Just when you thought you have heard every single Symphonic Black Metal band under the sun (or moon), a ‘new’ one pops out. Releasing their debut album “Descensus Ad Inferos”, today we have Greece’s Erevos. Playing a mean Symphonic Black Metal, this band delivers a very powerful and commanding debut release. Featuring tons of lush atmospheric landscapes, powerful guitars and very ghoulish vocals, this band will surely turn some heads in the scene.

Opening with thick atmospheric keyboards, “Adou Katavasis” announces the band’s very complex and well developed sound. The production behind this release is excellent since allows everything to sound very clearly and massive. The combination of keyboards and guitars is very melodic and makes this opening track very catchy and engaging. Things remain as brutal with “The Omnipotence of the Judges”, a song that reminds us very much of Anorexia Nervosa and their hyper-brutal melodic songs.

Arriving from the UK, today we have The Human Condition’s debut demo EP titled “Modern Maze”. In this 21 minute three track effort, the band delivers very effective Doom Metal songs that have that old-school vibe thanks to the well-crafted guitars and commanding bass guitar line. With most of the band members having previous band experience in the Doom Metal genre, it makes sense that The Human Condition’s sound is very well defined and effectively crafted.

Opening with the 7 minute “Modern Maze” song, this release kicks off with very typical Doom Metal sounding guitars and solid clean vocals. It usually takes us a while to get used to clean Doom vocals, but with Nathan Harrison, they sink in quickly. The riffing is very well crafted and it is properly mixed allowing everything else to shine the way it should. The pounding bass guitar line is nicely defined and the drums are pretty straight forward, but well-constructed.

Making its way from Italy, today we have Evenoire’s debut full-length release titled “Vitriol”. Featuring a Gothic Metal sound with some Folk elements, Evenoire manages to sound a little bit different than ‘traditional bands’ giving them a small edge over the competition. With 9 tracks of music, “Vitriol” is a very solid debut effort that while having some minor issues, shows that the band is ready to be heard.

With a very ethereal opening track titled “Vitriol”, the band sets a very lush fantasy-like atmosphere that generates high expectations for this release. This is nicely continued with the very classically inspired “Days of the Blackbird”. The band’s singer Elisa "Lisy" Stefanoni has a very sweet voice that has that natural retro sound at times, when bands had regular singers on not extremely trained ones, but she can also do all the classical stuff very graciously.

Originally released back in 1998, today we have the re-release (and partial re-recording) of Svartsyn’s cult debut full-length “The True Legend”. Constantly criticized back in 98 because of the ‘bad’ production, this release now sounds like any other well-crafted crushing Black Metal release. Standing the test of time (only 13 or so years), “The True Legend” is a very powerful release that could pass for something a band would crank out these days.

Deliver the first blow, “Tearing Your Soul” has that typical BM guitar distortion that older BM releases used, but the melodic aspect of the music makes it very appealing. The drums are very clean and brutal, giving this song a very powerful sound. The tremolo-picking is not overly exploited, making the song both brutal and crushing without being extremely cliché. “The True Legend” follows a similar approach, but a bit more hectic and fast. This allows the album to start building momentum since the first few tracks and we love it.

With a feeling of 100 bricks to the face, today we have Enthroned’s latest release “Obsidium”. For the purists that feel that soul-crushing Black Metal can only come from Scandinavian countries, they are so wrong and Enthroned clearly demonstrates it on their latest release. Clocking around 40 minutes, and spawning through 9 tracks this release in one hell of a BM album that you don’t want to miss.

The first waves of powerful guitar riffing and aggressive vocals make their wave in the opener “Sepulchered within Opaque Slumber”. In this track, the band opens strong with a relentless Black Metal that does not need ridiculous amounts of tremolo-picking or overly dramatic shrieks. The music is well crafted and direct; the overall feeling is very powerful due to the hellish vocals and masterful slowdowns.

If brutality and technical wizardry are your things, Spawn of Possession’s latest release “Incurso” is just what the doctor ordered. With the technical skills of Christian Müenzner of Obscura (and ex-Necrophagist) on guitars, Erlend Caspersen (ex-Blood Red Throne) on bass, the band has a very impressive roster complemented by their other guitar player Jonas Bryssling and their super fast drummer Henrik Schönström.

Being huge fans of Obscura, we can definitely hear some influences of them in this release, but Spawn of Possession is more brutal and in some places even faster. This collection of musicians have managed to craft one of the most technically impressive (and very melodic) set of songs we have ever heard, and we can’t wait to be able to see them live.

Keeping up with the Progressive Metal/Rock releases we received recently, today we have Oceans of Night’s second full-length release titled “Domain”. This duo from the USA deliver and action-packed 63 minutes of pure Progressive/Power Metal excellence divided in 10 tracks. Featuring multi-instrumentalist Scott Mosher and vocalist Scott Oliva, this album delivers a hefty dosage of crunchy guitars and very well crafted atmospheric elements that sets them apart from the rest.

 The opening track “Domain” clocks in at a massive 17 minutes, signaling the beginning of a very rich and diverse journey through the music of Oceans of Night. In this track the crunchy guitars are a notable difference from your traditional prog music, and the atmospheric keyboards add a futuristic tone to the overall track. Oliva’s vocals are excellent, filled with emotion and nicely bringing the lyrics to life. The drumming is very well structured, and while neither of the band members play the drums, they brought in a session drummer to have that natural sound.

Hailing from the land of “Sheep, single malt and haggis” as the band so eloquently describes it on their promo pack; today we have Scottish Progressive Metal newcomers: Abandoned Stars. With their debut EP “Opening Act”, the band delivers 4 very well crafted radio-friendly tracks that will surely get them noticed in the scene and generate interest in their future debut full-length release.

With a style similar to bands like Dream Theater, Rush and Yes, but with more modern and mainstream elements, the band makes a great impact in terms of songwriting and musicianship with “Opening Act” that demands the attention of the followers of the genre.

Bouncing back from the lackluster “Evisceration Plague”, Cannibal Corpse returns with 40 minutes of pure Death Metal that will catapult them back on top of the genre. Pummeling through 12 tracks, the band will surely surprise you with their renewed energy and crushing songs that will have you head banging in minutes.

Breaking the listener in with “Demented Aggression”, the guitar riffing is furious and well-paced, the drums are pretty solid and the growls/screams perfectly balanced. Immediately we noticed that the production is crystal clear and with a very balanced mix, everything clicks without anything being over powering. With “Sarcophagic Frenzy” the album speed pick up a bit more and the pounding bass guitar line begins to shine. The meaty hooks and chugging guitars make “Scourge of Iron” a very powerful song, nicely keeping the momentum going in this album.