Symphonic Metal

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    Wintersun - Time II (2024)

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    Unleashing one of the most cinematic Metal releases of 2024, today we have Finland’s Wintersun and their opus “Time II”. Filled with the band’s signature Melodic Metal approach mixed with lush symphonic elements, this release delivers six dramatic tracks that cover nearly 50-minutes of superbly engaging and elegant music. The band continues to improve and enrich their sound and this release elevates it to a whole new level.

    Opening with the instrumental “Fields of Snow”, we get a continuation of the Asian elements that the first “Time” release had, creating a very lively and engaging atmosphere. The epicness starts with the ravaging “The Way of The Fire”, featuring some insane lead guitars by none other than Teemu Mäntysaari, alongside dramatic symphonic arrangements and very well crafted tempo changes. This song gives vibes of a mixture of Children of Bodom meets Warmen meets Ensiferum, so you know it is beyond awesome.

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    Simone Simons - Vermillion (2024)

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    Finally getting around to unleashing her ‘solo’ music, Simone Simons of Epica fame delivers one of the most bombastic and explosive Symphonic/Progressive Metal releases of 2024. Featuring ten tracks and over forty six minutes of music, this album shows the versatility of Simone’s vocals and creativity. With tracks reminding us from everything between Epic and Ayreon, this release will certainly be a hit with her fans and fans of the genre.

    Opening with the mysterious “Aeterna”, we get a very bombastic and engaging first taste into this excellent release. More than just more of the same, the tracks in this release add electronic and progressive elements to clearly delineate that this is Simone’s own project and not just an extension of Epica. Tracks like, our personal favorite, “In Love We Rust”, really showcase her vocals in a different light, with more of an Ayreon-esque edge.

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    Fleshgod Apocalypse - Opera (2024)

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    As one of the most anticipated releases of 2024, today we have Italy’s Fleshgod Apocalypse marking their return with the impressive “Opera”. As their first full length release in five years, this album delivers ten tracks and nearly 45 minutes of high-octane Orchestral arrangements paired with crafty Technical Death Metal and lush vocals. With a very lively pace and masterful arrangements, this release is definitely one of the best that the band has ever released.

    Setting the mood with a very operatic opener, “I Can Never Die” opens this release with pummeling drumming alongside dramatic orchestrations and the super vocals of Veronica Bordacchini. Francesco Paoli handles the growls quite well, providing masterful contrast between the female counterparts. Aside from being explosive and crafty, the band’s music perfectly exploits catchy and cinematic elements to keep this release rolling with excellent songs like “Pendulum”, “Bloodclock”, and the Omen-esque “At War With My Soul”.

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    Axamenta - Spires (2024)

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    Returning after a 10 year hiatus, Axamenta is a very unique Belgian band that combines cinematic elements with a well polished dose of Melodic Death/Black Metal. In this return EP, the band delivers a 23-minute track that is divided in seven acts, creating a very immersive and engaging experience. Recommended for fans of Fleshgod Apocalypse and Septicflesh, this release is both explosive and bombastic.

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    Rhapsody of Fire - Challenge The Wind (2024)

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    Alex Staropoli and company are back with another fantastic release titled “Challenge the Wind”. The band’s signature high-octane Symphonic Power Metal continues to deliver epic songs as they unleash ten tracks and over 63 minutes of pure epic music. Rhapsody of Fire is a band in its own league and with this release they further consolidate their legacy as one of the best in the genre.

    Opening with the perky album title track, we instantly get dreamy keyboard melodies, engaging vocal arrangements and intense guitar leads. Pretty much all the previously mentioned elements are staples of the band’s sound and they continue to deliver epic and memorable songs like “Whispers of Doom”, “The Bloody Pariah” and the 16-minute epic “Vanquished By Shadows”. This last track is definitely one of our favorites from the band as it weaves back and forth between moody passages with soaring vocals and dramatic tempo changes.

