With a very peculiar ear-raping Black Metal sound, Saturnian Mist delivers their debut full-length release titled “Gnostikoi Ha-Shaitan”. The band pummels through eight tracks of putrefied Black Metal that at first will make you want to turn it off, but once you warm up to it, you will find it very refreshing and somewhat different to all other BM releases.

Firing up the riffing machine since the opening track “The Regicide”, the band delivers very crunchy guitars (somewhat similar to some Sludge albums) that are nicely utilized to transmit hellish Black Metal sounds. The pounding bass guitar is pretty well mixed in-between to add more rawness and brutality to the music. The vocals are more like growls than your average BM snarl, but the weirdest part is the Hardcore-ish sound they have to them.

With a very interesting (and disturbing) cover, today we have Ave Maria and their debut full-length release “Chapter I”. This Black Metal duo from Germany delivers around 49 minutes of very psychotic Black Metal that while not extremely original, it is creepy enough to send chills through our spine.

Taking from older Norwegian bands and their very raw-yet-clear sound, the Black Metal presented in “Chapter I” is top notch and very effective. The band creates a very eerie atmosphere only with crafty guitar work and hellish vocals. The production is very clean giving this release a very organic Black Metal sound that we can totally picture the band perfectly playing these nine songs live.

Almost two years have passed since Voices of Destiny’s excellent debut album titled “From the Ashes”, this 2012 they return with “Power Dive”. In their sophomore release, the band delivers nine very well crafted tracks (plus intro and outro tracks) that will surely be a complete hit with fans of the band. Continuing where they left of with “From the Ashes”, the band focuses their sound around Maike’s excellent vocals and the over the top symphonic arrangements that Lukas Palme provides.

“Power Dive” is an excellent release that if you don’t mind it sounding very similar to their first album, it will be one of your top 10 albums of the year. However, if you are looking for some evolution in the band’s sound, you will not be finding it. There are a few changes here and there, like more complex guitar lines and a bit more elaborated orchestrations, but the formula of success is still the same as on “From the Ashes”.

Ever since the release of their debut album “The Dark Discovery” back in 1998, Evergrey has been one of the best bands in their genre and with their newest incursion “Glorious Collision” they have widen the gap between them and any other band. With “A Decade and a Half”, the band presents a double-CD release filled with most of their greatest songs and a few live versions that keep things interesting.

As one of our friends pointed out, if you really wanted a ‘greatest hits’ release of the band, it should have been 8 CD’s long and feature every single album they have released in their years of existence. However, we can’t really have that, but this double-CD has enough to please most of the fans of the band. Kicking off with “The Masterplan”, the band delivers their characteristic guitar work and excellent vocals of Tom Englund. As the future has shown (in “Glorious Collision”) the band’s sound centers around Englund’s efforts and everybody else can be easily replaced.

Coming with the label of ‘similar to Parkway Drive’ and ‘one of the best Australian Metalcore bands’, made us have very low expectations for this release. However, having been produced by Fredrik Nordström we started listening to this release with a full-clean slate and no preconceptions about it. Curiously enough, “The Long Way Home” is actually a pretty decent release if you take all the faggy clean vocals sections and breakdowns (the whole Metalcore crap from it). Confession has some talent, but trying to fit into a cookie cutter mold is what ultimately made them unbearable at times to us.

After a trippy intro, “Confused/Hopeless” delivers pounding riffs and powerful vocals; all is good except that after a while the whole thing collapses with some horrible dreamy-ethereal clean vocals. Then the band suddenly goes back into full aggression mode only to come back very faggy after a bit. This is the main problem that we have with many Metalcore bands and that Confession imitates so well. Other tracks like “I Created This Horror” show some great chops at creating groovy sections with massive drums, but some weird elements here and there make you scratch your head (probably added in the mix).

Fronted by Angra’s Edu Falaschi, Almah shows a more versatile side to this excellent singer and with “Motion” the band delivers 10 tracks of very well crafted Melodic Metal. The band’s sound ranges from more commercial bands like White Zombie and Fear Factory to Power Metal greats like Stratovarius and even some Angra hints. Being the band’s third full-length release, “Motion” is very entertaining and guarantees a high-replay value due to its catchiness.

With a nice chugging pace, “Hypnotized” opens with album and delivers very catchy chorus sections and some vocals that sound quite a lot like Burton from FF in said chorus sections. The Power Metal-esque guitar work is more evident in tracks like “Living and Drifting” and “Days of the New” where we are treated some excellent guitar leads and solos. The keyboards also help the music be more accessible and entertaining.

Hailing from the USA, we have another Sludge band that sounds exactly like everybody else and that it is making its debut full-length statement with “On the Winds of Time”. So why should we not say this is total crap and skip to the next album we have to review? Well, because there is just a little something that makes them a bit interesting to listen to.

Combining a very organic sound, this record sounds like it was recorded during a rehearsal in a live fashion. The guitars are crunchy, but not over produced and neither over stylized that you can’t really make this sounds in a natural way. The drums are very raw, and while basic and amateurish sounding at times, they sound legit and fit very well with the music.

Delivering nine hectic hymns of powerful Black Metal with some atmospheric elements, today we have Canada’s Eclipse Eternal and their latest full-length release “The Essence of Hopelessness”. In this very diverse release, the band rips through very well crafted tracks that feature traditional BM sections accompanied with melodic passages that nicely change the pace of things and keeps the listener fully engaged with the band’s music.

After the traditional keyboard intro, “Ragnarok” delivers waves of furious guitar riffs accompanied by hellish vocals and some tight drumming, exactly what the doctor ordered. This song gives the impression that you will be listening to a very typical BM release with not much to offer, but as the album keeps going the band jumps into some very ritualistic and melodic passages that give a flair of European Black Metal that is more typical of labels like Prophecy Productions.

Completely deranged and always surprising people (as well as pissing them off), Eisregen delivers their latest creation titled “Rostrot”. In this crazy album we have 10 very unique songs that focus a bit more on the ‘melodic’ side of Eisregen and fit more to our personal taste than their previous release. If you like the contrast the band makes between the demonic vocals and aggressive lyrics with keyboard sections and funky melodies, this is the album you have been waiting for since “Krebskolonie” came out back in 1998 (our personal favorite).

The opener “Erlösung” delivers a mood setting piano/spoken words track that is nicely offset by the hectic “Schakal: Ode an die Streubombe”. Pounding drums and heavy guitars makes this song a very typical Eisregen piece and a nice contrast from the opening and following tracks. The rhythm of “Madenreich” is pretty weird and feels like something we would find in an Indie-Rock album but it works very well with the clean vocals. The deranged approach to music that Eisregen has makes this song work wonderfully.