Season Of Mist

  • Eivør - Enn (2024)


    Hailing from the Faroe Islands, today we have Eivør with her major label debut “Enn”, released under Season of Mist. Featuring a very dreamy and upbeat sound, this release delivers eight tracks and over 40 minutes of highly addictive music. While not the usual stuff we review, there is a certain magic to Eivør’s ethereal vocals and style that we got hooked on, and hence reviewing for you.

    Setting a very dreamy vibe, the opening track “Ein Klóta” unleashes waves of hypnotic electronics and sweet angelic vocals. With “Jadartra” we get a nice droney melody with a mysterious edge, reminding us a bit of Kari Rueslåtten’s “Pilot” days. Just like something out of an Eurovision contest, “Hugsi Bert Um Teg” is a catchy track that quickly grabs your attention thanks to the masterfully crafted beat and dreamy electronics.

  • Rotting Christ - Pro Xristou (2024)


    Hailing from Greece, Rotting Christ is finally back with another sinister exercise of aggression and melody with “Pro Xristou”. Featuring ten tracks and over 45 minutes of highly engaging music, the band shows no signs of slowing down and delivers another high quality release. Slowly refining their melodic Black Metal over the years, the band has it down to a science and unleashing ten of their most catchy and enjoyable tracks.

    Setting the stage with a dramatic atmospheric intro, “The Apostate” nicely takes on from where the band left off with their previous release “The Heretics”, and continues unleashing unholy atmospheric brilliance, paired with eerie vocal arrangements and the band’s signature riffing. Sakis Tolis has the band’s sound perfected to deliver crafty guitar melodies alongside his signature snarls, as songs like “Like Father, Like Son”, “The Sixth Day”, and the blistering “La Lettera Del Diavolo” demonstrate.

  • SYK - eartHFlesh (2024)


    Holding us over until the new Ulcerate drops next month, today we have Italian outfit SYK and their pummeling release “eartHFlesh”. With eight tracks and over 45 minutes of highly intricate and punishing Death Metal with Groove and even some Djent elements, this release is as crushing as it is complexly layered to infuse maximum pain. If you like music that is brutal, relentless, filled with excellent ideas, and masterfully executed, this is an album you can’t miss.

    Opening with the ravaging “I Am The Beast”, the band sets a very disturbing and cinematic vibe with creepy atmospherics until the massive drumming and layered guitars make their appearance. The band’s ability to unleash sinister riffs is outstanding, as they pair perfectly with blistering drums and insane tempo changes. On tracks like “Where I Am Going There is No Light”, “I'll Haunt You In Your Dreams”, and “eartHFlesh”, the band rips through crafty tempo changes, hellish growls, and tons of Meshuggah-esque passages, showcasing masterful musicianship and execution.

  • Sylvaine - Eg Er Framand (2024)


    Being huge fans of Sylvaine since their beginnings, we are quite excited to hear Kathrine Shepard taking a risk and releasing a very different release with “Eg Er Framand”. This EP features six tracks and nearly 30 minutes of dreamy Folk music, with absolutely no elements of Metal, showcasing a very different and raw side to Kathrine’s talents.

    The release opens with the solemn “Dagsens Auga Sloknar Ut”, and its very minimalist instrumentation that surrounds Kathrine’s clean vocals. If the organ didn’t create enough tension for you on the first track, “Arvestykker” introduces some excellent vocal layering alongside “Eg Veit I Himmelrik Ei Borg”, which features a bit more instrumentation and somber atmospherics.

  • Merrimack - Of Grace and Gravity (2024)


    Unleashing one of the finest Black Metal releases of the last few years, today we have Parisian outfit Merrimack and their crushing return “Of Grace and Gravity”. As their first album in seven years, the band returns with thirst for vengeance and delivers over 40 minutes of excruciatingly brutal music that any fan of the genre will go nuts for. If you like incisive and punishing music with a perfect balance of atmosphere and swift brutality, this is the release for you.

    The release kicks off with a bang with the demolishing “Sulphurean Synods”, a track that blasts off with ravaging guitars, pummeling drums, and hellish vocals. There is certain rawness to the band’s approach that is quite savage and direct. With the intensity of “Sublunar Despondency”, the band has that viciousness of 90’s Norwegian Black Metal, giving a certain Satyricon edge that works wonderfully within the band’s aggressive style.

