Unleashing one of the most explosive and bombastic releases of 2021, today we have Epica and their latest opus “Omega”. Featuring over 70 minutes of music, this release capitulates on the band’s experience, execution, and expansive sound to deliver their strongest album to date. With all of their signature elements taken into a new level, this release is exactly what all fans are expecting.
After setting a magical and mystical tone with the opening intro, the band’s explosive sound in “Abyss of Time - Countdown to Singularity” perfectly delivers their well-balanced bombastic sound with rich classical arrangements and crushing distorted guitars. One of the band’s virtues is how they can create very playful tracks while pitting the sweetness of Simone’s vocals against Marc’s growls and aggressive riffs, as crafted in “The Skeleton Key”.
Hailing from the USA, today we have Everdawn and their lush Symphonic Metal sound. In “Cleopatra”, the band delivers eleven tracks and over 48 minutes of majestic music that could be comparable to any of the European heavy hitters for the genre. Featuring Mike LePond (Symphony X) on its ranks, this band is a new blank slate spawning from Midnight Eternal. Filled with crafty ideas and dramatic arrangements, this release is of high quality and great entertainment value.
Opening with the heavy hitting “Ghost Shadow Requiem”, the band sets a very regal and engaging atmosphere thanks to the lush keyboards and intricate guitar work. Vocalist Alina Gavrilenko does a great job delivering remarkable vocal melodies from the opener, and as the band unleashes unparalleled catchiness and craftiness in pieces like “Stranded in Bangalore”, “Cleopatra”, and the mysterious “Your Majesty Sadness”.
Being one of our favorite bands we might be a bit impartial, but Sirenia keeps getting better and better with time. Unleashing over 50 minutes of superbly bombastic and explosive Symphonic/Gothic Metal, “Riddles, Ruins & Revelations'' is probably our favorite album from the band. All of the eleven tracks in this release are superbly crafted, making them highly memorable and intoxicating.
Opening with the absolutely brilliant “Addition No. 1”, the band instantly delivers waves of lush symphonic arrangements, heavy distorted guitars, and one hell of a brilliant hook, reminding us of the song “Wicked Game”. If the opener was not epic enough, the dramatic introduction of “Towards an early Grave” gives a certain dance/techno vibe mixed with the band’s signature aggressive and yet very melodic riffs.
Labeled as the album where the band is giving fans exactly what they want: traditional Therion hit songs, Therion returns with “Leviathan”. Featuring around 45 minutes of music, this release only features epic tracks that combine both the band’s Heavy Metal catchiness and lush choirs and orchestrations. Definitely a change from “Beloved Antichrist”, this release features tracks that showcase the band’s evolution while keeping things superbly exciting and intense.
Starting with the heavy hitting “The Leaf on the Oak of Far”, we get that brilliant mixture of Heavy Metal catchiness alongside the band’s dramatic vocal arrangements and crafty tempo changes. Led by operatic vocals and lush arrangements, tracks like “Tuonela”, “Leviathan” and “Die Wellen der Zeit” unleash that perfect atmosphere that the band is known for, where things are both superbly engaging and elegant sounding.
As one of the most senior bands in the scene, Leaves’ Eyes has marked the path for countless others. With “The Last Viking”, the band delivers their signature bombastic music with a few additional surprises and great intensity. Featuring over 60 minutes of lush songs, this release showcases the band having fun while staying true to their lyrical and musical foundations.
Leading with the cinematic opener, “Death of a King”, the band continues with the folkier and Turisas-esque “Chain of the Golden Horn”. This very lively track unleashes masterful choir arrangements and Elina Siirala’s enchanting lead vocals. With a folkier and very dynamic guitars/drums approach, this and other tracks like “War of Kings” have a very epic and powerful sound. Our personal favorite is the dramatic “Black Butterfly” with its lush instrumentation and superbly catchy duet between Elina and Visions of Atlantis Clémentine Delauney.
Always delivering quite lush and engaging Symphonic/Gothic Metal releases, today we have Dark Sarah and their latest opus “Grim”. With a cinematic vibe and always featuring very interesting fantasy-filled story-lines, this release unleashes 55 minutes of majestic music filled with dream-like atmospheres and the signature vocals of Heidi Parviainen. This release is a must-have for all fans of bands like Visions of Atlantis, Delain, Nightwish, etc.
