Black Metal

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    Ordinance - In Purge There Is No Remission (2020)

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    Unleashing a wave of ritualistic Black Metal, today we have Finland’s Ordinance and their sophomore release “In Purge There is No Remission”. With nearly 50 minutes of music, this release covers a wide gamut of BM styles with some tracks being more traditional, others being quite old-school, but an overall sense of brutality and destruction is nicely conveyed by the band. If you like fast, raw, and punishing music, this release is certainly for you.

    Opening with the blistering “Obstructed Paths”, we get a hefty dose of buzzsaw like guitars, blistering drumming and slower incisive passages with a certain ritualistic vibe. And that was just in the first five minutes. As the band pummels through pieces like the eerie “Diabolopathia” and its hypnotic riffs, the more traditional “Gathering Wraiths” with its savage intensity, and the pummeling “Credo Sceleratum” with its Philippines-style Thrash/Black Metal guitars and heavy metal screams, there is a clear indicator that this band is full of creativity and a knack for brutality.

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    Uada - Djinn (2020)

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    Unleashing what is most likely the most explosive and melodic Black Metal release of 2020, today we have Uada and their third full-length release “Djinn”. Slowly refining their craft over time and gathering wide acclaim over the last few years, this North American outfit delivers almost 60 minutes of non-stop high-octane music that will have people headbanging from start to finish. If you like bands like Mgła, Pilorian, Inquisition, etc. you will love this exciting release.

    Opening the release with the album title track, the band sets a relentless pace with superbly catchy riffs and a very engaging and energetic vibe. The dual guitar attack of James Sloan and Jake Superchi, works magically as their intensity and craftiness is quickly evident, creating a very powerful mood and the perfect environment for furious headbanging, as shown in the opener and the blistering “The Great Mirage”. Other tracks like “No Place Here”, show a mellower and yet still incisive side to the band’s superbly melodic musical approach.

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    God’s Bastard - Last Standing Village (2020)

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    Unleashing a short but sweet barrage of hateful and raw Black Metal, today we have God’s Bastard and their debut EP “Last Standing Village”. Originally self-released last year, on I, Voidhanger Records gives this EP a limited digipak release to introduce the band to a wider audience. Featuring a very raw and direct sound with some Punk/Hardcore elements, similar to bands like Bosse-de-Nage, 20 minutes will pass by in seconds in this very promising release.

    Opening with the ravaging “Chaos Apologist”, the listener is quickly immersed with a very chaotic and punishing sound. The band’s brutal onslaughts change from almost Nordic BM riffs at first, to a more diverse and crafty and all-out chaotic mode. Building on their dissonance, “God Raise The Sea” delivers a more carefully constructed onslaught of punishing riffs and some more experimental and jazzy melancholic passages, adding to the band’s unique musical approach, similar to what early Epel Duath used to do.

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    Suicide Circle - Demo MMXX (2020)

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    Hailing from France, today we have a very disturbing duo playing Depressive Black Metal under the name Suicide Circle. Delivering around 26 minutes of music, this demo release is split in four punishing songs that draw more on the raw and dissonant side of the genre. If you are looking for oppressive atmospheres to drown your sorrows, this release certainly will help you.

    Opening with “From the Void of their Mind”, the band sets a very raw and stripped down atmosphere with their riffs and harsh screams. There is absolutely no flair or gimmicks in the band’s sound, as the tracks in this release are quite direct, basic, and to the point. We appreciate how the band’s sound needs very minimal external elements aside from the furious guitars and hellish drumming, as “Prophet of Doomsday” lays waste to the listeners.

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    Tsatthoggua - Hallelujah Messiah (2020)

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    Unleashing the most depraved release of 2020, today we have the return of Germany’s Tsatthoggua with their compilation mCD “Hallelujah Messiah”. As one of those bands that marked your youth thanks to their album covers and bizarre lyrics, we never would have expected the band to come back after more than 20 years of silence. If you are ready for a nostalgic dose of old-school Black/Thrash Metal with a knack for BDSM, check out this release.

    Starting with material from the band’s 1995 demo “Siegeswille”, the remastered versions presented in this release capture the band’s raw and punishing style while allowing the songs to sound updated and crystal clear. The gaudy keyboards of “The Belief - The Lie” (and the rest of the first 5 songs) is one of the elements that shows the band’s uniqueness as not just an appearance gimmick, but rather an experimental outfit. Tracks like “Heirs of Fire” capture that old-school timeless Immortal-style of BM which is furious and yet melodic enough for some headbanging sessions.

