As if their 2021 full-length “Revelator” wasn’t enough, today we have Australia’s The Amenta back with an interesting 2-song EP titled “Solipschism”. Not that we are complaining, the band first makes us wait 8 years between releases and now we are treated to more madness in less than 6 months. Again, proceed with caution as this Aussie band kicks some serious ass while introducing some weird and creepy ideas.
With a heavier focus on atmosphere and weirdness, the release kicks off with “Solipschism”, a highly atmospheric piece with very eerie arrangements and a solemn pace. This track is a fresh and creepy soundscape that sets a very dark mood. The second piece, “Labourinth” slowly builds from distorted guitars with an industrial vibe to a more expansive crushing piece with hellish vocals alongside crafty drums and a faster pace, and a particularly dissonant closing.
Hailing from Australia, Mesarthim creates one of the most mystifying and unique blends of Metal with electronic/atmospheric elements. Similar to bands like Germ, Violet Cold, and Progenie Terrestre Pura, the band’s sound is both bombastic and pretty aggressive, keeping things superbly catchy and still heavy enough for Metal fans to enjoy. With 5 tracks and nearly 30 minutes of music, “Vacuum Solution” is one hell of a unique and engaging release.
The album title sets a very dramatic futuristic vibe with super catchy synths and beats, paired with powerful guitars and fiendish shrieks. This is the exact explosivity we loved from bands like Germ, but Mesarthim takes it to a whole new level with more electronic/dark electro elements. Track like “Matter and Energy” also have a certain Industrial-like vibe, reminding us of Italy’s Aborym but with a catchier edge.
It has been a while since we have heard anything from Australia’s weird Industrial Metal outfit The Amenta. Returning with “Revelator”, the band continues their path of weirdness with an interesting blend of experimental elements and Industrial Metal foundations, creating a very chaotic and yet interesting sound. If you like odd and unconventional music with a good dose of heaviness, this release has some nice surprises in store for you.
The release starts with the pummeling “An Epoch Ellipsis”, a track that starts with a similar pace to Anaal Nathrakh’s music, but quickly shows that it is a completely different beast with funky tempo changes, soaring clean vocals, and some underlying industrial elements. The uniqueness of “Sere Money” nicely changes the pace a bit as the band showcases their more melodic and catchy side, with lush rhythmic sections and a nice blend of harsh and clean vocals.
Hailing from the USA, today we have a band that we never thought we would find ourselves listening to as much as we do. Fellhain Fall has a certain commercial alt-rock edge that is sneakily built on superbly catchy Gothic, Industrial, Darkwave elements, making the sound behind “Tar-A-Kan” quite intoxicating and engaging. While the band’s music lies more in Metal foundations, the band’s unique accessibility makes this release very easy to digest and highly enjoyable.
Opening with the lush atmospherics of “A Fading Whisper”, we get a playful dynamic between heavy distorted guitars and the charismatic lead vocals. It is a staple of Gothic Metal to have a signature singer and this band clearly has one. The music nicely experiments with Industrial/Darkwave elements in tracks like “Rover” and “My Hollow” deliver, while the Doomy elements surface on songs like “Caught Between”, keeping their sound quite dynamic and versatile.
Unleashing a very refined futuristic release, today we have Italy’s one-man band Master Boot Record and their latest release “Floppy Disk Overdrive”. Besides the massive geekiness of the band’s name, concept and the album’s song names, this instrumental release is quite enjoyable and engaging. With the current state of affairs in the world, it is refreshing to be able to escape into a dystopian world with the songs in this release.
Opening with the Blade Runner-esque “ANSI.SYS”, the mood is set to be a very dynamic and engaging one. For those that are not followers of Video Game Metal/Nintendocore, bands like Vomitron and others have been releasing similar 8-bit/MIDI inspired music, but Master Boot Record takes it to a whole new level with additional influences and a bigger and more bombastic theatrical vibe, as shown in songs like “EDIT.COM”, “DEFRAG.EXE” and “DISPLAY.SIS”.
