Seeminly out of nowhere, today we have one of the most impressive Gothic/Symphonic Metal releases of 2011 with Illuminata’s “World So Cold” release. Featuring ex-Visions of Atlantis vocalist
Joanna Nieniewska, Katarzyna Nieniewska on vocals and flute, and Sabrina on backing vocals and keyboards, this band has what it takes to improve on Coronatu’s dual female vocal approach to the genre.

Not only relying on pretty voices (and girls), “World So Cold” features very intricate compositions that nicely blend orchestrations with powerful guitars and very catchy melodies. Opening with the traditional momentum-building track, this release quickly explodes into a keyboard driven anthem “Cold Arms Warm Hands”. In this track you can easily see similarities with bands like Epica, but Illuminata has a very different sound when it comes to the singing.

Out of the hundreds of bands that come out of Finland every year it is very hard to differentiate the very good ones from the good ones (apparently there are very few shitty bands in that country!). Human Sculpture is one of the very good ones indeed and with their three song EP “Our World / Torn Down”, they deliver 15 minutes of intense Melodic Death Metal combined with some Thrash and Modern Metal influences.

Sounding a bit like Kalmah combined with Exodus and some Gojira influences; “Deconstruction” delivers hard hitting riffs and very powerful drums. The dual screams approach is very powerful and packs a lot of power, making the songs very aggressive and yet melodic and well crafted. The riffing assault in this song is top notch and the Modern Metal influences are very nicely incorporated into things and do not sound annoying at all.

Every month we get a few bands claiming to play Avant-garde whatever-genre and usually end up sucking majestically. This month’s great surprise is France’s Smohalla, a band that plays pretty solid and standard Avant-garde Black Metal in the vein of Arcturus, Vulture Industries, etc, but focusing more on deranged atmospheres rather than crazy catchy sections. This two person outfit does a great job in delivering eight tracks (around 45 minutes of music) of pure atmospheric craziness.

Setting up the albums atmosphere with “Quasar”, the band gives a very similar vibe to Arcturus greatest opus “La Masquerade Infernale”. Immediately after, “As sol les toges vides” follows with some deranges vocals, psychotic atmospheric elements and trippy guitars. These songs are very well crafted and help Smohalla establish a truly excellent opening for this album. “Les repos du Lezard” and “Oracle rouge” continue with a Doom-ish edge and very interesting choir arrangements.

Cynic, one of Metal’s most acclaimed provides us with a little insight into what to expect in their next full-length release. Constantly changing and incorporating new things into their music, the band has done away with the harsh vocals, they have added more ethnic chants and sounds, and keep experimenting with other genres such as Jazz Fusion and some Shoegaze. All of these ‘different’ elements will keep the forward thinking Metal listeners attention and appeal to some hipster non-metal fans as well.

Featuring 25 minutes of music divided in six tracks, this EP is very nicely arranged to flow naturally. The opening atmospheric track is pretty interesting leading to “Carbon-Based Anatomy”, a very emotionally charged and trippy track that has Cynic written all over it. The combination of interesting drum patterns with proggy guitars and clean vocals is excellently executed and works wonders. There are indeed some ‘heavy’ sections, but the overall construction of this track is what makes Cynic a truly different and unique band.

Finally returning after 5 years since the band’s last full-length release “Second Skin of Harlequin”, today we have Denmark’s Illnath and their characteristic Melodic Black Metal. With several lineup changes, “Third Act in the Theatre of Madness” showcases the band’s new female growler Mona Beck and session drummer Reno Killerich. Now signed to Pitch Black Records, the band shows that they are back stronger than ever and with the ten tracks presented in this release, they mean serious business.

“Third Act” opens the album in a very traditional manner, with some keyboards, a pounding bass guitar line and tight drumming. The first surprise comes when Mona starts singing since she does not sound like your typical female growler. As a regular reader of Infernal Masquerade you might be aware that we are tired of this gimmick, but for Illnath, the female growler works perfectly. Just like a more aggressive version Angela Gossow, Mona brings a new level of brutality to the band’s sound.

Returning after two years of releasing one of Infernal Masquerade’s favorite albums of all time “Fabula Magna”, today we have Coronatus and their latest opus “Terra Incognita”. While many bands can play Gothic Metal, there are only a few that call pull-off the dual female vocal approach like Coronatus can do. However, we have been a bit skeptical on how the band would sound with none the singers of the previous album returning.

With all doubts quickly silenced, Coronatus shows that regardless of the singers “Terra Incognita” is still one hell of an album regardless of the band’s singers. With Ada Flechtner returning to the line-up and Mareike Makosch being the other new singer, the band still features their characteristic dual-vocal approach that sets them apart from the heaps of Gothic Metal bands. With the addition of new keyboard player Psalm, the band provides us with 12 tracks of excellently crafted top-notch Gothic Metal.

Mixing things up when combining traditional Black Metal with some industrial/drone elements, today we have Italy’s Visthia and their latest release “In Aeternum Deleti”. As one of the most complicated albums we have received in quite a while, this release posed a great challenge to sit through and finally make up our minds about a review of it. The band combines some elements of experimental bands like DHG, Aborym and others that are pushing the edges of Black Metal, but still fails to achieve anything more than shock value with their very disturbing and dissonant sound. Calling their new ‘style’ Black Powernoise, we can’t stop feeling that they might be a bit ahead of their time.

Switching back and forth between spoken Latin sections, some beats and drone elements and a mid-tempo Black Metal, Visthia does achieve a very cavernous and disturbing atmosphere, but nothing more. The vocals are excellent and very creepy indeed, but the slow tempo of things and the samples kind of kill the mood of the BM guitars.

Nicholas Leptos and company return with yet another impressive Power Metal release that any fan of the genre should not miss. With “Ira Imperium”, the band looks to establish themselves as one of the best bands in the genre and the have the music to do so. Featuring 13 tracks of very well crafted music filled with catchy guitar melodies and impressive vocal harmonies, Arrayan Path is clearly one the best ‘relatively unknown’ bands of this genre.

Getting down to business since the opener track “Dies Irae”, we get a glimpse of the band’s abilities to create powerful music that feels fresher than most Power Metal we get these days. With a strong Greek/Mediterranean influence in the band’s sound, you are guaranteed to step away form the traditional Power Metal sound we are all accustomed to. Nicholas Leptos nicely leads the band’s characteristic sound and in the second track “Gnosis of Prometheus” this is very evident, especially on the chorus section.