graceful Musing’s Burden (OGMB). In this very atmospheric release, we are treated to around 50 minutes of very emotional and magical music. Perfectly blending Post-Rock soundscapes with some Folk and Post-Metal/Post-Black Metal outburst, the band continues to refine their very unique sound with the powerful release.

Opening with the expansive “Nuboeiro Acrarante”, the band slowly builds tension with very sparse drums and playful guitar licks. With some parts in this track having Post-Black Metal levels of viciousness, the band manages to perfectly carve a unique listening experience through all their musical influences in under 16 minutes.

Slowly establishing themselves as one of the most innovative experimental Metal bands in the USA, today we have Locrian and their latest opus “Infinite Dissolution”. Nicely evolving over the years, this Chicago-based outfit perfectly blends elements from Post-Metal, Black Metal, Drone, and Noise, creating a super think and powerful atmosphere unlike anything else we have ever heard.

Opening with the oppressive wall of sound of “Arc of Extinction”, the band creates the perfect introduction to their music. Crushing riffing, bi-polar drums, and very harsh vocals to open the track craft a truly unique opening experience. The band’s music weaves back and forth between styles and on this opener they give us a great sampler of what is to come. Mellowing out with “Dark Shales”, we find the Post-Rock-ish guitar leads quite engaging and well fitting. If you appreciate the band’s ‘noise’ side of their sound, “KXL I” is sort of an interlude that will satisfy your cravings.

Hailing from the USA today we have a very melancholic band named Deathwhite. Delivering their second EP, “Solitary Martyr”, the band perfectly captures the late 90’s Katatonia / Anathema vibe and presents us with five dark and atmospheric songs. With a heavy and yet very depressive sound, this is one of those short releases that you will be stuck listening to for weeks.

Opening with the very dramatic “Pressure”, we are instantly transported to the year Katatonia’s “Discouraged ones” was released and that certain melancholic atmosphere that many albums had those days. The band’s music is quite well crafted greatly complementing a very heartfelt vocal performance. Not all songs are only mellow and the heavy opening of “Suffer Abandonment” is a great reminder of that. This track even features some excellent Doom Metal riffs thrown into the mix.

Arriving all the way from Uruguay, today we have Fixion’s latest release “Paraíso”. Filled with over 44 minutes of catchy and melancholic Gothic Metal that spans influences from the early times of Gothic Rock to more recent Gothic Metal trends, this is one of those near perfect releases that are quite enjoyable. Combining a traditional somber Gothic atmosphere with catchy melodies makes and lush vocal arrangements, this release will appeal all fans of the genre.

As the album opens with the playful “Paraíso”, the band leads with strong vocal arrangements and a very primal and catchy atmosphere. The band instantly reminded us of Anabantha another female-led Gothic Metal/Rock outfit that also sings mostly in Spanish. Greatly exploiting Tina Souto female vocal talents and perfectly combining them with a back-to-the-basics musical structure, tracks like “Hasta Amanecer” and “El Impulso” immerse the listener into Fixion’s musical work.

Continuing with the momentum of the band’s latest masterpiece “Sacrificium”, today we have Xandria and their bombastic EP “Fire & Ashes”. Featuring 35 minutes of music that span a few new songs, some re-recorded tracks and two covers, this is enough material to hold off any fan of the band and the genre until the band’s new record is ready.

Opening with a bombastic explosion, “Voyage of the Fallen”, delivers a very Epica-esque track that features very dynamic choir arrangements and a very dramatic musical progression. The band’s explosive sound is in full swing with this very apt opener, with Dianne van Giersbergen’s vocals shining from start to end. Changing the pace into a more melodic and head banging mode, the lush melodic passages of “Unembraced” make them perfect to start head banging. Both of these tracks are completely new and recorded especially for this release.

As the brainchild of the Tipton brothers of Zero Hour and Cynthesis fame, today we have Abnormal Thought Patterns and their extremely intricate release “Altered States of Consciousness”. Having proved themselves as very proficient musicians in the past, the Tipton brothers (and other band members) take their sound even further and delivering seven brilliant tracks that cover over 42 minutes of awe-inspiring guitar and bass guitar work tied together in a very nice and cohesive package.

The album opens with the shred-tastic “Distortions of Perception”, a slowly progressing piece that sets a very high bar for the rest of the album. Things move into more progressive/Djent-sounding territories with “Nocturnal Haven”, a track that features Tommy Rogers (Between the Buried and Me) on vocals and the (in)famous Jeff Loomis (ex-Nevermore). The band’s ability to make each song sound very different is quickly evident with one of our personal favorites, “Blindsight”, a track that reminds us of Ihsahn and his very technically proficient musical compositions.

Hitting the listener like a bag of bricks to the face, today we have Kronos and their demolishing release “Arisen New Era”. Delivering over 36 minutes of sturdy Brutal Death Metal, this is by far the heaviest band we have heard come out of France. With a heavy focus on making traditional Death Metal elements heavier and more violent, this release will ravage your speaker system and will have you begging for more.

Opening with the Cannibal Corpse-esque “Infernal Abyss Sovereignty”, the band sets a very intense mood with crushing riffs and inhuman drumming courtesy of Anthony Reyboz. The meaty hooks of “Zeus Dethroned” and “Soul-Voracious Vultures” brings back memories of the good old days of Kataklysm and Suffocation… but faster and more brutal. As the band delivers neck-snapping anthems like “Rapture in Misery” and “Aeons Titan Crown” we are constantly impressed by the crystal clear production behind this ambitious release.