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    Trail of Tears - Winds of Disdain (2024)

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    As one of our favorite bands, it was quite a shock when Ronny Thorsen ended the band back in 2013. However, we, as many others, were quite excited that they decided to come back in 2020 and with none other than Aylin on vocals. Fast-forward four more years and we finally have a new release, an EP this time, from this band and it is all that we expected and a bit more. If you've ever been a fan of 2000’s Gothic Metal, you will certainly be familiar with the band, and if not, this is a great release to get you started.

    Opening with the explosive EP title track, we get the band’s powerful distorted guitars paired with crafty drumming, subtle and yet dominant atmospherics and the singular vocals of Aylin. Bringing back members like Runar Hansen (guitars) and Jonathan A. Perez (drums), the band sounds like in their best days, with superbly catchy and engaging tracks like “Take These Tears”, which send chills down our spine, bringing back memories of the earlier days of the band.

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    Dialith - Alter (2024)

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    Unleashing a very lively and engaging EP, today we have North American Symphonic/Power Metal outfit Dialith with “Alter”. Featuring four bombastic tracks and around 14 minutes of music, this release is a great calling card from a promising young band. If you are a fan of bands like Visions of Atlantis, Xandria, Serenity, Delain, etc., this release will be a solid addition to your rotation.

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    Leaves’ Eyes - Myths Of Fate (2024)

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    After touring extensively on their “Last Viking”, 2020 release, Leaves’ Eyes marks their return with a new full length release titled “Myths of Fate”. With their well refined folky Symphonic Metal, the band delivers eleven tracks and nearly 50 minutes of superbly catchy and epic sounding music. This release is as epic and melodic as they come, thanks to the perfect balance between excellent songwriting skills, masterful musicianship, and lush vocal arrangements.

    Opening with “Forged by Fire”, the band sets a very regal epic atmosphere from the start. The band’s sound is as bombastic and dynamic as ever, with epic orchestrations, crafty heavy guitars and Elina Siirala’s soaring vocals. Alexander Krull and company have been at this for a while and tracks like “Realm of Dark Waves”, “Who Wants to Live Forever”, “Hammer Of The Gods” have that perfect balance while delivering tons of head banging passages.

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    Exit Eden - Femmes Fatales (2024)

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    Oozing catchines and Symphonic power, today we have Exit Eden and their sophomore release “Femmes Fatales”. Being seven years in the making, this release delivers twelve tracks, six originals and six covers, all spanning almost one hour of superb music. Particularly catered for fans of Female-fronted Symphonic Metal, this release showcases the vocal talents of Clémentine Develay Thieux (Visions of Atlantis), Marina La Torraca (Phantom Elite), and Anna Brunner. With each one bringing their own uniqueness to highly dynamic and engaging music.

    Alternating one original song and one cover song, the release opens with the captivating energy of “Femme Fatale” and as it blends into the brilliant Pet Shop Boys cover of “It's a Sin”. While Amanda Sommerville is no longer with the band, Clémentine, Marina, and Anna do a great job in keeping things quite diverse and engaging and it also allows the listener to focus even more on what each brings to the table.

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    Therion - Leviathan III (2023)

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    Finishing up their Leviathan trilogy, today we have Therion with “Leviathan III”, an excellent release that continues the band’s legacy as one of the premiere Symphonic Metal acts. Featuring eleven tracks and 52 minutes of superbly catchy music, this release is more than just another Therion release with plenty of memorable moments and unique songs.

    Opening with the magic of “Ninkigal” and the musicality of “Ruler of Tamag”, we are treated to the band’s brilliant mixture of heavy distorted guitars alongside lush orchestrations and choir arrangements. We particularly enjoy how songs like “An Unsung Lament” have that classical vibe with excellent vocal arrangements while still keeping things heavy and catchy. Many bands that attempt the genre over do it with overbearing symphonic elements, but Christofer Johnsson and company make balancing styles look easy.

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