Symphonic Metal

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    Ravenia – Beyond the Walls of Death (2016)

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    Continuing their impressive run of Symphonic/Melodic Metal releases, today we have Inner Wound Recordings latest gem: Ravenia. Hailing from Finland, this nine-piece band delivers eight brilliant tracks of truly orchestral/symphonic Metal that will captivate listeners and surely appeal to any fan of the genre. While having tons of ‘traditional’ influences, this band manages to craft their own unique bombastic sound, making them quite a find.

    Opening with the very mellow and dramatic start of “For Those We Forsakened”, the band’s sound feels very organic and natural. With tons of computer software these days that can sound just like the real thing, we prefer Ravenia’s decision to sticking with featuring live string instruments like two violins, a viola, a cello, and a contrabass.  The extra band members allow songs like “Into Oblivion” and “We All Died for Honor” to sound very cinematic and fresh, and leaving the door open for actual live performances where all the instruments are done live.

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    Irradiance – Dissidence (2015)

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    Freshly arrived from France, today we have the lively Irradiance and their latest release “Dissidence”. Playing an interesting combination of Progressive/Symphonic Metal with some jazzy and Rock influences, this outfit delivers ten brilliant songs that will keep you at the edge of your seat. For fans of Epica, Stream of Passion, and similar outfits, this release is very bombastic and engaging.

    Opening with the lush “Children’s Game”, the band’s singer Audrey Dandeville, instantly comes center stage with her excellent operatic vocals. This opening song is quite catchy and structured in a way that grabs the attention of the listener. There are some unique elements that remind us of Diablo Swing Orchestra thrown into the mix that might catch some people off-guard, but we think they are super cool. Continuing strong, “The Soldier and the Child” allows Alexandra Vallet, the band’s violinist to change the course of an already excellent track.

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    Delain – Lunar Prelude (2016)

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    As Delain continues their world domination with their relentless touring schedule, today we are lucky to have their latest EP titled “Lunar Prelude”. Providing some insights into the band’s future full-length release, this EP gives us two new tracks, one new version of an older song, four live takes and an orchestral piece. As bombastic as any of their previous releases, this album will captivate all fans and entertained until their next release.

    Opening with the bombastic “Suckerpunch”, this is the quintessential Delain track with lush keyboards, brilliant solid arrangements and very catchy melodic sections. Charlotte’s vocals have come a long way since the band’s debut “Lucidity” and sound very firm and yet as sweet as ever. After such an explosive opener, “Turn the Lights Out” opens more in a mellow mood that is nicely elevated thanks to super catchy arrangements and strong guitar work. The band recently added Merel Bechtold into their ranks as second guitarist as well as new drummer Ruben Israël further strengthening their musical core.

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    Serenity – Codex Atlanticus (2016)

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    After the epic “War of Ages” we waited a bit over 2 years for this Austrian outfit to deliver a new release. With “Codex Atlanticus” the band continues the Symphonic Metal musical journey with a few line-up changes and their same bombastic approach to music. Delivering ten tracks of solid Symphonic/Power Metal, the band envelops us in an aural and historical journey, within the context of Leonardo da Vinci, for over 50 minutes of music.

    With the explosive opener intro track, we are eased into the superbly catchy melodic nature of “Follow Me”. This track sounds very similar to Sonata Arctica with some extra orchestrations on top. The multiple vocal onslaughts return with the hectic “Sprouts of Terror”, for this album Clémentine Delauney seems to be missing and you can hear the difference in the tracks that use female vocals.

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    Fleshgod Apocalypse – King (2016)

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    Hailing from Italy, today we have one-man dream machine Neutra and its latest hypnotic opus “Music for an Exhibition”. Delivering five tracks of superb ethereal music, this is one of the most engaging and transforming Ambient releases we have heard in a while. Evoking the delicate precision and ambiance created by Robert Rich, this Italian band manages to captivate for the complete duration of this release.

    The album kicks off with the angelic “After The Flood” and its very dramatic piano sections. Having very subtle mood changes, this opener tracks sets a very enigmatic and dreamy stage. Continuing with the playful “Paranthenogenesis”, the mood shifts to a more space-like cinematic vibe. Our personal favorite is the somber “Point of View” and its dramatic progression.

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    Tine - The Forest Dreams of Black (2015)

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    Hailing from the USA, today we have the very unique and promising debut release from Tine. Titled “The Forest Dreams of Black”, this debut album delivers over nine tracks of a very solid blend of Symphonic Black/Death Metal. As a two-person outfit, this band mixes elements from old-school greats like Bal-Sagoth, Limbonic Art and Canada’s Necronomicon. As a very atypical North American release, this album is definitely worth your time.

