Debemur Morti

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    Bacchus - II (2023)

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    Unleashing a very hypnotic and highly atmospheric beast, today we have France’s Bacchus and their debut full-length release “II”. With a very interesting and oppressive sound, this band sounds a bit like The Ruins of Beverast meets Urfaust meets Fluisteraars. For six tracks and nearly 35 minutes, the band haunts the listener with piercing compositions that are both mysterious and highly disturbing.

    Opening with the atmospheric funkiness of “II.I”, the band quickly sets a very hypnotic tempo that is nicely amplified by (very) weird vocal arrangements that create a very oppressive atmosphere. The atmospheric synths and samples give a certain Germ/Galaktik Cancer Squad and create some truly unique and disturbing soundscapes, as delivered by “II.II” and “II.III”.

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    Aara - Triade III: Nyx (2023)

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    Drowning in atmospheric brilliance, today we have Aara closing their trilogy with “Triade III: Nyx”. Delivering six sweeping songs of brutality and lush dreaminess, this release keeps the momentum of the first two parts and brings this period of the band to a close with a big bang. Highly recommended for fans of extremely atmospheric and intense music, this release will immerse you into the band’s world instantly with its relentless aural abuse.

    Opening with the enigmatic “Heimgesucht”, the mood is perfectly set as the band escalates their riffing onslaughts to frantic mode. The sheer intensity and ravaing speed of Berg’s guitars perfectly aligns with the pummeling drumming of J. The band’s core sound is intense and violent, greatly amplified by the haunting harsh screams of Fluss, as we can hear on riveting pieces like “Emphase der Seelenpein”, “Moribunda”, and “Unstern”.

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    The Lovecraft Sextet - Black†White (2023)

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    Creating a truly unique and somewhat demented release, today we have the enigmatic The Lovecraft Sextet and their latest EP “Black†White”. Featuring two tracks of pure jazzy madness, this EP delivers a digestible entry into the highly mysterious and chaotic world of Jason Köhnen. Filled with atmospheric weirdness, this release is certainly not for the close minded, as it embarks the listener on an aural journey.

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    Dødsengel - Bab Al On (2022)

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    Crawling out of the depths of hell, today we have Norway’s Dødsengel and their latest opus “Bab Al On”. Playing a vicious Atmospheric/Occult Black Metal, this outfit has some serious Blut Aus Nord vibes minus the industrial aspects. Unleashing some of the most decadent and misery inducing soundscapes, this release clocks in at 72 minutes of pure evil and atmosphere. If you like dense and ritualistic BM, this is certainly one of the best releases of 2022 for that.

    The album starts with the cavernous ritualistic intro “Ad Babalonis Amorem Do Dedico Omnia Nihilo”, creating a very unsettling atmosphere that quickly leads way to hellish vocal arrangements and piercing guitars. The band goes full-on with the crushing “In the Beginning” and its hellish tremolo picking alongside relentless waves of aggression. Just as you think you can settle for all-out war, the band changes directions with the eerie “Annihilation Mantra” and its haunting vocals.

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    Pestilent Hex - The Ashen Abhorrence (2022)

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    Unleashing a blistering piece of majestic Symphonic/Melodic Black Metal, today we have newcomers Pestilent Hex. Polished in over five years, this album captures the magic of keyboard driven BM of the 90’s, with similarities to Emperor, Tartaros, Limbonic Art, however, the band manages to sound like something completely different. Be prepared for a dramatic and highly engaging 40-minute experience.

    The release opens with the album titled chapter I, which sets a very hectic opening with blistering drumming, furious riffing, and powerful harsh vocals. This track nicely morphs into a very dramatic and intense atmospheric affair with piercing synths and lush piano arrangements. Both “Nature of the Spirit” and “Mephistophelean Liaison” perfectly build up on such a killer opener with tons of dynamic arrangements, dramatic tempo changes, and heaps of emotion and melody, making up for a very powerful first part of this release.

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    White Ward - False Light (2022)

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    Just when you think a band can’t get any better, you get a release like “False Light”, showcasing that White Ward’s sound and creativity are boundless. Digging deeper than in “Love Exchange Failure”, the band explores more sultry dark-jazz/avant-garde territories with the 66 minutes of music unleashed here. As one of the finest releases of 2022, this album needs to be enjoyed and carefully examined to get the fullest out of it.

