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  • KIR - L’appel du vide (2024)

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    Unleashing a fierce brand of Black Metal that combines the ferocity of Behemoth and the grittiness of Mgła, the enigmatic KIR sets a very high bar with their debut release “L’appel du vide”. With such a vicious sound that is both polished and commanding, this outfit is definitely one of the most unexpected surprises of 2024. Just scratching the surface of this release with a couple of spins, detailed attention and repeated listenings are needed to fully digest the album.

    After a mood setting instrumental intro, the band comes at the listener in full force with the piercing “Monument”. Mixing hellish deep screams with a barrage of BM riffs, the album quickly sets a relentless tone. The drumming in this release is quite polished, keeping a blistering pace as tracks like “Znów” and “Eter” blast away. The Mgła style riffing creates very dynamic and melodic passages, while still not sounding like a copy-cat and greatly enhancing the band’s explosiveness.

  • Kildonan - Embers (2024)

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    As a continuation of Vostok, Hamish MacKintosh returns with “Embers”, the debut release of Kildonan. With a very emotionally charged Black/Doom Metal style, this release features six tracks and nearly 40 minutes reminiscent of a mixture of Bethlehem on their “Dictius Te Necare” era, and Death/Doom Metal musings. Creating a very deep and powerful atmosphere, this is one of those sleeper releases that we found ourselves enjoying a lot more than we expected.

    Opening with the dreamy atmospherics of the title track, we are treated to dramatic clean vocals, harrowing harsh screams and a very Doomy vibe with Black Metal infused riffs. Kind of similar to Déhà and his exploits on his solo project as well as some Acathexis thrown into the mixture. We particularly love the piercing atmosphere created by the heavy Doom riffs of songs like “Ioliar-Bhuidhe” and “A Desperate Leap for Salvation” and their contrast with heavier and more brutal tempos.

  • Ulver - Liminal Animals (2024)

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    Mostly first released over the last year as singles, “Liminal Animals” marks Ulver’s latest opus, filled with their usual catchiness with a flair of darkness. Dedicated to the late Tore Ylvisaker, this release sees the band continue their dreamy/catchy endeavors of the last two releases, and also push forward with more somber and experimental elements thrown into the mix. Masterfully structured, this album makes all previously released singles come to life and showcase a different side to themselves, so be prepared for some aural exploration.

    Opening with the superbly dreamy “Ghost Entry”, the band sets a very glamorous and ethereal vibe, similar to their last few albums: catchy AF. The transition into “A City in the Skies” and “Forgive Us” are masterful as the percussion and electronics set a very futuristic mood. We have always been huge fans of Kristoffer Rygg’s vocals and the way they blend with the atmospherics of the music and the choir arrangements is just magical. Providing some nice change of pace, “Nocturne #1” has a great cinematic feeling, while the second part further explores more dynamic atmospherics.

  • Cyptorium - Descent Into Lunacy (2024)

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    Unleashing a crafty old-school Swedish Death Metal debut, today we have Cryptorium and “Descent Into Luncay”. With a sound similar to bands like Grave, Centinex, old Entombed, and Dismember, these young guys definitely bring back the nostalgia and vibe of the good old late 90’s in the scene. If you are looking for a good meaty Death Metal release to headbang yourself to a chiropractor visit, this is definitely one to check out.

    Opening with “Incarcerated”, we instantly get that grimey old-school production that is characteristic of the genre, and gives the band a very raw and visceral sound. As “Horrid Exultation”, “Inner Decay”, and “A Distant Dream”, unleash their fuzzy guitars and crafty tempo changes, we get that old Entombed vibe alongside some sinister atmospherics.

  • Altar Ov Asteria - Éna (2024)

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    Hailing from Dresden, Germany, today we have the enigmatic duo Altar Ov Asteria and their debut full-length release “Éna”. With a sound as furious as outfits like Behemoth, Hate, etc., this release also delves in the more melodic and atmospheric, unleashing five tracks and over 33 minutes of demoralizing and highly refined Black Metal. For fans of the finer and better produced offerings of the genre, this release showcases a highly promising band and top notch execution.

    Opening with the incisive “Arroganz”, we had to do a double take to make sure we didn’t have Behemoth playing. The crushing vocals perfectly blend with the savage riffing and blistering drumming, however, not everything is as it first seems as the band can instantly pull back and unleash more precise melodic onslaught. With a more atmospheric edge, “Fegefeuer” nicely warms up before unleashing its venomous riffs and crafty tempo changes.

