Unleashing a very unique and disturbing combination of Black Metal, Death Metal, and some atmospheric elements, today we have France’s Archaeopteris and their debut EP “Visions chaotiques d´un songe halluciné”. With a short but chaotic duration, this release delivers both aggression and extreme weirdness. Definitely recommended for fans of the bizarre and unconventional.
Opening with “Visions Chaotiques”, after a short atmospheric intro, the band instantly dives into the depths of hell with a fierce combination of punishing riffs and crafty drums. Far from traditional, this track changes tempos very oddly, creating a very cavernous and yet disturbing atmosphere. The second song, “Songe Halluciné” leads with lush acoustic guitars as it quickly transitions into piercing aggressive guitars and deep harsh screams.
One man Italian outfit The Nightly Disease is ready for the spotlight with their excellent debut full-length release “Delicate White Sound”. Unleashing nearly 40 minutes of highly intoxicating atmospheric music, this release delicately blends Doom and Atmospheric Metal with additional instrumental elements. While many bands seem formulaic in nature, this one-man project carves very unique moods through the four tracks presented here.
After creating an eerie atmosphere with its first few minutes, the first part slowly transforms into a doomier version of older Burzum music. The hypnotic drums and guitars create a very regal and yet piercing vibe. We particularly enjoy the Doomy vibe the song features in its second half, as it nicely progresses with the acoustic guitars and more ambient elements of the second part.
Hailing from Serbia, CMPT is an anonymous punishing Black Metal outfit with hints of atmospheric elements. In this two song EP, the band instantly makes a name for themselves with a very unique and highly engaging 20 minutes of music. For fans of piercing BM that is both melodic and highly aggressive, this release will leave you wanting more.
Opening with an ominous atmospheric intro that suddenly transforms into all-out-war, this first track creates a lasting impression on the listener. The contrast of imposing atmospherics with the ravaging guitars and intense drumming perfectly set the backdrop from the harsh screams and crafty tempo changes. With a more hellish vibe, the second track in this release is filled with pummeling riffs and creepy transitions from raw aggression to eerie atmospherics.
Being huge fans of Black Metal with additional elements other than raw power, we are quite enthralled by Order of Nosferat and their latest release “Arrival of the Plague Bearer”. Unleashing over 50 minutes of vampiric BM, we get a wide variety of haunting piano interludes, dreamy atmospherics, and savagely raw BM, with all elements blending in perfect harmony. If you are looking for creepy and cinematic BM releases, this one will satisfy your thirst.
Starting with an atmospheric mood setting intro, the album title track transforms into a behemoth with blistering drums, inhuman screams and a turmoil of high powered distorted riffs. Alongside the violent core sound, the keyboards provide a nice melodic contrast in this piece. The album’s atmosphere is greatly enhanced by instrumental tracks like “Sleepless in Sorrow and Bloodthirst”, “The Castle of Haunting Silence”, “Lost in the Crypts of my Need for Affection”, “As She Fades in Lamenting Winds”, and “Dance of the Wallachian Winter Spirits” which create a very spooky and solemn backdrop to the aggressive pieces.
Always surprising us with high quality and engaging releases, Rain Without End records is ready to unleash the third full-length release of Seeming Emptiness, titled “Bliss Entombed”. For the uninitiated, this band features members/ex-members of In Mourning and October Tide while creating a very unique blend of Melodic Death Metal, Doom, with some Post-Rock elements. With over 50 minutes of highly melancholic music, this release will please any fan of the previously mentioned bands and genres.
Opening with the Katatonia-esque “An Impious End”, we get a very moody track with crafty drums, incisive guitars and a well balanced mix of growls and clean vocals. Showing a more dynamic and yet melancholic side, tracks like “What Spirits Forebode” and “Infernal Charade” perfectly mix all of the band’s influences and are complemented with soaring clean vocals and engaging tempo changes.
