Season Of Mist

  • Drudkh / Grift – Betrayed by the Sun / Hägringar (2016)

    cover

    We rarely review split releases, but due to the involvement of both the legendary Drudkh and the gritty Grift, this one made the cut. As a collaboration between Nordvis Produktion and Season of Mist, this four song split release is filled with melancholic Black Metal. Hailing from Ukraine and Sweden respectively, these two outfits have perfected the craft of highly emotional Black Metal that is both aggressive and memorable.

    Opening the release we have Drudkh and their “His Twenthy- Fourth Spring” master piece. This track delivers the band signature tempo changes that weave from intense BM passages to more melodic and refined interludes. With a very graceful pace, this track has a certain Vreid/Windir vibe that we find magical. The heavy hitter “Autumn in Sepia” delivers another onslaught of brilliant riffing and tight drumming, perfectly paired with harsh vocals and a very atmospheric chorus section.

  • Sylvaine – Wistful (2016)

    cover

    Continuing her highly atmospheric and dreamy musical direction, today we have one-woman outfit Sylvaine and her sophomore release “Wistful”. With a style similar to a mellower Alcest and Les Discrets, we are completely intoxicated by the fragile nature of the songs presented in this release. Instantly enchanting the listener like the mythological chant of a siren, Sylvaine will captivate you with this release.

    Opening with the 10-minute “Delusions”, the mood is perfectly set with the opening folky vocal section, reminding us of Kari Rueslåtten in her early days. The song quickly progresses into more familiar territories with dreamy guitars and intense atmospherics bringing memories of Alcest’s “Les Voyages de l'âme”. Showcasing some ethereal shoegaze and dream-pop influences, “Earthbound” provides an interesting contrast between angelic clean vocals and hash Black Metal screams, both performed by Sylvaine herself.

  • Sinistro – Semente (2016)

    cover

    With only enough bandwidth to review music, we rarely have time to review the stuff we actually buy for ourselves. Thanks to all the Internet chatter and other connoisseur recommendations, we acquired Sinistro’s sophomore release “Semente”. Instantly blown away by the fierce combination of punishing riffs and the fragility of Patrícia Andrade’s vocals, this is a release we felt compelled to write about in order to pass on this finding to our readers.

    Opening with a commanding riffing onslaught, “Partida” sets a very high bar for this release. The track delves into your traditional Sludge/Doom/Post-Metal territories but is brilliantly contrasted by the hypnotic voice of Patrícia. Creating a very unique contrast the band instantly stands out from the competition. As the album progresses, the band focuses on creating a very unique and oppressive atmosphere which relies heavily on precise tempo changes and the use of keyboards, as tracks like “Estrada” and “Corpo Presente” demonstrate.

  • Memories of a Dead Man - V.I.T.R.I.O.L (2012)

    cover

    Arriving from France, today we have Memories of a Dead Man and their latest full-length release “V.I.T.R.I.O.L”. Featuring a mixture of Post-Metal with some Hardcore influences, this band fits perfectly with bands like The Ocean, Year of No Light, Rosetta and Cult of Luna. Delivering 11 soul pounding tracks, this release is as heavy as it is complex, and we completely love it.

    With soaring guitars and brilliant Post-Metal sections, “Tomorrow, at Dawn…” sets the bar for this release pretty high. The pummeling guitars are nicely offset by some female vocal sections that give a very nice melodic edge to this track, without losing any of the gritty heaviness in it.

  • Hypno5e – Acid Mist Tomorrow (2012)

    cover

    After excellent debut release “Des deux l'une est l'autre” the expectations for Hypno5e were high, but with “Acid Mist Tomorrow” they set a completely different standard. The band’s brand of experimental Metal has reached new heights with the 9 tracks presented in this very engaging release. Mixing elements from Post-Rock, Ambient, Avant-garde Metal, Instrumental Rock, and traditional Metal, Hypno5e’s sound is very complex yet engaging for even the average listener.