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    Ages - Uncrown (2020)

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    Featuring a truly captivating and engaging Melodic/Symphonic Black Metal sound, today we have Sweden’s Ages and their sophomore release “Uncrown”. In the intense 42 minutes of music of this release, the band gives us a bit of a nod to the past of the genre, while crafting nine extremely catchy and effective songs. If you like bands of the caliber of Dissection, Naglfar, Keep of Kalessin, etc., you will love this band.

    Opening with the hectic “Burn Them”, the band instantly creates a very high-paced tempo that gives us a bit of a certain Vreid/Windir vibe as the crafty guitars and harsh vocals are introduced. The band continues their high-octane approach with the devilish “Illicit State” and its dramatic atmospherics. We are particularly loving the head banging fest incited by the superbly melodic passages of “Herolds of Enslavement”.

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    Svnth - Spring in Blue (2020)

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    Unleashing a highly emotional and expertly crafted release, today we have Italy’s Svnth and their third full-length release “Spring in Blue”. Mixing the raw aggression of traditional Black Metal with the subtle intricacies and melody of Post-Rock, this release delivers one hour of hypnotic music. Recommended for fans of bands like Alcest, Deafheaven, Heretoir, etc.

    The release opens with the doomy “Who is the Dreamer?”, a song that creates a very depressive and powerful atmosphere with its distorted guitars. After a dreamy intro on “Erasing God's Towers” the band transitions into heavier territories with weeping guitar leads and harsh screams, reminding us a bit of the American band 40 Days Longing from back in the day. The band expertly weaves back and forth aggressive onslaughts and crafty instrumental passages, creating a very chaotic and enjoyable mood.

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    Déhà - A fleur de peau - III - A Fire That Does Not Burn (2020)

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    Unleashing yet another outstanding release this 2020, today we have multi-instrumentalist Déhà with “A fleur de peau - III - A Fire That Does Not Burn”. Featuring over 35 minutes of excruciatingly effective atmospheric/depressive Black Metal, this release creates a very chaotic and yet hypnotic atmosphere that features some cool guest appearances and a very unique feeling of urgency/desperation.

    The release starts with the pummeling “The Tree and the Death”, featuring a very melancholic pace combining aggressive harsh screams and dreamy clean vocals. This track also adds the angelic female vocals of Natalie Koskinen to add additional layers of atmosphere and contrast. The saxophone in “Hope for Twilight” makes it a very unique aural experience, as it is nicely added to create a very dynamic contrast to the guest vocals of Tim Yatras (ex-Austere, Germ).

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    Panzerfaust - The Suns of Perdition II: Render Unto Eden (2020)

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    The evolution of Canadian Black Metal has kept us quite intrigued in the last few years, with bands like Monarque, Forteresse, etc. delivering some of the most killer releases in the genre. Today we have Panzerfaust and their mysterious and highly atmospheric music, similar to the defunct Weapon but with their own brand of viciousness. Unraveling over 40 minutes of chaotic music, “The Suns of Perdition II: Render Unto Eden”, picks off where the band left off last year and continues their devastating path.

    Leading of with the crushing “Promethean Fire”, the band creates a very oppressive wall of distortion that is further complemented by a harsh vocal duet with Masha Arkhipova from Arkona (Russia). The vicious guitars create the perfect contrast to the chaotic pace of the song. Continuing the onslaught with the ravaging “The Faustian Pact”, the band unleashes a very unique and harsh combination of intricate drum patterns and demoralizing screams. This track has a very hypnotic and ritualistic vibe that is quite hard to shake off, making it truly captivating.

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    Vermilia - Keskeneräisiä tarinoita (2020)

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    One of the few benefits of working from not being able to travel the last few months is that we have extra time to dig up more promos that make it to our inbox. Back in May we missed the release of Vermilia’s stunning EP “Keskeneräisiä tarinoita”, filled with lush atmospheres and a good eye for crushing aggression as contrast. If you like bands like WITTR, Agalloch, but with a more Pagan/heavier edge, this is a release to check out.

    The EP leads off with the very dramatic “Hauras, Kuollut, Kaunis”, a track that slowly builds up with a certain folky vibe and deep clean vocals, creating a very dark and somber atmosphere. Not being shy from heavy riffs and blistering drumming, “Taivas Hiljaa Huutaa” quickly changes the pace to a lively Pagan/Folk Metal style led by firm clean female vocals that suddenly transform into harsh screams. The variety of elements makes this song be quite enjoyable and diverse, while delivering an extra level of catchiness.

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