Delivering eleven piercing icicles of frosty Atmospheric Black Metal, today we have one-man battalion Paysage d'Hiver and their latest full-length release “Geister”. For the uninitiated, this band is Tobias Möckl's (Darkspace) solo-project that mainly focuses on Winter-inspired raw and punishing music. Captivating the scene with countless demos, this is just the second official full-length release, and it is one hell of a pummeling ride.
With the typical samples of eerie winds, “Schattä” takes a bit to blast off into infamy with razor sharp screens and violent riffs. The band’s core sound is raw and savage, while the trippy atmospheric undertones allows it to create a captivating experience. As the release pummels through “Bluet”, “Wüetig”, and the more mellow “Undä”, the listener experiences various levels of intensity under the same intoxicating atmosphere.
Creating a very unique and distinctive sound, today we have Kardashev and their latest EP “The Baring of Shadows”. Self-proclaimed as “Deathgaze”, the band’s music merges elements from bands like Deafheaven and Alcest with proggy Deathcore elements. We have to say that this mixture is quite excellent as it delivers over 25 minutes of lush and melancholic music, while keeping a nice dose of heaviness.
Opening with “A Frame. A Light”, we instantly got the Deafheaven “Sunbather” chills as the track starts with very dreamy guitars. Slowly building momentum, we get lush clean vocals and sweeping guitars to serenade you into submission. The tempo changes are subtle and nicely contrast the harsh vocals and more distorted parts with richly atmospheric clean vocals and mellow passages. Right after the first song, “Snow-Sleep” shakes things up delivering a more traditional Deathcore aggression with nice mellow interludes.
It has been a while that we have received an interesting neoclassical release like “Livre Troisième” from Les Chants du Hasard. Channeling a mixture of the turmoil of Elend’s music and the sinister side of the orchestrations and vocal arrangements of Devil Doll, this release unleashes nearly 45 minutes of a very cinematic and harrowing aural experience. Filled with dramatic and moody arrangements, this album is quite interesting and lush.
Opening with the dramatic and quite regal “Le Moine”, a very epic and somber backdrop is set. Followed by “Les Prismes”, a piece that establishes a cinematic experience with its tempo changes and very dramatic vocal arrangements. “Le Reflet” has to be one of our favorite tracks thanks to its over-the-top operatic vocals dueling with creepy harsh screams and a very tense orchestral backdrop, raising our heart rate as the track reaches its climax.
After the shock disbandment of Children of Bodom late in 2019, Bodom After Midnight was set to be the ‘continuation’ of the band with Alexi Laiho and Daniel Freyberg, alongside drummer Waltteri Väyrynen (Paradise Lost), bassist Mitja Toivonen (ex-Santa Cruz). Unfortunately, we all know that Alexi is no longer with us and this EP, “Pain the Sky with Blood” serves as a nice posthumous release showcasing what could have been with this band.
Blasting away with the EP title track, we are suddenly brought back into the past, to the first three CoB albums. Alexi and company deliver one of the most engaging and signature songs they have released in a few years, with fierce vocals and insanely good guitar leads. This nostalgia filled piece serves as a stark reminder of Alexi’s musical brilliance.
Masterminded by Alex Poole, Ringarë is an Atmospheric Black Metal outfit that focuses on creating lush and ethereal soundscapes, and contrasting them against frosty and bitterly furious BM onslaughts. With a singular and very bombastic style, “Thrall of Winter’s Majesty” delivers over 40 minutes of intense and transcendental music that only bands like Lustre or Spectral Lore are capable of unleashing.
Starting the uplifting etherealness of “Witness to Winter's Lament”, this track sets a very dreamy mood that is suddenly muddled by waves of crushing guitar riffs and very contrasting harsh vocals. We particularly love the duality of the band’s sound and their ability to quickly poison dreamy parts with venomous aggression. More in ambient territories, “O'er Winters Shroud” is an instrumental piece that feels quite cinematic and liberating, providing a breather from the harshness of this release.
