Better known as Sleepwalker (夢遊病者), this international band formed from people from multiple corners of the world like Japan, Russia and USA unleashes the latest EP with “Yus” (Ѫ). Combining Black Metal with unique elements and crafted very bleak atmospheres, it feels like Darkthrone and Kayo Dot had a very odd bastard child.
Side A delivers an atmospheric opening which sets a mystical backdrop, only to quickly evolve into dissonant madness. This track perfectly transmits a feeling of helplessness with its odd atmospheric elements and brutal onslaughts. The harsh screams seem a bit distorted, but create a unique vibe that when paired with the rest, create a very uneasy vibe.
Hailing from Tunisia, Myrath has gained popularity and critical acclaim thanks to their very lively Progressive Metal sound beautifully adorned with Middle Eastern Folk elements. Gradually refining their style and songwriting skills, with “Shehili” the band delivers one of their most complete and fun albums to date. Featuring over 47 minutes of superb music presented in 12 lush tracks, the band creates a very unique and engaging atmosphere that is hard to imitate.
After setting a very mystical and exotic mood with the intro “Asl”, the band fully shines with the dramatic “Born to Survive”. Providing a cinematic experience, Myrath quickly immerses the listener into their own world. Not used only as a gimmick, the band’s unique Middle Eastern elements are ingrained into the music’s DNA, like on the dramatic percussions and keyboards of “You’ve Lost Yourself”, or the tempo and adornments of “Dance”, and the soaring vocal arrangements of “Wicked Dice”. Similarly to Orphaned Land, the band perfectly brings something from their culture and heritage into their music, creating a very lively and engaging sound.
It is not very usual to receive promos from bands from countries like Iran, so today we are quite excited to review Erancnoir’s self-titled third full-length release. This one-man outfit delivers over 40 minutes of punishing Atmospheric Black Metal with similarities to bands like NONE and Lustre. With a thunderous approach to the genre, this release is certainly a very interesting contribution to the genre that fans should not miss out on.
With only two tracks covering the album’s duration, the first piece clocks in at 25 minutes and it is certainly a punishing and excruciating journey through dark and sinister worlds. This title track slowly builds up into hellish shrieks of pain and droning riffs that increase in intensity. The atmospheric keyboards are subtle enough to create a magical aura and perfectly complement a ravagingly raw musical core.
Unleashing a 34 minute dose of Atmospheric Black Metal, today we have Iceland’s latest export: Óreiða. In this self-titled debut release, this one entity outfit delivers a dissonant Black Metal sound filled with hatred and brutality. While not as raw as your typical BM bands, the music presented here is crafted to incite discomfort and repulsion… in a good way.
Opening with the pummeling “Dagar”, we get a powerful wall of sound crafted by the hellish distorted guitars and the furious pace. The guitar layering gives this track that extra punch to incite unrest. The violent onslaught continues with the raw brutality of “Draumar”, a track that slowly builds up by adding some atmospheric elements and creating a more dramatic aural assault.
Unleashing a masterful aural experience, today we have France’s Lost in Kiev and their latest opus “Persona”. Featuring nine tracks and over 44 minutes of lush Atmospheric Post-Rock music, this band is set to dominate audiences with their keen sense of melody and crafty tempo progressions. Being fans of Post-Rock music, it is quite interesting to hear how bands create an even more immersive experience with heavier atmospheric elements like in this album.
The release sets a very lively mood with the futuristic album title track. Crafting a very dense atmosphere, the band creates the perfect backdrop for their intricate guitar work and song development. Tracks like “Lifelooper” and the magical “The Incomplete” showcase the band’s focus in creating lush and expansive soundscapes, while dropping crafty tempo changes to keep things interesting.
Bringing back memories of the simpler days of Melodic Black Metal, when bands like Limbonic Art, Emperor, ...and Oceans added keyboards and orchestrations to the genre, today we have Vargrav and its sophomore release “Reign in Supreme Darkness”. Delivering over 40 minutes of lush arrangements, solid BM core elements and crafty songwriting, this one man unit unleashes a timeless sounding release that should not be overlooked.
