Black Metal

  • Akhlys - Melinoë (2020)

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    From the mind of Naas Alcameth (Nightbringer, Aoratos, etc.) today we have an exercise in atmospheric brutality and madness Akhlys third full-length release “Melinoë”. Creating an unrivaled oppressive atmosphere since the opener, this release unleashes over 45 minutes of misanthropic music both punishing and ritualistic. If you think Nightbringer and Aoratos are intense, wait until you get a peek at the sheer power behind this release.

    Setting a very macabre tone, the opener, “Somniloquy” creates a relentless atmosphere filled with pummeling drums and brilliantly layered guitars, unleashing a very oppressive vibe. Naas Alcameth’s signature vocals greatly enhance the sinister ambiance and nicely create hellish passages on tracks like “Pnigalion”, adding an extra layer of eeriness to an already highly atmospheric musical foundation.

  • Valravn - Prey (2020)

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    As the weather turns cold and frosty in some places, it is the perfect time for blistering Black Metal releases that deliver sheer rawness, brutality, and a mix of melody thrown in for good form. Today we have Finnish outfit Valravn and their crushing release “Prey”, which delivers over 40 minutes of in-your-face raw BM. Focusing on craftsmanship alongside relentless brutality, this band unleashes one of the most intense aural onslaughts of 2020.

    After a folky opener with “Awaken”, the band launches a full-on attack with the pummeling rawness of “Thrones of Blood”. Alongside furious riffs and intense drumming, the band nicely changes gears at times to deliver crafty oppressive atmospheric/melodic passages. With tracks like “Void” and “Conjuration” nicely blending styles and still being quite ravaging, it brings us back memories of old-school Norwegian BM at times.

  • Exitium Sui - Ad Personam (2020)

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    Dramatically balancing brutality with sheer beauty, today we have Exitium Sui and their debut release “Ad Personam”. Mixing elements of Black/Death Metal with lush atmospherics and excellent vocal arrangements, this release delivers over 35 minutes of excellently crafted music. One-man projects usually allow musicians to craft exactly the music they want, with no compromises, and this release shows a very personal and crushing aural experience.

    The release kicks off with the punishing “Eviscerate My Withered Soul”, which has a more traditional Death/Black sound but with a calmer pace and an intriguing and very subtle atmospheric undertone. The vibe continues to get bleaker in songs like “The Long Return To Nothing” and “Into The Conflagration”, while delivering a hefty dose of harsh growls and crushing guitars. It is quite interesting how the release slowly builds up its atmospheric components and turns darker as the minutes pass.

  • Uthullun - Dirges for the Void (2020)

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    From the endless amounts of releases that make it to our inbox, it is always pleasing to discover some diamonds in rough, these being releases like Uthullun’s debut “Dirges for the Void” which make us dig deeper into the band’s history looking for more music. In this debut release, the band unleashes over 40 minutes of sinister and very crafty Black Metal that is both dissonant and yet catchy and melancholic.

    Opening with the cavernous “Sunless”, the band has a very refined style that never abuses its core elements and delivers just the right amount of brutality and tremolo-picking to create a sinister atmosphere. As “Silence”, “Penitence” and “Ecstasies” unleash hellish fury, we also hear great craftiness and restraint to create punishing atmospheres that are not necessarily extreme, but rather well constructed and developed.

  • Azarath - Saint Desecration (2020)

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    Perfectly blending hyper fast Death Metal brutality with Black Metal hellishness, today we have Azarath and their latest offering: “Saint Desecration”. Building up on their transition into Blackened DM territories over their last releases, this album unleashes nearly 40 minutes of swift aggression and crushing speed, leaving the listener’s ear ringing for a couple of hours after it is over.

    The band’s ‘new’ vocalist/guitarist Skullripper (Marcin Sienkiel) perfectly fits in the band’s energetic style and wastes no time to make his presence felt in the furious opener “Death-at-will”. While some might expect more Behemoth-styled because Inferno’s drumming, the band forges their own signature style with a pummeling and firm Death Metal core that turns Blackened in certain occasions thanks to the riffs or some screams, like on “Sancta Dei Meretrix” and “Let Them Burn”.

