Black Metal

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    Hecate Enthroned - Embrace of the Godless Aeon (2019)

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    A blast from the past made it to our review queue today with Hecate Enthroned and their first album in six years “Embrace of the Godless Aeon”. We remember back in the late 90’s when bands were trying to sound like Cradle of Filth and while many tried, Hecate Enthroned was one of the few that got close. While the band got unfairly treated as a clone, we always enjoyed their spin on Symphonic/Gothic Black Metal back in those days. With a new vocalist and their signature style, the band makes a very strong comeback in 2019.

    Blasting away after their atmospheric intro, “Revelations in Autumn Flame” takes us back in time with the over the top synths that nicely contrast the shrieks and blast beats. The mixture of growls and shrieks is definitely something that attracted us to the band back in the day and on tracks like “Temples that Breathe” brings back some nice memories. However, the best thing about the band is how they create sinister atmospheres thanks to the sultry voice of Sarah Jezebel Deva in “Goddess of Dark Misfits”, our favorite song in the release.

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    Lemuria - The Hysterical Hunt (2019)

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    Bringing back that nostalgic feeling of Symphonic Black Metal from the early 2000’s, today we have Belgium’s Lemuria and their full-length release “The Hysterical Hunt”. With over one hour of music, the band takes the listener in a very lively music filled with Folk elements and brilliant melodic passages, reminding us of outfits like Limbonic Art, Stormlord, Bal-Sagoth and early Agathodaimon.

    After setting a turbulent and dramatic mood with the instrumental intro, the band gets down to business with the playful “A Plague Upon the Land”. This track features dramatic orchestrations that do not feel overpowering to the other elements, allowing the vocals to direct the show while the guitars and drums add a layer of heaviness to the music. As album title track rolls in, the pace pics up a bit and keep things interesting with cool vocal arrangements and killer melodic headbanging passages.

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    Saor - Forgotten Paths (2019)

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    After a busy 2018 with live appearances, Saor return with yet another brilliant Atmospheric/Folky Black Metal release with “Forgotten Paths”. Filled with magical and lush melodic passages, this album delivers over 38 minutes of intense and mystical music. With a very busy touring schedule in 2019, this is the perfect album to conquer hordes of new fans and followers.

    Opening with intensity, the album title track leads way for a musical experience filled with crafty guitar melodies and very dreamy atmospherics. There are even moments that Saor dwells in more Alcest-like passages in this lush and quite intense piece. The buildup on songs like “Monadh” is just brilliant, showing the listener just little peeks of what is to come as the track comes unraveled through its moody tempo changes and expert instrumentation.

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    Barshasketh - Barshasketh (2019)

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    Delivering the first truly pummeling Black Metal sonic abuse of 2019, today we have Barshasketh and their self-titled fourth full-length release. Featuring over 53 minutes of blistering BM, this band is set to conquer the scene with the relentless music filled with oppression and destruction. Out on World Terror Committee, this band’s release has the seal of approval of a label that always releases high quality BM albums.

    Instantly abusing the listener with their incisive riffs, “Vacillation” sets a very intense mood to start the album. The band’s sinister music is crafted to perfection, playing around with slower tempos to create a very cavernous atmosphere, like on the crushing “Resolve”. In the two parts of the track “Consciousness”, the band nicely crafts a very powerful atmosphere with intricate riffing and a pulsating bass guitar line that will make your speakers rumble.

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    Unreqvited - Mosaic I: l'amour et l'ardeur (2018)

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    As the second full-length release from Unreqvited this 2018, this is certainly the most ambitious one. Mostly diverging away from the more traditional Post-Black Metal elements of their first two albums, “Mosaic I: l'amour et l'ardeur” is a lush introduction into a more atmospheric and dream-like world that is quite magical to experience. This one-man outfit does a great job in creating magical soundscapes with dreamy guitars and solemn piano elements, so be prepared to be fully immersed into Unreqvited’s musical journey.

    The album sets a magical mood with the majestic “Sunrise”, a piece that is quite ethereal in nature and perfectly crafted to give that warm fuzzy sense of awe. “Dreamscape” has a distinct Blackgaze vibe, nicely created by the active guitars and a backdrop of harrowing harsh shrieks, perfectly contrasting the brightness created by the instruments. We are suckers for playful piano songs and “Radiant” delivers on this. Perfectly named, this track feels quite radiant as it shines thanks to its dramatic arrangements and masterful distorted guitars as contrast.

