Industrial Metal

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    Darkseed – Poison Awaits (2010)

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    Ever since their classic “Midnight Solemnly Dance”, Darkseed has been on a constant quest of evolving as a band and has matured musically a great deal into how they sound now, on their latest album “Poison Awaits”. The band’s long time vocalist Stefan Hertrich decided to leave the band in 2006, and from what it looks the band was idle for two years until 2008, when Thomas Herrmann, Tom Gilche, Maurizio Guolo, and Armin Dörfler decided to get the Darkseed ball rolling again.

    With ex-drummer Harald Winkler stepping up for singing duties, the band has managed to retain their traditional sound and we think that they actually improved over their previous releases. Harald’s vocals are very diverse and his deep clean sections are reminiscent of Lacrimas Profundere and similar Gothic Rock bands.

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    Noctiferia – Death Culture (2010)

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    If you ever wondered what would happen if Fear Factory, Meshuggah and Gojira had a genetically engineered son, then it would sound just like Noctiferia does. The band has spent plenty of years trying to find their own sound, and on their earlier days they focused more on Melodic Black/Death Metal. On this 2010, they deliver “Death Culture” an album so rich in both style and content that will have you listening to it for quite a while in order to fully digest it.

    The band features the chugging riffing of Fear Factory, combined with the surgically precise (and impressive) drumming of Meshuggah. On top of these elements they offer aggressive vocals like Gojira, Hacride, etc, making their sound very dynamic and brutal. The band has surely outdone themselves with “Death Culture” since it’s their best effort to date.

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    Mammutant – Atomizer (2010)

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    With Mammutant’s Atomizer, today we have 44:44 minutes of pure lack of creativity and inspiration. The band’s second full-length release is a very dull album to have to sit through and listen. We usually listen to albums at least 3 times before writing a review and we had a hard time getting through this album even the first time.

    Playing Death Metal with Industrial influences the band looks as if Lordi and the cast of Starwars had a child. Playing on the whole creepy costumes/outfits is ok when your music is somewhat decent, but if it sucks, then we assume they just look like jackasses on stage.

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    Pain – Cynic Paradise (2010)

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    We really do not understand the point of re-releasing for the USA an album that has been out for almost a year in Europe, but hey, it’s Pain and Cynic Paradise is indeed a very solid album that we loved since it came out (in Europe!). With their intoxicating Industrial Metal, Pain is the brain child of Peter Tägtgren and is considerably different from any of his other projects.

    “Cynic Paradise” has taken even more electronic/techno influences than before and it’s pushing the boundaries of Industrial Metal quite far with its pop-ish influences in songs like “Follow Me”, which by the way has vocals provided by Anette Olzon from Nightwish. As a very versatile musician, Peter Tägtgren shows that he can do very bombastic music that will please people that are usually repulsed by his other projects (people that do not listen to metal).

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    Fear Factory – Mechanize (2010)

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    The all mighty Fear Factory as back with Dino Cazares on guitars and replacing longtime founding member Raymond Herrera we have none other than Gene Hoglan. “Mechanize” is the bands first full-length album in 5 years and while not one of their best, is a complete improvement over the lackluster “Transgression”.

    For a band that has been so long in the scene, you can always rely on Fear Factory to release a straight forward in-your-face type of release. “Mechanize” is not an exception to this rule, but however like the band’s sound is pretty formulaic by now and it’s just another release with not much inspiration.

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    Sybreed – The Pulse Of Awakening (2010)

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    Calling the music of Sybreed complex is a complete understatement of what the band does with “The Pulse Of Awakening”, their third full-length in their 7 years of existence. The mixture of elements in this album is as long as the list of ice cream flavors Baskin Robbins has.

    Analyzing the band by layers, we can see the main underlying Metal foundation the band has, but it’s not just a regular ‘plain and simple’ Metal foundation. The band chooses to use very complex time signatures and polyrhythmic composition in the vein of Meshuggah, Xerath, etc.

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    Horde Of Hel – Blodskam (2009)

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    When I got this promo, I was intrigued by how this band would sound since it’s said to feature anonymous legends from the Swedish Death/Black metal scene. I was not disappointed with Horde Of Hel this album is very raw and brutal with some hints of freshness in them.

    • Posted By: Dark Emperor
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    Khadaver – Beta Version (2008)

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    Khadaver is a 3 piece band from the Slovak republic and they bring us a very solid self produced demo EP. The band plays an interesting blend of Industrial metal. I say it’s a blend because they fuse traditional Industrial elements with some Black metal and Electro elements. The whole EP is very diverse and showcases the bands creativity in writing songs.

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    Ministry – Adios…Puta Madres (2009)

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    After almost 30 years of musical career Ministry leaves us with “Adios…Puta Madres”, a live album from their last world tour. There are limited amount of things that one can say about a live album, and I’ll be sure to cover all of them. First off, Ministry featured a pretty solid line-up during their last tour and this is reflected in the performance of all songs featured in the album.

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    Samael – Above (2009)

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    After their brutal single “Illumination” this album is even a step up from that. Samael is back and with a vengeance since they sound as heavy as in their beginning, but mixing some of their newer stuff as well. The opening track “Under One Flag” blows you away, and it sets the tone for this album.

    The drumming here is very fast paced and brutal, even for Samael, and it would blow away many black metal bands as well. I can probably compare it to good old Mysticum. But you can see that while it has some ‘real’ drums it’s heavily helped by a drum machine. But in no way this is bad, since it provides the perfect base for the songs of this album.

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