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  • Nachtterror - Judgement (2019)

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    Unleashing one of the most unique and unexpectedly awesome releases of 2019, today we have Canada’s Nachtterror with their debut release “Judgement”. Clocking in at over 60 minutes of music, this release has a bit of everything for everybody, from heavy riffs and fast-paced sections to more atmospheric and melancholic passages. As the band’s first full length release, it shows a unique trajectory path between different styles and influences through the tracks presented in this release.

    Setting a very dreamy and mellow vibe when starting with “Behold the Terror”, we have a certain Pyogenesis/Decoryah vibe. This track slowly builds up to blistering drumming and harsh vocals, marking a very interesting and yet drastic transition. Settling into an older retro Gothic Metal-ish style with “Sea of Dread”, the band again exploits their multi-vocalist approach and delivers a very harmonious track with excellent distorted guitars and tempo changes.

  • The Kryptik - When The Shadows Rise (2019)

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    We are huge suckers for Symphonic/Melodic Black Metal and luckily for us The Kryptik delivers one hell of a release with “When The Shadows Rise”. Clocking nearly 40 minutes, this album features eerie atmospherics, killer vocals, and an overall very melodic and explosive nature. If you are a fan of older bands like Limbonic Art, Tartaros, etc. this release is right up your alley.

    After a dreamy instrumental intro, the band pounces on the lister with the demonical “Damned”. This track has that old-school vibe of just synths and no over the top orchestrations BS. While we enjoy dramatic orchestrations, there is something chilling and eerie about regular synths creating an enveloping atmosphere. The melodic nature of songs like “Flames of Revenge” showcases the band’s guitar driven mentality that while nicely leveled during the mix, they allow the track to be punishing and yet atmospheric.

  • Aegrus - In Manus Satanas (2019)

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    Unleashing a savage Black Metal attack, today we have Finland’s Aegrus and their latest full-length release “In Manus Satanas”. With a very traditional and yet catchy BM sound, this band delivers over 44 minutes of intense music filled with crushing vocals and a dramatic pace. If you like intense music that is relentless and destructive, this is the release for you.

    The pillaging starts with the relentless “Hymn To The Firewinged One”, a track that has a certain early Emperor/Limbonic Art vibe with its intense guitars and hellish vocals. The band’s no bullshit attitude oozes out of the magnificent “Nightspirit Theosis”, full of melody and aggression, making it one hell of a headbanging ride. The band continues to belt out pummeling tracks like “Gestalt of Perdition” and the somber “Ascending Shadows”, which features a darker and even doomier vibe. We enjoy how Aegrus does not stick to a single style and blends in a wide variety of elements in their crushing sound while never straying from the left hand path.

  • Vinsta - Drei Deita (2019)

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    Unleashing a truly unique release, today we have Austria’s Vinsta and their full-length release “Drei Deita”. Perfectly blending Folk elements into and engaging Progressive/Melodic Death Metal core, this band delivers a very interesting and harmonious sound. With nearly 50 minutes of music, we are treated to brilliant melodic passages, catchy riffs, and dreamy parts. Imagine a mixture of Insomnium with Opeth and the Folky edge of early Kauan.

    After the traditional instrumental intro, “Weisse Deckn” creates a very lively and ethereal atmosphere with the contrast of dreamy vocals and powerful guitars. This track also introduces the band’s folkier side with lush violins in a very dramatic melodic passage. Weaving back and forth between their two main styles, tracks like “Oafocha Loda” nicely build up the atmosphere and reach its crescendo with crushing guitars and harsh vocals.

  • Exmortus - Legions of the Undead (2019)

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    As one of the most exciting and different bands in the USA Metal scene, Exmortus combines Melodic/Technical Death Metal with Thrash-tastic elements, creating a very fresh sounding musical hybrid. Featuring five tracks and over 15 minutes of music, “Legions of the Undead” is a nice sampler of the band’s musical abilities and unrivaled creativity. If you like guitar acrobatics and catchy tunes, look no further and pick up a copy of this EP..

    The release opens with the brilliant album title track, full of crazy guitar leads and a crystal clear production, this track sounds both familiar and fresh at the same time, something not very common. The guitar acrobatics continue in the sinister “Swallow Your Soul”, which delivers catchy tempo changes and headbanging melodic passages.