  • Ventr - Numinous Negativity (2020)

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    Unleashing nearly 25 minutes of sinister Black Metal dissonance, Portugal’s Ventr make a big splash with their debut EP “Numinous Negativity”. With a very stripped down sound that will send chills down your spine, this band crafts four tracks that are both violent and engaging, creating a magical aura as they introduce themselves to the world.

    Blasting through the listener with the brutal “Omnipresent Abominations”, the band sets a high-octane mood with their incisive guitar riffs and hellish vocals. While the band’s vocalist goes for the deep and raspy styled vocals, alongside the pummeling music, they create a very cavernous and yet enigmatic sound. Setting a more restrained and yet demonic mood, “Our Altar of Murderous Fanaticism” delivers a chilling nearly 8-minute track filled with traditional tremolo picking and BM punkish drumming.

  • Horna - Kuoleman Kirjo (2020)

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    Unleashing hellish fury upon the world, today we have Horna’s latest opus “Kuoleman Kirjo”. With nearly 70 minutes of crushing music, this is THE Black Metal release to buy in 2020. For those uninitiated, this Finnish battalion has been delivering sweeping blows of BM brutality over the years and this release is no exception. Filled with perfectly layered rudimentary atmospherics and vicious guitar work, Shatraug and company once more seize the BM throne.

    The sheer violence of “Saatanan Viha” is the first indicator of what is to come in this release. Delivering sweeping aural violence, the guitars/drums/vocals combo signal for complete destruction. Completely riding on their signature in-your-face approach, tracks like “Elegia”, “Uneton”, and “Sydänkuoro” lay waste to listeners as crafty tempo changes and crushing drum patterns create a whirlwind dissonant experience.

  • The Kryptik - Behold Fortress Inferno (2020)

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    Striking while the iron is hot, Brazilian Black Metal duo The Kryptik follow up their crushing 2019 release with a superbly impressive EP titled “Behold Fortress Inferno”. With nearly 40 minutes of music, this release creates a very sinister symphonic atmosphere paired with hellish shrieks and blistering guitars to deliver one hell of a ride. If you like adorned, raw, and powerful BM, this is one release you can’t miss.

    Setting a very cinematic and gothic mood with the album title track’s opening atmospherics, The Kryptik brings back the days of Charmand Grimloch and his Tartaros project. The chilling atmosphere is nicely complemented by the pummeling blast-beats and hellish screams, creating a very intense experience. The brutality continues as “The Plagues of the Abyss” and “Black Legions March” continue to perfectly balance eerie atmospherics, melodic passages, and creepy interludes with pummeling riffing and a pretty aggressive overall pace.

  • Odiosior - Syvyyksistä (2020)

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    Unleashing one of the most diverse and engaging ‘traditional’ Black Metal releases in 2020, today we have Odiosior and their multifaceted “Syvyyksistä”. Taking elements from tons of different variants of the genre and wrapping them around a pummelling and frosty superbly raw core, this release changes colors like a chameleon. If you like diverse BM this is one of those releases that feels like a buffet of different flavors.

    The release opens with the hyper violent “Viha Minussa” and its bestial onslaughts of shrieks of pain and intense guitars. Some more interesting elements start to appear, like haunting keyboards and funky atmospherics that will play a larger role as the album progresses. With a certain Darkthrone-esque rawness, “Takaisin Kaaokseen” has that playful Punkish sound with crafty drums and catchy passages. On “Laulu Pimeydessä” the band makes keyboards the focal atmospheric point, creating a very engaging and at times chilling song, with a certain horror-movie-like flair.

  • Void Paradigm - Ultime Pulsation | Demain Brûle (2020)

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    Perfectly crafted for those of us that like funky Black Metal with tons of unique and at times bonkers elements, Void Paradigm prepares to unleash: “Ultime Pulsation | Demain Brûle”. In this 38+ minute release, the band presents two songs that create very unique atmospheres and are full of intricate little details to discover. Highly recommended for fans of bands like Ved Buens Ende and Ephel Duath.

    The release kicks off with side A, “Ultime Pulsation”, a chilling song that slowly builds up to a very chaotic catharsis and a hefty dosage of creepy atmospherics and stern vocals. With incisive and punishing riffs flanking the hellish vocals of Jonathan Théry, the release instantly induces anxiety upon the unsuspecting listener. We particularly enjoy how the crafty tempo changes and funky drum patterns shape how the song unravels to the listener while creating some interesting and subtle instrumental passages.

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