Black Metal

  • Vyrju – Black (2014)

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    Today we have the one-man battalion Vyrju and its debut EP release titled “Black”. Hailing from Norway, this outfit delivers four tracks and around 22 minutes of catchy and sludgy/doomy Black Metal. With a great emphasis on crushing riffs and demoralizing shrieks, this release is a short but sweet one for fans of the genre.

    Opening with the catchiness of “The Constant Void”, we get a Satyricon-esque vibe with Sludge/Doom elements thrown into the mix. This song has good dosage of Black Metal influences thrown into the mix, making it quite engaging and entertaining.  As a personal favorite “There is no Grave Big Enough to take all my Sorrows”, this track is quite hypotonic and perfectly crafted with the graceful clean vocals of Tim Yatras who plays drums and clean vocals as a session member.

  • At Dusk – Anhedonia (2014)

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    Hailing from the USA, today we have a nihilistic Depressive Black Metal band named “At Dusk”. As you can imagine, this is a one man outfit that delivers waves of mournful screams paired with some pretty solid mid-tempo Black Metal. Featuring four songs and around 59 minutes of music, this debut full-length is one hell of a stepping stone for the band.

    Opening with the oppressive “Anhedonia”, we get around 5 minutes of purely atmospheric passages until the harsh and desolate BM onslaughts start. The band reminds us of a more depressive version of Mortualia with considerably better vocals. The second track, “Agonia”, starts with a barrage of riffs and intense drumming, keeping the tempo quite hectic to deliver a powerful punch to the listeners in the first few minutes.

  • Kalmankantaja - Musta Lampi (2014)

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    One man battalion Kalmankantaja is running for the most productive band of 2014 by releasing four full-length releases in the same year. This time, this prolific Finish outfit presents us with the two-track 41-minute crushing release titled “Musta Lampi”. With a heavy emphasis on a bleak atmosphere, the band’s Black Metal sound is but punishing and demoralizing.

    Opening with “Hiljaisessa Syvänteessä”, the band nicely builds up momentum with several minutes of ethereal instrumental passages before the first distorted guitars appear. The guitar sound is quite metallic and fuzzy, fitting very nicely the bleakness of the atmosphere. As the hellish screams appear, the music elevates to a new level since all elements are perfectly delivered to punish the listener.

  • Grimoire – L'aorasie des spectres rêveurs (2015)

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    Arriving from Canada, today we have the frosty Grimoire and their EP titled “L'aorasie des spectres rêveurs”. Featuring around 25 minutes of melancholic Atmospheric Black Metal, this is a very solid offering from Eisenwald to start 2015.

    From the mastermind behind Csejthe and Forteresse, this one man band delivers four tracks of excellent atmospheric music filled with harsh vocals and traditional Black Metal onslaughts. “Tragédie des ombres” opens the release with superb melodic riffs and extremely melancholic keyboards. Just after a few seconds we immediately feel the oppressive and lush atmosphere created by Grimorie.

  • Primordial – Where Greater Men Have Fallen (2014)

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    Expertly crafted, “Where Greater Men Have Fallen” continues the legacy of Primordial and their unique Celtic infused Folk Metal. Delivering 58 minutes of engaging tracks that need to gimmicks to appeal to the listener, the band does a great job in keeping their sound and legacy intact with a very high quality release. Any fan of the band will be greatly pleased by this album that brings us some memories of the band’s epic: “Spirit the Earth Aflame”.

    The head banging session starts early with the crushing opening of the album’s title track, we love how Primordial has always managed to deliver Folky sounding music with heavy riffs and not a plethora of bagpipes and similar elements. A.A. Nemtheanga’s vocals gracefully lead the band’s musical onslaught with great vocal melodies that perfectly fit the mood of the songs. Make no mistake, there are plenty of heavy sections for the fans that like the harsher side of the band, as we can see on tracks like “Babel’s Tower” and “The Seed of Tyrants”, as well as sprinkled around in between epic melodic passages.