After the traditional intro, Vargrav goes full steam with the lush “The Glory of Eternal Night”, a brilliant old-school sounding track that reminds us of Emperor’s classic “I am the Black Wizards”. The pacing and intricate tempo changes make this song quite enjoyable and a very strong opener. As “Dark Space Dominion” and “In Streams from Great Mysteries” roll in, we find ourselves impulsively headbanging thanks to their ravaging and yet playful nature. Both tracks are filled with majestic atmospheric arrangements, perfectly offset by catchy riffs.
Canadian Black Metal has been surprising us in the last few years with excellent bands like Monarque, Délétère, Csejthe, and countless others. Ossuaire is the latest addition to this wave of blast beats and tremolo picking from the North. With their debut release “Premiers Chants”, the band unleashes 40 minutes of ferocious music that reminds us of bands like Au Champ Des Morts, Vanum, Anorexia Nervosa and Glaciation amongst others.
Jumping at the listener’s throat, the album starts furiously with the pummeling drums and intense riffing of the album title track. The band’s sound is very well defined and nicely produced to sound devastating and yet melodic in nature. With “La Procession des Flagellants”, the band takes a darker approach filled with highly precise guitar melodies and Hérésiarque’s hellish vocals, just the perfect mix of a growl and a shriek, allowing them to be quite commanding and intimidating.
We receive over 40 album submissions each weak, so it is quite tricky to find what exactly to listen to and what to unfortunately discard. Luckily for us, we recently stumbled upon Úir’s second EP titled “Óenach Tailten”. Creating a very unique and dense Atmospheric Black Metal sound, this EP delivers three brilliant tracks that showcase the band’s raw power and boundless talent. Featuring members of unique bands like Haar and Úlfarr, this outfit is a band to keep an eye out for.
Opening with the sinister riffing of “V.S.F.P.A.”, the band sets a very hypnotic and cavernous early mood with a slow build-up. With a very martial pace, this track delivers powerful distorted guitars intertwined with a playful bass guitar line and hellish Watain-esque screams. After a devilish opener, the metalic sound of the guitars opening “Deiwos” is just perfect. This track turns a bit more hectic with a more defined wall of sound and ravaging onslaughts of total madness, thanks to the versatility of the vocals, which sound very mournful and haunting at times.
Slowly building up, “Void Monolith” starts the performance with an introduction to craft psychedelic extravagance thanks to the warm and fuzzy distorted guitars and trippy synths. The madness truly begins with the chaotic “The Shamanic Vision” and its crushing drumming. The deranged vocals make this song even more terrifying thanks to their unique range and style. The underlying melodies of songs like “Seeker’s Reflection” and “Journey to the Center of Mass” are quite intoxicating with a certain jazzy vibe, and perfectly crafted around trippy tempo changes.
Opening with the intricate atmospherics of “Between Walls of Glass”, the track sets a very hypnotic and ritualistic vibe that slowly builds up as the electric guitars come into play. Evoking the psychotic rhythmic powers of bands like Oranssi Pazuzu, the band sets a very unique vibe to this release. Keeping the weirdness going with its odd tempo changes, “Exiles” gives more of a Post-Metal vibe paired with hellish screams and pretty intense drumming.
Hailing from the Netherlands, GOLD is a band that has been on our radar for quite a while since we saw them at Roadburn festival in 2013. Playing a interesting mixture of Dark Rock with Post-Metal/Punk/etc. elements, this band has a very unique and crafty sound that instantly makes them recognizable. With the current wave of bands playing Psychedelic Rock and all variants, GOLD is one that stands above the rest thanks to their crafty music and interesting amalgamation of styles.
As soon as “He is Not” opens, we get a certain mysterious vibe and then the sultry vocals of Milena Eva take over the driver’s seat. As one of the signature elements of the band, Milena’s vocals are the perfect mixture of enigmatic and intoxicating. After the opening track ends with a Post-Rock-ish passage, the band changes pace to a more mellow lounge-ish tempo in “Things I Wish I Never Knew”. The guitar work is quite excellent and there are definitely more than a few layers to digest.