    Starting this magical tour-de-force we have the powerful “Leviathan”, a track that nicely builds up to some harsh Black Metal passages and nicely transitions into sultry jazzy greatness. With a more somber and darker tone, “Salt Paradise” mixes the guest clean vocals from Jay Gambit (Crowhurst) and the band’s more enigmatic and atmospheric side. “Phoenix” and “Silent Circles” nicely balance the band’s heavy side with melancholy and crafty instrumentation.

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    Cailleach Calling - Dreams of Fragmentation (2022)

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    Delivering a highly atmospheric brand of Post-Black Metal, today we have Cailleach Calling and their debut full-length release “Dreams of Fragmentation”. Featuring Tony Thomas (Botanist/Dawn of Ouroboros) handling all guitars/bass/and synths, alongside Chelsea Murphy (Dawn of Ouroboros) in vocals and Yurii Kononov (ex-White Ward) on drums, the band unleashes nearly 40 minutes of relentless music with a certain cosmic/urban vibe unlike no other.

    Immediately laying down some thick atmospherics, “Phosphenic Array” kicks off the release with brutal harsh screams and superbly crafted blistering drumming. While the intensity varies, the atmosphere is made even richer with powerful synths. Reminding us a bit of Frozen Ocean and Lustre, this epicness continues into the sultry “Bound by Neon” a piece with a more desolate futuristic urban vibe, which features some intense tempo changes and elegant melancholic interludes.

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    Pure Wrath - Hymn To The Woeful Hearts (2022)

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    As one of the most anticipated 2022 releases for us, “Hymn To The Woeful Hearts” takes Pure Wrath’s music to a whole new level. Delivering over 44 minutes of highly atmospheric and very emotional Black Metal music, this album perfectly channels the fury and intensity of the band’s earlier releases with a hefty dose of melancholy and refinement.

    Wasting no time in asserting itself, “The Cloak of Disquiet” opens with a very solemn and short intro as it quickly morphs into raw aggression thanks to blistering drumming and crushing harsh screams. We particularly love how the melodic arrangements quickly blend into the waves of brutality the band puts forth, as pieces like “Years of Silence” and “Presages From A Restless Soul” clearly show. There is great skill in being able to have such masterful transitions without sounding forced or abrupt.

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    Doedsvangr - Serpents Ov Old (2021)

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    Unleashing all hell with 44 minutes of highly refined and punishing Black Metal, today we have International super group Doedsvangr and their sophomore release “Serpents Ov Old”. Featuring members from bands like Horna, Nordjevel, The Order of Apollyon, and a few guests like Vicotnik and Tsjuder’s Nag, this super release delivers on the promise of being one of the most devastating albums of 2021. If you like Black Metal, it won’t get any better than this release.

    Kicking things off, we have the blistering album title track filled with pummeling drumming and expertly layered guitars, creating a very powerful and punishing experience. Doedsadmiral’s vocals are just perfect for this kind of music, and they perfectly compliment the talents of Shatraug on guitars and bass, as songs like “Flagelist” and “As The Rivers Bleed Their Blessings” and their sinister edge perfectly showcase. There is more than just furious tremolo picking to BM and releases like this are a fine example of it.

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    The Amenta - Solipschism (2021)

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    As if their 2021 full-length “Revelator” wasn’t enough, today we have Australia’s The Amenta back with an interesting 2-song EP titled “Solipschism”. Not that we are complaining, the band first makes us wait 8 years between releases and now we are treated to more madness in less than 6 months. Again, proceed with caution as this Aussie band kicks some serious ass while introducing some weird and creepy ideas.

    With a heavier focus on atmosphere and weirdness, the release kicks off with “Solipschism”, a highly atmospheric piece with very eerie arrangements and a solemn pace. This track is a fresh and creepy soundscape that sets a very dark mood. The second piece, “Labourinth” slowly builds from distorted guitars with an industrial vibe to a more expansive crushing piece with hellish vocals alongside crafty drums and a faster pace, and a particularly dissonant closing.

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