  • Ponte Del Diavolo - Fire Blades From the Tomb (2024)


    Just when you think you have heard it all, there comes a band like Ponte Del Diavolo with a very unique and intoxicating sound. Mixing elements of Black Metal with Doom, Psychedelic/Dark rock, “Fire Blades From the Tomb” delivers nearly 45 minutes of enigmatic music that quickly sets a very sultry and devilish mood from start to end.

    Opening with “Demone”, one would easily think, great, another typical (but intense) Black Metal release, however, as Erba del Diavolo vocals come to play, the mood shifts into sinister and yet playful territories. Weaving back and forth between BM onslaughts and Doomy riffs, the band creates a very unique and engaging sound that is not quite conventional as songs like “Covenant” and “Red as the sex of She who lives in death” keep exploring new dark corners.

  • Necrowretch - Swords of Dajjal (2024)


    Unleashing over 37 minutes of pure hell, today we have France’s Necrowretch and their latest release “Swords of Dajjal”. Spread over eight tracks, the band delivers swift and well crafted onslaughts of Black/Death Metal brilliance, with a style similar to outfits like Necrophobic and Destroyer 666. However, these guys are far from a carbon copy of the previously mentioned bands as they add their own sinister twists to their music.

  • On Thorns I Lay - On Thorns I Lay (2023)


    Slowly inching their way to a bigger label like Season of Mist, today we have one of the best Greek Death/Doom Metal bands: On Thorns I lay. Unleashing their eponymous release, the band’s 10th full-length effort has them delivering a dark and cohesive sound that is heavier and more sinister than their earlier efforts (“Orama”, “Angeldust”), still features the band’s signature approach to the genre.

    Opening with the punishing “Fallen from Grace”, the band delivers a good mix of atmosphere and incisive guitar riffs. The band’s sound is heavy, like really heavy, with a certain Septicflesh vibe to it on most tracks, particularly the longer ones like the opener, “Crestfallen”, and “Among The Wolves”. However, the band’s signature sound can still be heard on pieces like “Newborn Skies” and “Raise Empires” that have the melancholic riffing alongside crafty keyboards.

  • Ne Obliviscaris - Exul (2023)


    It has been a while since we heard from Australia’s Ne Obliviscaris and their highly polished and expertly crafted Progressive Extreme Metal. Luckily, 2023 marks the return of the band with a crushing full-length release titled “Exul”. Featuring six tracks and nearly one hour of high-octane and brilliantly crafted music, this release sets a whole new standard for a band with extremely high quality releases. If you like outfits like Persefone, Ihsahn, Be'lakor, Cynic, and older Opeth, you will love this release.

    The album kicks off with the brilliant “Equus”, a masterful piece filled with crafty drumming, an insane bass guitar line, all alongside dramatic violin arrangements and punishing vocals. For 12 minutes, the opener lays down the foundation of highly polished aggression mixed in with lush instrumentation and a very dark and somber mood. Now that the band is warmed up, they rip through the two part “Misericorde” masterpiece, with the first piece, “As the Flesh Falls”, nicely creating a playful Obscura-esque foundation of guitar wizardry and dramatic clean vocals. The second part, “Anatomy of Quiescence”, is even more dramatic with even more lush and jazzy violin arrangements thrown into the mix.

  • …and Oceans - As in Gardens, So in Tombs (2023)


    We are extremely glad that the band that got us into Symphonic Black Metal in the 90’s is back in full form and has stayed away from their weird Techno/Industrial phase. …and Oceans delivered two brilliant releases in the late 90’s, then dropped two super weird and ahead of their time releases only to mostly disappear for almost a decade. With “As in Gardens, So in Tombs” the band showcases a lush and evolved sound filled with epic melodies and crafty atmospherics.

    Opening with the album title track, the band’s retro approach to the genre perfectly balances furious guitar work over playful keyboards. While most bands these days make the keyboards overbearing, this Finnish outfit uses them to complement their core sound as they never feel over the top. Tracks like “The Collector and His Construct”, “Within Fire and Crystal”, and “Carried on Lead Wings” have that old Tartaros and Limbonic Art vibe adorned with ‘new’ vocalist Mathias Lillmåns of Finntroll harsh scream onslaughts.


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