Unleashing all hell with 44 minutes of highly refined and punishing Black Metal, today we have International super group Doedsvangr and their sophomore release “Serpents Ov Old”. Featuring members from bands like Horna, Nordjevel, The Order of Apollyon, and a few guests like Vicotnik and Tsjuder’s Nag, this super release delivers on the promise of being one of the most devastating albums of 2021. If you like Black Metal, it won’t get any better than this release.
Kicking things off, we have the blistering album title track filled with pummeling drumming and expertly layered guitars, creating a very powerful and punishing experience. Doedsadmiral’s vocals are just perfect for this kind of music, and they perfectly compliment the talents of Shatraug on guitars and bass, as songs like “Flagelist” and “As The Rivers Bleed Their Blessings” and their sinister edge perfectly showcase. There is more than just furious tremolo picking to BM and releases like this are a fine example of it.
As if their 2021 full-length “Revelator” wasn’t enough, today we have Australia’s The Amenta back with an interesting 2-song EP titled “Solipschism”. Not that we are complaining, the band first makes us wait 8 years between releases and now we are treated to more madness in less than 6 months. Again, proceed with caution as this Aussie band kicks some serious ass while introducing some weird and creepy ideas.
With a heavier focus on atmosphere and weirdness, the release kicks off with “Solipschism”, a highly atmospheric piece with very eerie arrangements and a solemn pace. This track is a fresh and creepy soundscape that sets a very dark mood. The second piece, “Labourinth” slowly builds from distorted guitars with an industrial vibe to a more expansive crushing piece with hellish vocals alongside crafty drums and a faster pace, and a particularly dissonant closing.
Marking the release number 200 from the forward thinking label Debemur Morti, Ukraine’s White Ward unleash two very unique pieces of music with their signature style. Featuring anything but traditional elements, this release delivers nearly 18 minutes of enigmatic and highly experimental Black Metal. For the uninitiated, White Ward is one of the most exciting bands of the last few years, with their expertly crafted experimental music featuring heavy atmospheres and an avant-garde mixture of elements and styles that puts them years ahead from their competition.
Opening with the EP title track, the band first sets a very jazzy and sultry atmosphere that quickly escalates into full on blistering drums alongside a sexy saxophone. Things pick up as the aggressive BM onslaughts proceed alongside crafty tempo changes. If this wasn’t enough, guest vocalist Lars Nedland (Solefald, Borknagar) soaring clean vocals provides a brilliant complement to an already highly intricate backdrop.
Providing a very enigmatic and expansive aural experience, today we have Czech outfit Inferno and their latest opus of decadence: “Paradeigma (Phosphenes of Aphotic Eternity)”. With a very oppressive and hard to describe style, we can just say that the band amalgamates elements of Blut Aus Nord and YERÛŠELEM, but still managed to create a truly immersive and punishing unique style. If you want to be mesmerized and subdued for over 35 minutes, this release is just what you are looking for.
After the playful intro, “The Wailing Horizon” delivers a wave of furious riffs, massive drumming and crafty atmospherics. The immediate vibe is quie oppressive and it only gets more dominant as the harsh vocals roll into the picture. This blistering onslaught is nicely flanked by some catchy melodic passages and moody tempo changes. By the time we get to “Descent into Hell of the Future” we feel like a bag of bricks just hit us, and then the weird and playful industrial-esque elements of this track continue delivering an imposing hellish vibe.
After their crushing 2020 release “En Ergô Einai”, Aara showcased their blistering brand of Atmospheric Black Metal, making this album one of the highlights of the year. Wasting no time and keeping their momentum going, this Swiss trio now unleashes “Triade I: Eos” with nearly 45 minutes of even more impressive and commanding music. If you like furiously paced guitars and lush atmospherics filled with intensity, this is one release you can’t miss.
Setting a somber atmosphere with the first few minutes of “Fathum”, the band suddenly explodes with a very ferocious into all-out onslaught of piercing riffs, crushing drums, and shrieking vocals. The intensity delivered is nicely contrasted by subtle atmospheric and melodic elements, creating a very unique and powerful experience that nicely bleeds into “Tantalusqual”. One of our favorite tracks has to be the haunting “Naufragus” and its majestic atmospheric keyboards, giving us that Symphonic Black Metal vibe of bands like Limbonic Art and early Emperor.