  • Ossuaire - Derniers Chants (2019)

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    Continuing their takeover of the Canadian Black Metal scene, today we have Ossuaire and their second full-length release of 2019: “Derniers Chants”. Delivering over 45 minutes of neck-snapping music, this band continues to punish their listeners with a barrage of riffs and hellish vocals. If “Premiers chants” was not enough, this release will surely satisfy your cravings for nihilistic BM thanks to the band’s direct and pummeling style. Any fan of the genre must not miss out on such a monumental release.

    The savagery starts with the intense “Pestilence Rampante”, a track that starts with punishing guitars and never lets go. The band’s sound is quite massive and ravaging, allowing all elements to be nicely channeled to blow your eardrums apart. As impressive as any other Norwegian or Finnish Black Metal band, Ossuaire excels in crafting brutal tracks like the pummeling “À l'ombre du Très-Haut” and it's perfect balance of intense riffs and mid-tempo rhythmic drumming.

  • Botanist - Ecosystem (2019)

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    After nearly getting hives and having to puncture my eardrums to make the sound stop with Botanist “I: The Suicide Tree / II: A Rose From The Dead” release back in 2011, I have seen the band from afar evolve their sound and actually saw them play live once. Arriving to our inbox, we have “Ecosystem”, the band’s latest offering through Aural Music. Hearing the band with a new perspective after 8 years, we have to say that their sound now seems more cohesive and engaging, completely changing our initial shock reaction to their music.

    Opening with “Biomass”, the hammered dulcimer creates a very unique and chaotic atmosphere, nicely exacerbated by the harsh screams. We are quite surprised by the contrast created by the angelic clean vocals in tracks like “Alluvial”, were they nicely change the mood of the track until the following hellish onslaught of harsh vocals and fast paced drums appear. Creating a very tense and dramatic atmosphere, the ravaging dulcimer makes “Harvestman” one of the best songs in this release.

  • Capilla Ardiente - The Siege (2019)

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    Hailing from Chile, today we have Epic Doom Metal outfit Capilla Ardiente and their sophomore full-length release “The Siege”. Perfectly aimed at those Candlemass, Saint Vitus and Solitude Aeturnus fans, this album unleashes over 45 minutes of pummeling riffs, moody vocals and an overall crushing atmosphere.

    Side A of the release starts with “The Open Arms, the Open Wounds”, a very traditional Doom song that starts with one of the most typical riffs in the genre and quickly morphs into heavier territories. The dual guitar onslaught of Julio Bórquez (lead) and Igor Leiva (rhythm) allows for very engaging and powerful combinations, keeping tracks heavy and fun. “The Crimson Fortress” delivers more waves of distortion amidst crafty drumming and a powerful bass guitar line, giving it a certain old-school vibe.

  • Advent Sorrow - Kali Yuga Crown (2019)

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    Australia is a place were some pretty interesting bands like Austere and Germ have spawned. Finally breaking into the global scene a few years back, Advent Sorrow delivers brutal Depressive Black Metal to the masses with their incisive and nihilistic style. “Kali Yuga Crown” is the band’s sophomore full-length release and with the wide release through Werewolf Records should propel the band to new audiences.

    The album is all atmosphere start to finish, and it perfectly sets a very sinister and melancholic mood with the dramatic opener “Verminblood”. Unleashing intricate guitar melodies and a mournful bass guitar line, this track unleashes the band’s pain to the listener. Not settling for only one particular style, “Wolfhook and Weapon” showcases the band’s more upbeat and intense side, with an old-school sounding Black’n’Roll-ish style.

  • Mgła - Age of Excuse (2019)

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    After conquering the world of Black Metal in the last few years, enigmatic entity Mgła return with an expertly crafted release with “Age of Excuse”. Delivering a masterclass of riffing and pacing finesse, this album unleashes over 42 minutes of blistering music that any fan of the genre will be extremely appreciative of. The band’s ability to deliver intense and direct music to their audiences is unrivaled and with this release they further refine their trade.

    The band wastes no time as track “I” delivers the first blow of intricate riffs and punishing drumming. With a superb metallic sounding distortion, the band feels above the traditional raw and harsh sounding bands, favoring a more refined and elegant delivery. Presented with incredible poise and restraint, “II” and “III” warm up the listener with countless intricate tempo changes and crafty arrangements.

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