Unleashing a truly psychotic and bizarrely mesmerizing release, today we have Yerûšelem and their debut release “The Sublime”. Helmed by Vindsval and W.D.Feld of Blut Aus Nord fame, this release blends Industrial elements with chilling atmospherics and sinister guitar riffs, sounding unlike anything you have heard before. This album creates a whole new dimension of music, which could be described as a mixture of Mysticum, Diabolos Rising and Manes, but with a completely different direction.
The title track opens the release with a hypnotic pace, thanks to a drony vibe with subtle electronic elements and eerie guitars. The aural madness continues with the intoxicating beats of “Autoimmunity”, a song that nicely contrasts odd vocals with a catchy tempo and punishing guitar riffs. Other tracks create a very awesome discomforting claustrophobic atmospheres like the dissonant “Eternal” and the creepy “Joyless”.
Continuously working on punishing their listeners eardrums, today we have Anaal Nathrakh and their latest opus of madness “A New Kind of Horror”. As one of the most brutal bands in the world, this British twosome deliver ten ravaging tracks that blend elements from Industrial/Death/Black Metal with Grindcore aggression in a way they will have you asking for mercy after 5 minutes. If you are a fan of their destructive ways, this release should perfectly please your need for some extreme music.
The aural assault starts with the bone-crushing “Obscene as Cancer” with massive drums and harrowing vocal arrangements that will haunt you for life. We particularly love how the band adds the clean vocals as a contrast to their demoralizing music, giving them a certain Borknagar-esque vibe but in a completely different, and more brutal, context. If you are not punished enough, “The Reek of Fear” features some creepy atmospherics that we equate to the trumpets of the rapture.
Unleashing one of the most disturbing and decadent releases of 2017, today we have legendary Blut Aus Nord with their latest opus “Deus Salutis Meae”. Featuring ten tracks filled with hate and punishing atmospheric onslaughts, this release combines all of the band’s previous musical endeavors into a ravaging mixture of elements that while hard to describe is quite intense and powerful. If you are looking for a traditional Black Metal album, you better look somewhere else as this release is a whole different beast.
The mood of this release is quickly set with the creepy “δημιουργός” opening piece that causes aural discomfort while it peaks our curiosity. Things instantly escalate with the dissonance and rawness of “Chorea Macchabeorum”, a punishing piece that showcases the band’s more Industrial edge mixed with some funky vocal arrangements. This chaotic feeling is continued with the pummeling riffing of “Impius” as it exacerbates the level of dissonance with more eerie vocal arrangements and BM-esque shrieks.
Continuing their magical sidereal journey, today we have Italy’s Progenie Terrestre Pura and their sophomore full-length release “oltreLuna”. Delivering over 55 minutes of highly atmospheric Black Metal with some Industrial Black Metal elements, the band manages to craft five intricate tracks that show great musicianship and ideas. If you like highly experimental/futuristic sounding Black Metal like Shade Empire or similar outfits, you will definitely enjoy this release.
Opening with the crushing riffs of “[.Pianeta.Zero.]”, we get a very Industrial BM vibe mixed with heavy atmospheric elements, making a very unique combination. As always with this band, the track takes a turn into more standard and melodic territories, showcasing the band’s versatility. Continuing the onslaught we have “[.subLuce.]” and its intense drumming, making it one of the most brutal pieces in this release. A nice touch is the dreamy female vocals thrown into the mix to create a deeper atmosphere.
One-man outfit Netra returns after five years to unleash the very unique “Ingrats”. Mixing Industrial/Trip-hop/jazzy elements with Black Metal, this release delivers nearly 40 minutes of exciting Avant-garde music. As with the previous Netra releases, this one will keep you at the edge of your seat always wondering what kind of surprises the songs have in store for the listener.
Opening with the mysteriously jazzy “Gimme a Break”, the band brilliantly eases the listener into being quite shocked with the savage intensity of the following track. On “Everything’s Fine”, we get the same trippy elements, but they are paired with punishing harsh vocals and intense riffing. The track again flips on the listener before finishing as it slowly eases into the trip-hoppish atmospheric interlude of “Underneath My Words, The Ruins of Yours”.