There are only three guarantees in life: death, taxes, and Timo Tolkki crafting bad-ass Power Metal songs. Today we have Timo and his Avalon project unleashing their fourth full-length release “The Enigma Birth”. Featuring nearly one hour of music and eight guest vocalists, this release continues the band’s trend of delivering sweeping melodies, killer guitar solos, and highly engaging vocal lines. As occasional Power Metal listeners, we greatly appreciate these types of releases as you get to ‘discover’ some singers that wouldn’t be on our radar.
Opening with the crafty “Enigma Birth”, we have blistering guitars and drums, perfectly paired with Pellek’s dramatic and quite versatile vocals. This track sets a very bombastic and explosive mood that is perfectly continued with the hard rocking “I Just Collapse” featuring returning guest Caterina Nix and her talented pipes. Timo and company are masters at changing tempos and styles between songs and yet keeping that intensity and melodic edge.
Unleashing a 21 minute blistering self-titled album, today we have Canada’s Vrexiza and their no-bullisht Black Metal. Picked up to be released in tape format by Signal Rex, this 4 track release delivers waves of crushing riffs, pummeling vocals, and crafty tempos. Nothing fancy or overproduced here, just straight up raw and demoralizing BM.
The release opens with the crushing “Iron Spectres” and its intricate guitar work. Delivering a swift and brutal blow to the back of the head, this track is expertly crafted to be pummeling and highly demoralizing. After the intense opening, “Hürtgenwald” changes the pace to a more hypnotic, atmospheric, and incisive piece with piercing riffs, mid-tempo hellish vocals and blistering headbanging passages.
Unleashing around 40 minutes of expertly crafted Death Metal, today we have Slovenia’s Siderean and their debut release “Lost on Void’s Horizon”. Mixing a core of traditional Death Metal elements with brilliant technical proficiency and some sprinkles of progressive elements thrown into the mix, this release is both crafty and powerful. Never straying too far away from their DM roots, the band nicely explores multiple influences, ultimately delivering a very unique and engaging style of their own.
The release opens up with the thunderous “Eolith” and its fierce guitar onslaughts. Thrown into the mix are some nice mellow interludes that allow the listener to breathe and prepare for the next round of punishment. After the dreamy instrumental, “Traversing”, the band comes back with a more mellow and proggy vibe on the album title track. Having some killer Opeth/Sculptured-esque vibes, this track still grapples to its old-school DM harshness alongside playful and funky melodic passages.
After their killer 2020 debut release “The Fever Syndrome”, we had our ears ready for Meridian’s Dawn latest EP “The Pagan Poetry”. Featuring 2 new tracks and three cover songs, this release keeps up the band’s momentum as one of the best up and coming Melodic Death Metal bands that plays with an old-school Nightrage/Inflames/Dark Tranquility vibe.
Opening with Björk’s cover of “Pagan Poetry”, we get a bit of a muffled track that while delivering the band’s signature intense riffs and catchy tempo changes, it also shows a different side to the original piece. While our promo sounds a bit wonky, the song rendition itself is not bad. Next up we have one of the band’s new songs “The Moonlit Path”, a song we completely love as the band takes its time in building melodic interludes before blasting full-speed with the harsh vocals and crushing lead guitars.
Straight out of a horror film, today we have Poland’s Odraza and their bone-chilling EP “Acedia”. Perfectly blending Black Metal elements with tons of dramatic atmospherics in a very experimental manner, this release unleashes nearly 27 minutes of creepy music that is intended to disturb listeners while drawing them into its fierce claws.
Immediately setting the bar high with the creepy first few minutes of “I”, the band slowly creates a very foul and disturbing atmosphere. There are certain jazzy and exploratory elements thrown into the mix, allowing the band’s sound to be quite expansive and unique. Heavy doomy riffs and crafty percussion help shift the mood in this aural journey, to a more industrial and ethnic place, while the sparse Black Metal onslaughts are fierce and demoralizing due to their intensity.