  • Downfall of Gaia – Aeon Unveils the Thrones of Decay (2014)

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    As one of the least conventional bands in Metal Blade, Downfall of Gaia delivers a punishing 60 minute musical experience with their third full-length release “Aeon Unveils the Thrones of Decay”. Perfectly crafting an apocalyptic sound that fuses Black Metal, Post-Metal, and Sludge elements, this band will mercilessly make your speakers pop and have you begging for more.

    Getting down to business with the bestial opener “Darkness Inflames These Sapphire Eyes”, the band spews their message with a brutality and firmness. The Black Metal sections are perfectly craved into the heavy riffing of this track, and the different vocal styles further extend the songs brutality. Just when you things are getting calm, blistering passages change the mood and direction of the songs, like in the epic “Carved into Shadows”. The underlying Doom/Post-Metal elements of tracks like this one and “Ascending the Throne”, make the band’s sound even richer and very diverse, making it harder to pin them down.

  • Fen – Carrion Skies (2014)

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    Ever since their debut full-length “The Malediction Fields” Fen has always had a very clear and unique sound that has nicely transformed over the years. With “Carrion Skies”, the further elevate their musical magic in six brilliantly composed tracks. Perfectly blending atmosphere with aggression and desolate instrumental passages, this UK trio continues to blow everybody out of the water in terms of Atmospheric Black Metal.

    Opening with the tour-de-force tow-part track “Our Names Written in Embers”, the band delivers 18 minutes of their signature atmospheric music paired with a few Post-Rock/Jazzy passages that nicely complement the aggressive vocals and furious riffing onslaughts. On part two, the band nicely crafts playful guitar melodies that are perfect for some melodic headbanging.

  • Vesania – Deus Ex Machina (2014)

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    Featuring members (or ex-members) of Dimmu Borgir, Behemoth, Decapitated, etc., this Polish super group is set to make an impact with their fourth full-length release “Deus Ex Machina”. Taking subtle elements for tons of bands like Samael, Emperor, Arcturus, Vulture Industries and making them their own, we are left with ten very unique tracks that will creep you out while allowing you to head bang to them.

    Kicking off the release with the brutal Sympho-BM “Halflight”, we are treated to Orion’s talent both behind his sickening vocals and crushing riffs. This track is probably the most straightforward one since it fits solely in one genre. Things go circus like with the Arcuturs-inspired atmospheric elements of “Innocence”, one of the album’s best tracks. The band comes back with the Samael-sounding “Disillusion”, a very intoxicating band with tons of catchy melodic passages and superb drumming.

  • Incipient Chaos – Sulphur (2014)

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    Today in our mail box we found French Black Metal horde Incipient Chaos presenting us with their debut EP titled “Sulphur”. Featuring five tracks of savage Black Metal, this new French band packs a heavy punch with their crushing guitars and harsh vocals crafting intense tunes of crusty and cavernous music.

    Blasting things wide open with the blistering “We Live”, the band delivers the line “Chaos Reigns” and brutality ensues. With pummeling drums, demoralizing vocals and intense riffs, the band instantly makes an impact with their wicked sound. Invoking genre greats like Gorgoroth, Merrimack, and Vorkreist, the band perfectly crafts savagery into their chaotic and massive tunes as we can appreciate on “Redemption by Lie” and the short but punishing “War – Blood – Flesh”.

  • Blut Aus Nord – Memoria Vetusta III – Saturnian Poetry (2014)

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    Fresh after completing their 777 trilogy, Blut Aus Nord returns with another part of their Memoria Vetusta saga titled “Saturnian Poetry”. Moving away from the electronic/experimental elements introduced in the 777 releases, the band returns to their Black Metal roots with seven devastating tracks that will re-capture the attention of the band’s most purist fans.

    After setting the mood with an atmospheric prelude, the devastation begins with the furious “Paien” and its nearly 8 minutes of blistering riffing and savage shrieks. The band invokes some epic melodic riffing passages on “Tellus Mater”, perfectly accentuated with guitar leads and clean Viking Metal-esque vocals; we also get an early Borknagar vibe in this intense track.

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