    Wasting no time and opening with the highly atmospheric “Acid Mist Tomorrow”, we immediately felt in a movie sound track. The carefully crafted percussions and the ethereal clean guitars make for a great listen, particularly when offset by the excellent distorted guitars. The ethereal atmosphere continues with “Six Fingers in One Hand She Holds the Dawn” parts 1 and 2, with a very chilling vibe and excellent clean vocals. The crazy vocal samples in the back near the fifth minute of the track are pretty cool and give a subtle feeling of insanity.

  • Cynic – Carbon-Based Anatomy (2011)

    cover

    Cynic, one of Metal’s most acclaimed provides us with a little insight into what to expect in their next full-length release. Constantly changing and incorporating new things into their music, the band has done away with the harsh vocals, they have added more ethnic chants and sounds, and keep experimenting with other genres such as Jazz Fusion and some Shoegaze. All of these ‘different’ elements will keep the forward thinking Metal listeners attention and appeal to some hipster non-metal fans as well.

    Featuring 25 minutes of music divided in six tracks, this EP is very nicely arranged to flow naturally. The opening atmospheric track is pretty interesting leading to “Carbon-Based Anatomy”, a very emotionally charged and trippy track that has Cynic written all over it. The combination of interesting drum patterns with proggy guitars and clean vocals is excellently executed and works wonders. There are indeed some ‘heavy’ sections, but the overall construction of this track is what makes Cynic a truly different and unique band.

  • Necrophagia - Deathtrip 69 (2011)

    cover

    Necrophagia have been the pioneers of gore metal and horror metal since the early eighties and have proven not to disappoint with their latest release “Deathtrip 69” which was actually due to be released in October of 2010 but was delayed for unknown reasons. It is now upon us and shows that they can still bring metal to the metal masses in its goriest form.

    I wouldn’t classify this as death metal but it horror metal with death and grindcore metal vocals supplied by Killjoy who is also the founder of Necrophagia. “Deathtrip 69” starts out with howling winds and wrenching guitars and a voice in the background talking about the Book of the Dead before it gives away to Killjoy’s venemous barks and growls. “Tomb with a View” is catchy with crunchy guitar riffs and powerful chorus. “Suffering Comes in Sixes” begins with the quote “You can always smell a graveyard”, from one of my all-time favorite movies “The Prophecy” and continues with Boris Randall giving a brilliant guitar solo here and Shawn Slusarek gives us some crushing drumwork with methodical rhythm. “Kyra” features dual vocals between Killjoy and Amen’s Casey Chaos and it slams in your face with complete brutality.

  • The Project Hate MCMXCIX - Bleeding the New Apocalypse (Cum Victriciis In Manibus Armis) (2011)

    cover

    The all-star The Project Hate MCMXCIX is back with another crushing release of catchy Industrial and Progressive Death Metal, and with this release they sound as good as ever. With probably one of the longest album titles ever, “Bleeding the New Apocalypse” (for short) delivers over one hour of pure deranged catchiness in 6 tracks.

    Featuring a new female vocalist, Ruby Roque of Witchbreed and Tobias Gustafsson as the new drummer, the band’s sound is even better than on their previous releases. For those of you wondering how Ruby vocals feature on the band, just imagine Madder Mortem with Industrial elements and you will get the perfect idea.

  • Ommatidia – In this Life, or the Next (2011)

    cover

    In the last few years we have noticed a wide variety of French bands with very unique music such as Alcest, Les Discrets, Amesours, etc. Today Ommatidia takes the spotlight with its very unique mixture of Doom and Gothic Metal with atmospheric elements, creating a very fresh blend of sounds.

    Powered by ex-The Old Dead Tree members Nicolas Chevrollier (guitar) and Vincent Danhier, this band is ready to enchant people with their unique and well crafted sound. Paired alongside very creatively crafted music, the excellent vocals of Guillaume Richard bring that staple needed to identify a band even while intoxicated.

Pages

Recent Image Galleries