Unleashing a truly psychotic and bizarrely mesmerizing release, today we have Yerûšelem and their debut release “The Sublime”. Helmed by Vindsval and W.D.Feld of Blut Aus Nord fame, this release blends Industrial elements with chilling atmospherics and sinister guitar riffs, sounding unlike anything you have heard before. This album creates a whole new dimension of music, which could be described as a mixture of Mysticum, Diabolos Rising and Manes, but with a completely different direction.
The title track opens the release with a hypnotic pace, thanks to a drony vibe with subtle electronic elements and eerie guitars. The aural madness continues with the intoxicating beats of “Autoimmunity”, a song that nicely contrasts odd vocals with a catchy tempo and punishing guitar riffs. Other tracks create a very awesome discomforting claustrophobic atmospheres like the dissonant “Eternal” and the creepy “Joyless”.
Continuously working on punishing their listeners eardrums, today we have Anaal Nathrakh and their latest opus of madness “A New Kind of Horror”. As one of the most brutal bands in the world, this British twosome deliver ten ravaging tracks that blend elements from Industrial/Death/Black Metal with Grindcore aggression in a way they will have you asking for mercy after 5 minutes. If you are a fan of their destructive ways, this release should perfectly please your need for some extreme music.
The aural assault starts with the bone-crushing “Obscene as Cancer” with massive drums and harrowing vocal arrangements that will haunt you for life. We particularly love how the band adds the clean vocals as a contrast to their demoralizing music, giving them a certain Borknagar-esque vibe but in a completely different, and more brutal, context. If you are not punished enough, “The Reek of Fear” features some creepy atmospherics that we equate to the trumpets of the rapture.
Unleashing one of the most disturbing and decadent releases of 2017, today we have legendary Blut Aus Nord with their latest opus “Deus Salutis Meae”. Featuring ten tracks filled with hate and punishing atmospheric onslaughts, this release combines all of the band’s previous musical endeavors into a ravaging mixture of elements that while hard to describe is quite intense and powerful. If you are looking for a traditional Black Metal album, you better look somewhere else as this release is a whole different beast.
The mood of this release is quickly set with the creepy “δημιουργός” opening piece that causes aural discomfort while it peaks our curiosity. Things instantly escalate with the dissonance and rawness of “Chorea Macchabeorum”, a punishing piece that showcases the band’s more Industrial edge mixed with some funky vocal arrangements. This chaotic feeling is continued with the pummeling riffing of “Impius” as it exacerbates the level of dissonance with more eerie vocal arrangements and BM-esque shrieks.
Continuing their magical sidereal journey, today we have Italy’s Progenie Terrestre Pura and their sophomore full-length release “oltreLuna”. Delivering over 55 minutes of highly atmospheric Black Metal with some Industrial Black Metal elements, the band manages to craft five intricate tracks that show great musicianship and ideas. If you like highly experimental/futuristic sounding Black Metal like Shade Empire or similar outfits, you will definitely enjoy this release.
Opening with the crushing riffs of “[.Pianeta.Zero.]”, we get a very Industrial BM vibe mixed with heavy atmospheric elements, making a very unique combination. As always with this band, the track takes a turn into more standard and melodic territories, showcasing the band’s versatility. Continuing the onslaught we have “[.subLuce.]” and its intense drumming, making it one of the most brutal pieces in this release. A nice touch is the dreamy female vocals thrown into the mix to create a deeper atmosphere.
One-man outfit Netra returns after five years to unleash the very unique “Ingrats”. Mixing Industrial/Trip-hop/jazzy elements with Black Metal, this release delivers nearly 40 minutes of exciting Avant-garde music. As with the previous Netra releases, this one will keep you at the edge of your seat always wondering what kind of surprises the songs have in store for the listener.
Opening with the mysteriously jazzy “Gimme a Break”, the band brilliantly eases the listener into being quite shocked with the savage intensity of the following track. On “Everything’s Fine”, we get the same trippy elements, but they are paired with punishing harsh vocals and intense riffing. The track again flips on the listener before finishing as it slowly eases into the trip-hoppish atmospheric interlude of “Underneath My Words, The Ruins of Yours”.
