At The Soundawn comes from Italy and are here to show us what they are made off with “Shifting”, the band’s second release. For a band so young the musicianship in “shifting” is pretty impressive to say the least. Fusing Post-Rock, Post-Metal and even some Jazzy influences, the band will easily draw comparisons to Cult Of Luna, Mowgai and similar artists.

While there are countless of boring Post-Rock/Metal album, “Shifting” is one of the best we have heard this 2010. The band does an excellent job at creating haunting atmospheres and instrumental passages to transport the listener into a different world. Featuring healthy doses of raspy vocals and aggressive parts, this release does not fall into the ‘too much atmosphere, not enough content” category that many bands playing this genres of music do.

The ever changing French band Destiny is back with a very complex and multi-faceted album that will surely be enjoyed by fans of different styles of Metal music. “XI Reasons To See” feature a wide variety of tracks that feature a healthy combination of Melodic Death Metal, Trash Metal and Modern Death Metal.

Some people might argue that this release has too much stuff going on to be fully appreciated, but we believe that one you give this album a few listens you will start to appreciate all the layering that Destiny has done. With a strong Melodic DM and Trash foundation we greatly enjoy this release.

Hailing from Australia, today we have Norse, a young band that plays Viking/Melodic Death Metal with a vengeance. These Aussies are ready to break shit and waste no time in doing so with the Amon Amarth sounding first track “Hellstorm”. All through the album the same level of intensity is consistent, and we completely love that.

The band is heavily influenced by Amon Amarth (and similar Nordic mythology influenced Black/Death Metal bands) as we can tell from the way their music sound, the cover art, and the song names. But make no mistake and think that Norse is just a cheap clone of previously mentioned bands; they are pretty good at creating original music that stands by itself.

Two years have passed since the so-so “Let There Be Blood” and now we have Exodus back in full swing. The band has managed to produce a very impressive album with “Exhibit B: The Human Condition” that it reminds us of their earlier days, but with that modern edge that the band has been incorporating into their sound.

This new release is both more Melodic and Brutal, but the best part is that it sounds like Exodus all the way, no filler songs, no disconnection between track, “Exhibit B: The Human Condition” is a brilliant album from start to end. The listener is in for an impressive Trash Metal riff-a-ton courtesy of Gary Holt and Lee Altus.

Hailing from Israel, Salem is a very ‘diverse’ band that plays a combination of Death/Gothic/Doom Metal and it’s pretty good at it….. until now. “Playing God And Other Short Stories” is a very, very weird album that will either get on your nerves after the first three songs or you will totally love it. We are kind of in the middle since we think some songs are good and others are dreadful.

The first thing you will notice is the mixing on the drums is way high and makes them sound weird, plus the band does use some weird drumming structures on their songs (so we think) making it sound like a drum circle on crack. In other words, we think the percussions are extremely overdone in this release.

The legendary Master is back again with “The Human Machine” and it’s ready to blow some heads off with their traditional old-school Trash/Death Metal aural assault that we have been witnessing since the band first started, back in the 80’s. Note: If you don’t know who the almighty Master is, then you need to get your Metal facts straight and do some research before you continue to listening to Metal music.

“The Human Machine” features the gritty sound that we all love from the Death Metal records produced in the 90’s and sadly is probably one of the best things that the album has to offer. By no means “The Human Machine” is a bad album, but it just sounds a bit stale from what we have been used to hear from Master, and even “Slaves to Society” is a far superior album than this one.

Apparently we had this little gem of an album sitting on our ‘to review’ folder for quite some time and it just recently got its deserved play time. We really regret not having enjoyed this fine release when it was released since it features a very interesting combination of Melodic Death Metal with what you can call ‘pop metal’ influences.

This German band has been known for releasing ‘average’ Melodic Death Metal bands, but until this release they will either standout more or be hated by their previous fans. Fusing electronic elements and clean vocals we get a bit of a ‘pop metal’ feeling to this album, and while this prevails through most of the album, the underlying foundations of the music are very much like their earlier stuff: melodic riffs and catchy song structures.

Hailing from several cities across the USA we have The Abominable Iron Slot or is it The Indomitable Iron slot?? Since they keep changing it we kind of lost track of it, but apparently the CD has the first name on its cover. Anyways, the band plays Sludge/Stoner Metal with as much inspiration as you can get from watching paint dry.

We usually like good releases in the Sludge/Stoner metal genre, but “The Id Will Overcome” is definitely not one of them. Using a massive amount of recycled riffs through this album, we feel the band’s inspiration was almost not existent and they just chugged out whatever they could come up in a few minutes.