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    Adaestuo - Krew Za Krew (2018)

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    Unleashing one of the most harrowing Atmospheric/Experimental Black Metal releases of 2018, today we have Adaestuo and their debut full-length “Krew Za Krew” . Created by VJS of Nightbringer fame, P.E. Packain ex-Horna, ex-Sargeist, and with Hekte Zaren handling all vocals, this outfit presents a very unique aural abuse that is quite intoxicating and engaging. For over 50 minutes the listener descends into the band’s suffocating madness, making it a very excruciatingly amazing experience.

    Wasting no time to make an impression, “Red Moon” creates a very tense and dominant atmosphere with hellish vocals and chilling atmospherics. The tension continues with the Ambient/Noise piece “Transcendental”, which provides some sort of an interlude to their next punishing onslaught: “Monument”. Clocking in at 10 minutes, the hypnotic riffing sets a very dire tone, but it’s the whirlwind raw Black Metal elements that brings the listener into the early days of bands like Emperor and Enslaved.

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    Valkyrja - Throne Ablaze (2018)

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    This year has been a great one in terms of killer Black Metal releases, but before we all go making our top albums of the year lists, Sweden’s Valkyrja states their case with their latest full-lenght “Throne Ablaze”. Featuring over 46 minutes of Dissection-style Black Metal, this album instantly grabs the listener’s attention with a mixture of gritty and yet melodic elements in a very refined and expertly crafted package. For those that like Black Metal to be punishing and yet inspiring, this is a release you can’t miss.

    After a mood setting intro track, the band instantly wages war with “Crowned Serpent”. Providing a certain old-school Black/Death Metal vibe, this song is filled with riveting guitar leads and crunchy tempo changes. As “Opposer of Light” comes on, the mood shifts into Black-n-Roll’ish elements with piercing riffs and a sinister tone. The band’s ability to transmit aggression through their music is quite evident on crushing songs like “Tombs Into Flesh”, a track filled with hate and well introduced melodic passages, creating a very unique and intense musical experience.

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    Ellende - Rückzug in die Innerlichkeit (2018)

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    We usually don’t review re-releases but Ellende’s debut EP “Rückzug in die Innerlichkeit” is one of our favorite releases and we are psyched that Art of Propaganda is making it available to a wider audience. One-man Ellende is one of the top Atmospheric Black Metal/Post-Black Metal outfits to come out in the last few years and this album is a landmark release that deserves more attention.

    The EP starts with a dreamy introduction that reminds us of the middle releases of Alcest, with moody tempo changes into very aggressive and demoralizing passages filled with harrowing vocals and punishing drumming. The atmosphere is quite oppressive and masterfully contrasted with acoustic elements. The dramatic string instruments of “Pfad der Endlichkeit” create a very solemn mood that slowly descends into some of the bleakest aural passages ever crafted. This is one of our all time favorite songs due to its dramatic atmosphere and the very raw and primitive emotions transferred by the music.

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    Karg - Dornenvögel (2018)

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    Two years have passed since their crushing release “Weltenasche”, and now Karg returns with a more refined and poignant release with “Dornenvögel”. As a one-man project from V. Wahntraum of Harakiri for the Sly fame, the band’s sound is quite melancholic with plenty of Post-Black Metal elements thrown into the mix. Clocking in at 76 minutes, this album has a lot of intricacies to be discovered before it fully unravels to the listener, making it a very rich listening experience.

    Exploring the darker sides of Atmospheric Black Metal/Post-Black Metal, “Drangsal” starts off the release with melancholic weeping guitars and a very desolate vibe. This track nicely weaves back and forth between bleak soundscape and heavier sections filled with aggression and desperation. The dreamy and Post-Rock-ish passage in “La tristesse durera toujours” is definitely one of the best and most emotionally charged sections we have heard in a while.

    • Posted By: Dark Emperor
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    Sylvaine - Atoms Aligned, Coming Undone (2018)

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    Packed with tons of great releases, this 2018 fall also gives us a brand new Sylvaine album. Filled with her characteristic charisma and angelic vocals, “Atoms Aligned, Coming Undone” is another brilliant step in her career which features a more consolidated sound and plenty of memorable songs. The combination of fragility, craftsmanship and occasional burst of aggression make this release one of the best albums of 2018.

    Opening with the album title track, Sylvaine slowly builds up with an intense bass guitar line that leads into dreamy vocal arrangements a very melancholic pace. The track continues with some brilliant instrumental passages that feel exploratory in nature, but very well fitting to the overall mood of the song. The Shoegazey/Post-Rock-y vibe arrives in full force with “Mørklagt” a very lush track that explores the more ethereal side of Sylvaine’s music, but not without some heavier sections thrown into the mix.

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