After eight years in the making, we finally get the return of Norway’s Slagmaur and their unique take on Black Metal. With “Thill Smitts Terror” the band delivers over 45 minutes of truly bizarre and disturbing music that will fully immerse the listener into the band’s own deranged world. If you like bands like Diabolos Rising and Mysticum, but want an extra touch of madness, this band has you covered.
With “Innferd” setting up a very dark and somber mood, “Drummer of Tedworth” is the first creepy Industrial-influence piece that truly showcases Slagmaur’s weirdness. Perfectly juxtaposing sinister riffs and Industrial percussions, they create a very sickening and truly immersive atmospheric experience. The band’s oppressive atmosphere is nicely continued in the punishing track “Werewolf”, one of the heaviest and busiest tracks in this release.
Pushing the limits of what is defined as extreme; today we have Anaal Nathrakh and their latest crushing release: “The Whole of the Law”. Ever since the band moved to Metal Blade Records, they have been on a warpath of destruction and insanity. Delivering over 42 minutes of brutal aural devastation, the band cranks up eleven of the most chaotic and abusive songs we have ever heard.
After the slow atmospheric intro, the band opens their portal to hell with the crushing “Depravity Favours the Bold”. This track is filled with atmospheric arrangements paired with Dave Hunt’s multi-faceted range of vocals. The release continues to punish the listener with the brutal Grindcore onslaughts of “Hold Your Children Close and Pray for Oblivion”, the eerie Industrial elements of “We Will Fucking Kill You”, and the totally deranged vocals and Death Metal vibe of “So We Can Die Happy”.
Hailing from the USA, today we have a very unique band under the moniker Wolfpack 44. Formed by members of Electric Helfire Club and Kult ov Azazel , the band plays a very unique blend of Industrial Black Metal with some experimental elements. Featuring over 45 minutes of music, this release will appeal to fans of bands like Mysticum, Aborym and Diabolos Rising.
After the disturbing atmospheric intro, the band unleashes its full power with the pummeling riffs and oppressive atmosphere of “The Black March”. Perfectly mixing incisive guitars, tight drums and superbly harsh vocals, this track sets a very brutal tone. Following with the completely deranged “Rituale Romanum” featuring Dana Duffey on guest vocals, the band makes it clear that this release will be a true roller coaster ride.
Musical genius Peter Tägtgren presents us today with the latest opus “Coming Home” from his side project Pain. As the first release in five years, Peter delivers 10 catchy and totally whacky tracks that perfectly continue the madness spread by this band. Mixing a very catchy Industrial vibe with heavy riffs, this release will have you fully engaged from start to finish.
Instantly enveloping the listener within the band’s madness, “Designed to Piss You Off” delivers the first catchy and funky piece of this release. Relying on playful lyrics and catchy percussions, this track has a certain Southern Rock charm to it. Featuring vocals from Joakim Brodén of Sabaton, “Call Me” is definitely one of the most engaging and dynamic songs in this release. The two vocalists provide a nice contrast to this song, making it superbly addictive.
Industrial Black Metal is one of those genres that are quite hard to get right. Mysticum and Diabolos Rising did a great job igniting the flame, and others like Aborym, Diabolicum, and Malignant Eternal took good stabs at the genre, more than a few years ago. Fast-forward to 2015 and we finally have a promising band in this genre: Pavillon Rouge. Filled with over 47 minutes of devilish catchy beats and sickening soundscapes “Legio Axis Ka” marks the band’s sophomore release.
The album opens with the blistering “Prisme vers l'Odysée”, a track that sets a very dreamy and yet crushing atmosphere that is very well contrasted by the harsh vocals of Kra Cillag. The album’s atmosphere continues to grow with psychotic tracks like the awesome “A l'Univers”, and the aggressive “L'enfer se souvient, l'enfer sait”. For others looking for catchy and more ‘techno’ stuff, “Droge Macht Frei” reminded us of Turmion Kätilöt and their Industrial Metal.