    Opening with the pyscho sexy riffs of “Enter the Black Forest”, the band sets a very intoxicating mood. With Count Murmur handling all the guitars, bass guitar, vocals, and programmed drums, the band still manages to sound like a real band and not some dude in his parents basement. In “Horrors at Antioch”, the solid integration of the musical base-layer and Vanth’s keyboards creates a very eerie atmosphere and reminds us of Limbonic Art and some of the early days of Charmand Grimloch’s Tartaros.

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    Phantasma – The Deviant Hearts (2015)

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    Delivering twelve tracks of brilliant Symphonic Rock/Metal, today we have super group Phantasma and their debut release “The Deviant Hearts”. Featuring Delain’s Charlotte Wessels, Everon’s Oliver Philipps and Georg Neuhauser of Serenity fame, this band is one of the most ambitious outfits in this musical space. The band does not disappoint with brilliant songs and even more impressive guest appearances to round up an excellently crafted release, if you are a fan of symphonic/melodic music, you will not want to miss this one.

    Opening with the very solemn “Incomplete”, we are instantly pleased with the excellent duet of Charlotte and Georg. After starting on a dark note, the album quickly picks up with the mellow opening of “The Deviant Hearts”. Featuring Tom Englund in this bombastic song, all fans of either Delain or Evergrey will instantly geek out due to the way both singer’s vocals blend in this track. After a very Delain-ish “Runaway Gray”, the ballad “Try” greatly showcases Chloe Lowery and Dennis Schunke’s vocal talents in a very dramatic and epic way, easily one of the best tracks in this release.

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    Amberian Dawn – Innuendo (2015)

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    Releasing nearly an album per year since 2008, today we have Amberian Dawn and their latest opus “Innuendo”. These highly productive Fins deliver ten brilliantly crafted Symphonic Power Metal tracks that will appeal both traditional Power Metal and Gothic/Symphonic Metal fans alike. Having quickly moved on from replacing their original iconic vocalist, Päivi Virkkunen vocals are a very interesting mixture of Doro-meets-Timo Kotipelto.

    Quickly opening with the intense “Fame & Gloria”, we are taking into a very balanced world of Nightwish-meets-Sonata Arctica, with the solid guitar works and Päivi’s angelic but powerful vocals. Seamlessly integrating lush atmospheric elements into the music, the band delivers songs like “Ladyhawk” and “Innuendo”, both of which will keep you headbanging from start to finish. If you like more Symphonic/Gothic Metal things, tracks like “The Court of Mirror Hall” and the ballad “Aneglique” have less dominant Power Metal vibe, but are still within the band’s comfort zone.

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    Embersland – Dark Ages (2015)

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    Hailing from Spain, today we have Embersland and their very catchy and well-crafted Symphonic/Gothic Metal with some Power Metal elements thrown into the mix. Featuring nine tracks and around 48 minutes of music, this release is an emotional rollercoaster filled with powerful guitars, tight drumming, and masterfully led by the vocals of Will, May and Xavi. Appealing to a wide spectrum of listeners, “Dark Ages” is one memorable release.

    Opening with the 9 minute playful piece “Sunrise (Part II)”, the band instantly showcases their evolution since their 2013 release. With more focused songwriting and more mature skills, this track features majestic vocal melodies and emotional keyboards. The band nicely keeps up the initial track’s momentum with solid songs like “Closer”, “Hope”, and the superbly catchy “WTF…Fuck Off!”, which has a killer chorus section. It is quite evident that the band is nicely maturing as their sound is very cohesive with all their elements coming together quite nicely.

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    Xandria – Fire & Ashes (2015)

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    Continuing with the momentum of the band’s latest masterpiece “Sacrificium”, today we have Xandria and their bombastic EP “Fire & Ashes”. Featuring 35 minutes of music that span a few new songs, some re-recorded tracks and two covers, this is enough material to hold off any fan of the band and the genre until the band’s new record is ready.

    Opening with a bombastic explosion, “Voyage of the Fallen”, delivers a very Epica-esque track that features very dynamic choir arrangements and a very dramatic musical progression. The band’s explosive sound is in full swing with this very apt opener, with Dianne van Giersbergen’s vocals shining from start to end. Changing the pace into a more melodic and head banging mode, the lush melodic passages of “Unembraced” make them perfect to start head banging. Both of these tracks are completely new and recorded especially for this release.

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