It has been a while since we have heard anything from Australia’s weird Industrial Metal outfit The Amenta. Returning with “Revelator”, the band continues their path of weirdness with an interesting blend of experimental elements and Industrial Metal foundations, creating a very chaotic and yet interesting sound. If you like odd and unconventional music with a good dose of heaviness, this release has some nice surprises in store for you.
The release starts with the pummeling “An Epoch Ellipsis”, a track that starts with a similar pace to Anaal Nathrakh’s music, but quickly shows that it is a completely different beast with funky tempo changes, soaring clean vocals, and some underlying industrial elements. The uniqueness of “Sere Money” nicely changes the pace a bit as the band showcases their more melodic and catchy side, with lush rhythmic sections and a nice blend of harsh and clean vocals.
From the mind of Naas Alcameth (Nightbringer, Aoratos, etc.) today we have an exercise in atmospheric brutality and madness Akhlys third full-length release “Melinoë”. Creating an unrivaled oppressive atmosphere since the opener, this release unleashes over 45 minutes of misanthropic music both punishing and ritualistic. If you think Nightbringer and Aoratos are intense, wait until you get a peek at the sheer power behind this release.
Setting a very macabre tone, the opener, “Somniloquy” creates a relentless atmosphere filled with pummeling drums and brilliantly layered guitars, unleashing a very oppressive vibe. Naas Alcameth’s signature vocals greatly enhance the sinister ambiance and nicely create hellish passages on tracks like “Pnigalion”, adding an extra layer of eeriness to an already highly atmospheric musical foundation.
France has been on the forefront of pushing Black Metal to new auditory levels with bands like Blut Aus Nord and Throane. Today we have the latter’s new effort: “Une Balle Das Le Pied” a one-track, 13-minute 7” release that continues Dehn Sora’s musical exploration with plenty of unique elements. Not for the close-minded, this short but sweet release encapsulates a very unique concept alongside hellish music.
Unleashing a hellish attack on your senses, the juxtaposition of Industrial elements and trance-inducing Dark Ambient influences creates a very thick and chaotic atmosphere, similar to what Yeruselem crafted last year but with a more punishing and hypnotic edge. The song is divided into three main movements separated by eerie interludes. However, every single part delivers relentless aggression with harsh screams and crushing guitars.
Unleashing one hell of a demoralizing onslaught, today we have Selbst with their sophomore full-length release “Relatos de Angustia”. Featuring the band’s characteristically savage sound, this release shows that their debut album was no fluke and that the band is quickly pushing up the Black Metal ranks with their intense and high-quality sound. Slowly building up their underground reputation and sound overtime, Selbst is ready to unleash their black arts to the wider audience through Debemur Morti Productions.
The opener, “Praeludium”, immediately transitions from cavernous atmospherics to completely sinister Black Metal riffs in a very moody tempo. Oozing melancholy and malice, this track sets a very punishing mood that is only exacerbated by the rest of this release, on blistering tracks like “Deafening Wailing of the Desperate Ones” and “The Depths of Selfishness”, both filled with ravaging guitar riffs, hyperfast drums and a very vicious edge.
Unleashing waves of oppressive Black Metal, today we have Spain’s Aversio Humanitatis and their sophomore release “Behold the Silent Dwellers”. Featuring over 35 minutes of crushing music, this release is both atmospheric and punishing, with a similar take on the genre as bands like Weapon, Necros Christos and Arkhon Infaustus. If you like your BM to be firm, atmospheric and yet demoralizing, this is a release to acquire.
Opening with waves of brutal riffs and mysterious deep growls/snarls, “The Weaver of Tendons” sets a very powerful and mystery shrouded mood. The band’s no-frills musical core allows them to craft intricate and incisive songs like “The Presence in the Mist” and “The Sculptor of Thoughts”, filled with piercing guitar work, a pulsating bass guitar line, and crafty drumming, keeping listeners engaged with a thick and immersive atmosphere.