Unleashing waves of old-school Black Metal with tons of Dark Ambient elements, Germany’s Lebensnatch took us by surprise with “The Realm Beyond”. Released via Naturmacht Productions, this album has that naivety and minimalist approach of early 90’s BM that newer and more polished bands have lost. If you like overly dramatic and yet simple atmospherics alongside raw and basic BM, this release should be at the top of your list.
Opening with the dreamy “Fallen Soul Under A Pale Star”, we get a very nice retro vibe surrounded by dramatic atmospheric keyboards/synths. The band’s sound is raw and retro, making their music quite direct and not overly adorned. With a certain (old) Burzum-esque vibe “Moon And Stars”, this is our favorite track due to its simplicity and very effective harshness.
Hailing from the Czech republic, today we have newcomers Můra and their creepy and cavernous amalgamation of Death Metal with Doom influences. While the genre has evolved in multiple directions in the last few years, there is still nothing like chugging guitar riffs and firm growls. This release delivers both elements in droves, making it perfect for older fans of the genre.
Opening with the 11-minute excruciating piece “Chambers of Decay”, the band sets a very dark and punishing atmosphere that has some elements of Funeral Doom Metal with slower variants of traditaionl Death Metal. The band’s crunchy guitars and crafty leads helps them avoid monotony as this track weaves back and forth different levels of aggression and tempos.
Canada continues to impress us with their constantly growing Black Metal scene, today we have one-man outfit Nordicwinter with “Sorrow”. Being the band’s fourth full-length release, this release unravels nearly one hour of highly melancholic Atmospheric BM, filled with mournful and doomy passages. If you like heavily emotional music that combines both lush atmospheric arrangements and savage onslaughts of harshness, you are in the right place.
The album sets a very hypnotic and tempered mood with the start of “Somber Winds Of Despair (Part I)”. As this song progresses we are treated to wonderful harsh shrieks paired with melancholic guitars and a very restrained tempo. We particularly enjoy the overly dramatic atmospheric keyboards that nicely envelop the slow and painful distorted riffs. Creating a very dense and yet lush atmosphere, tracks like “Sullen Echoes” and “This Mournful Dirge” are very immersive, as we foundouselves getting lost in their magical misery-inducing atmosphere.
Just when you think you have heard all the great Black Metal bands from Finland, an outfit like Malum shows you that there are still plenty more to discover. Thanks to Purity Through Fire, today we have “Devil’s Creation”, the band’s fourth full-length release. Unleashing nearly 40 minutes of well polished and intense music, this release is for fans of outfits like Algazanth, Behexen and Satanic Warmaster.
After a brisk mood setting intro, “Serpent of The Abyss” blows things wide open with ravaging screams, intense riffing, and crafty atmospherics. The band’s sound is raw and powerful, while certain melodic undertones allow their music to be immersive and crushing. Typical Black Metal pieces like “Messiaan kuolema” and the album title track deliver waves of traditional drum patterns alongside furious guitar and vocal work, making the band’s approach to the genre timeless and violent.
Mysterious Scottish entity Ifrinn is ready to unleash their debut EP titled “Caledonian Black Magick”. Featuring over 24 minutes of crushing Black Metal, the band keeps things powerful and simple with a very direct and in-your-face approach. Recommended for fans of old-school BM with no room for weakness, this release is raw and powerful.
Opening with the excruciating album title track, the band sets an all-out war pace with its ravaging riffs and drumming, paired with hellish snarls. There is a certain feeling of unholiness and darkness as the opening track suddenly shifts into a somber melancholic passage just before another wave of brutality. If the first track was not enough to hook you on this band, “Silent Seas of Sorcery” delivers waves of incisive riffs and crafty drums. We particularly enjoy when the track descends in tempo and creates a very enveloping and sinister atmosphere.