  • Persecutory - The Glorious Persecution (2024)

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    Packing a lot of heat, today we have Turkey’s Persecutory and their crushing EP “The Glorious Persecution”. Featuring three tracks of total destruction, this release clocks in at 22 minutes of pure brutality. With a very incisive and yet refined sound, this outfit can be compared to the likes of Necrophobic and Necrowretch, creating some truly foul and punishing music.

  • Paysage d'Hiver - Die Berge (2024)

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    Unleashing seven cavernous Ambient Black Metal tracks, today we have Paysage d'Hiver with “Die Berge”. For the uninitiated, this one-man outfit from Tobias Möckl, one of the masterminds of Darkspace has been lurking in the underground since the late 90’s with countless demos and EP’s until their debut full-length “Im Wald” in 2020. Featuring a relentless Burzum-esque vibe, this release is dense and slow burning, delivering maximum punishment for a whopping 100 minutes.

    Most songs in this release are over 11 minutes long, opening with the piercing “Urgrund”, where a thick and pummeling atmosphere is masterfully crafted alongside raw harsh vocals and very crafty tempo changes. The opener hooks the listener with its atmospheric undertones and its rawness, paving the way for “Verinnerlichung” and “Transzendenz” part 1, which keep an hypnotic pace, while laying everything on their path to waste.

  • Chaos Invocation - Wherever We Roam… (2024)

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    Unleashing one of the most fierce Black Metal releases of 2024, today we have Chaos Invocation and their latest opus “Wherever We Roam…”. Featuring members from outfits like Darkened Nocturn Slaughtercult, Darvaza, Porta Nigra, Ahnenkult, to name a few, this outfit takes on the genre with rabid ferocity and delivers eight tracks and nearly 45 minutes of pure destruction in this release.

    Quickly delivering the first strike, the album title track blasts away with pummeling drumming and incisive guitar work. The band’s sound is punishing and yet masterfully crafted, creating haunting dual guitar melodies alongside an intense bass guitar line. The ferocity continues as “Ideal Sodom”, “Golden Gates and Terrene Light” and “Bridges Aflame” unleash aural devastation with their sinister atmospheres and blistering intensity.

  • Anomalie - Riverchild (2024)

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    Delivering waves of crafty Post-Black Metal, today we have Austria’s Anomalie and their latest effort “Riverchild”. Keeping things simple, catchy, and polished, this release unleashes nine tracks and over 50 minutes of intense music filled with melody. Far from your traditional Post-Black/Progressive Black Metal outfit, this one-man band is hard to describe as it explores different aural palettes with a hefty foundation of Black Metal elements.

    Opening with “Mothers of Stars”, an hypnotic offering filled with crafty vocal arrangements and incisive guitars, there are certain familiar elements from the band’s previous offerings with additional polish and refinements. Slowly building up in pace, “An Unforgiving Tale”, “Perpetual Twilight”, and the funky “Heart to Beat” give a more progressive feeling, similar to Enslaved’s current period, where clean vocals deliver engaging atmospheres while the harsh ones provide contrast as the music sets different moods and tempos.

  • Einst - Einst (2024)

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    Oozing waves of melancholy and misery, this self-titled debut release from Austria’s Einst is definitely one of the best Atmospheric Black Metal/Post-Black Metal releases of 2024. Featuring six tracks and over 42 minutes of music, the band delivers very well crafted and masterful music that has vibes of outfits like Heretoir, Harakiri For the Sky, NONE, and yet has its own DNA to keep them apart. With tons of releases in these genres, it is hard to find a good one that is not just a copy of others, luckily, Naturmacht Productions has unearthed a diamond in the rough.

    Opening with the bleakness of “Mere Reflections of Your Former Self” gets the listener warmed up as this track slowly progresses from atmospheric to raw savagery thanks to a crafty build-up and hellish screams. The band mastermind is Patrick Stoiber, who handles everything but the drums, and he is masterful in creating lush progression filled with darkness alongside some more crushing cathartic moments. Perfect examples of this have to be “Zu Oft Verlebt, Zu Wenig Wirklich Gelebt” and the disarming “Couldn't You Have Done Better” and its depressing piano opening.

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