Setting the stage with the mystical “My Name Is Luna”, the band gets fully warmed up with the bombastic opening of “The Chosen One”. Pairing dramatic lead vocals with heavy guitars and explosive drumming is a formula that works wonders for the band as songs like “Illuminate” and “Melancholia” deliver waves of catchy passages and the perfect balance of heavy and lush that we love from this band. For those looking for the power-ballads, “Iceheart” is a very nice mellow song that changes the pace of this release.
Delivering a perfect balance of speedy Epic Power/Folk Metal ballads and and folky moody pieces, Ensifeum returns with “Thalassic”. Adding extra depth to their signature sound, the band hedges a bit more into Power Metal territories while keeping their lively and upbeat style for nearly 50 minutes. Perfectly in sync with their earlier releases, this album propels the band’s sound into new territories and pleases fans with intense and engaging songs.
Setting a very epic mood with “Seafarer's Dream”, the band goes full speed with the intense “Rum, Women, Victory”, which features a bit of a Children of Bodom-esque sound mixed in with their traditional blistering melodies and crafty instrumentation. The clean vocals on “Andromeda” really give it a slighter Power Metal edge, greatly elevating this catchy and awesome song to new levels. The same can be said for “The Defense of the Sampo”, which has a certain Stratovarius meets Ensiferum vibe.
Celebrating their 15 years of existence (in 2019) Powerwolf delivers the perfect compendium of their best songs and live renditions. Not settling for the traditional ‘best of’ album, the band made new versions of some of their greatest hits like “Resurrection by Erection” and “We Drink Your Blood”, giving something extra for collectors and fans alike. Never having played (and refused along the way) in the USA, this is one hell of a band with excellent music that no fan of Power/Symphonic Metal should miss out on.
Opening with a new version of our favorite song, “We Drink Your Blood”, we noticed a slightly polished edge and an even more bombastic nature to this epic song. The band’s sound has greatly been refined over the years, making it more explosive and lush, and the new versions of songs like “Werewolves of Armenia”, “Saturday Satan”, and the classic “Resurrection by Erection” , are brilliantly enhanced to give you the chills the band delivers on their live performances.
Unleashing a bombastic and lively Symphonic/Power Metal release, today we have Italy’s Moonlight Haze with “Lunaris”. Delivering almost 56 minutes of high-octane music, this band borrows from the greats to create a very lively and personable sound of their own. Highly recommended for fans of bands like Sirenia, Nightwish, Delain, etc., this release features both intensity, a hard rocking attitude, alongside catchiness and excellent musicianship.
The album kicks off with the soaring vocal arrangements of “Till The End”, the band’s vocalist Chiara Tricarico nicely provides a signature staple to the band’s sound while showing the versatility of changing between classical style to a more playful typical heavy metal style singing. This versatility is what allows tracks like “The Rabbit Of The Moon”, “Lunaris”, and “Under Your Spell” to deliver a wide spectrum of styles, as the band crafts effective power ballads and catchy heavy guitar laden pieces.
Fronted by the talented Jennifer Haben, today we have Germany’s latest Symphonic/Gothic Metal export Beyond the Black and their fourth full-length release “Hørizøns”. Slowly climbing the ranks of a very crowded genre(s), this German outfit is ready for the global spotlight with their dynamic and engaging music that falls more on the Metal side than most similar outfits. If you like catchy and hard rocking female fronted tunes, this is a band to keep on your radar.
The release does not waste any time in delivering soaring vocal arrangements, powerful guitar leads, and dramatic orchestrations on the title track opener. The band’s distinctively heavy sound is quite refreshing as most bands in this genre(r) are usually leaning towards more ‘consumer friendly’ sounds. “Misery” and “Wounded Healer” clearly showcase that the band means business with a high-octane pace and lush instrumentation. Being experts in crafting catchy melodies, tracks like “Some Kind of Monster” and “Golden Pariahs” have a certain (mid-career) Within Temptation meets Delain vibe.