Originally released as a free download on the internet “Hall of Shame” marked the debut release of Spanish Deathcore beasts Hyde Abbey. Now being properly released through Suspiria Records, this album delivers 12 tracks of punishing Deathcore/Metalcore that will surely rattle your speakers for a prolonged amount of time.

Not being our favorite genre, we are always skeptical about Deathcore releases since they are a dime a dozen and usually they all sound exactly the same. Hyde Abbey does a great job in delivering a very brutal and powerful sound similar to bands like The Black Dahlia Murder, Oceano, etc, and while not being overly original, the band does create some very badass songs.

Delivering a hefty dose of excellent guitar work, today we have Arctic Plateau and their dreamy masterpiece “The Enemy Inside”. Gianluca Divirgilio, the man behind Arctic Plateau has a great sense of melody and through his Post-rock/shoegaze compositions delivers waves of emotions in a way that only a handful of bands can do.

Opening with the ethereal “Music’s Like…”, this song, as most of the ones in this release, is very guitar centric and with every passing minute there is something exciting to pay attention to. The dreamy atmosphere is top notch and the melancholic vocals nicely roundup this song. The mood in the album constantly changes between dreamy and ethereal to dark and depressive, like on “Idiot Adult”. In this somber song, Gianluca does a great job in using Shoegaze elements to create a magical atmosphere.

After releasing three EP’s since their last full-length release back in 2009, today we finally have Secrets of the Moon releasing another full-length release under the title of “Seven Bells”. In this release, the band delivers seven (duh) tracks of brilliantly crafted Black Metal that is very characteristic of the band and will never bore you.

With its typical dark atmosphere, Secrets of the Moon nicely builds up momentum in the crushing opening track “Seven Bells”. The creepy bell sounds are excellent and the riffing is very powerful and direct, all this while the vocals are as hellish as always and the overall melodic nature of the music is outstanding. With a more direct approach, “Goathead” blasts away since the opening notes and steps up the pace to full-blown Armageddon. Again, the atmospheric parts are downright chilling and the slow building during the last few minutes of the track is just outstanding.

Rounding off our promo package from End of Light records, today we have Gothminister and their fourth full-length release “Anima Inferna”. Presenting 11 tracks of a very engaging and catchy mixture of Gothic and Industrial Metal paired with plenty of electronic elements. Drawing similarities to Combichrist and Rammstein, this band shows a great deal of maturity in their latest release.

Opening with the very catchy “Stonhenge”, the band quickly shows their skills in crafting simple-yet-effective guitar riffs and a very atmospheric song structure. The combination of the clean vocals with the female choir is just outstanding and gives a very eerie and ethereal feeling, especially when the song is coming to a close. “Liar” delivers super catchy electronic beats and very intoxicating vocal melodies, we are not huge fans of this type of music but Gothminister makes it very hard for us not to like this song.

Delivering one of the most interesting sounding EP’s we have received in quite a while, today we have Antagonist Zero and their 3-song debut EP “Nighttime Harmony”. Self-labeled as “Catatonic Metal”, the band mixes Doom and Death/Black Metal element in a very effective manner. With an excellent production behind this EP, the three tracks sound like a million bucks, and also left us wanting more from this young and promising band.

Opening with a very slow-paced jazzy intro, “AZ” is the EP’s first track that shows excellent musical skills since the first few minutes. Once the growls kick in, we are immediately sold on the band’s rich and powerful sound. The guitar riffs are excellent and the drumming is pretty well crafted, the melodic nature of the music reminds us of Insomnium, Swallow the Sun, and similar Finish bands.

As one of the most recent entries in the oversaturated female-fronted Metal market, today we have Finland’s Shear and their debut full-length release “Breaking the Stillness”. Featuring members and ex-members of bands like Imperanon, Amoral, and Omnium Gatherum among others, this band has enough Melodic Metal pedigree to impress anybody (at least on papers).

The band’s front woman, Alexa Leroux, is of course very attractive and her voice is indeed different to what everybody is used to. Her vocal approach is more in the Hard Rock / Power Metal area, and never goes into the very tired female growls or soprano style. When paired with excellent Melodic Metal, this is actually a great strength for Shear since they manage to sound powerful and somewhat different than all the other female-fronted bands these days.

As one of the catchiest releases we have received in quite a while, today we have Banda de la Muerte’s second full-length release “Pulso de una mente maldita”. In this Stoner Metal/Rock release, these Argentineans create very effective songs that feature powerful guitars and a great sense of melody, making each song very unique and memorable.

With a very imposing attitude, this band truly owns each song and sounds with such a determination that is rare to find these days. Opening with the driven “Te estas dejando mentir”, the guitars take front stage and never let go. The riffing is powerful and the bass guitar line is very well marked. Immediately we can hear the crystal clear production behind this release, allowing us to fully enjoy this release.

It was just a few months ago that we reviewed the excellent “Dark Meditations in Monastic Seclusion”, and now we have Shroud of Despondency back with another epic release titled “Pine”. Covering 11 tracks and over 58 minutes of music, we are amazed by how fast this band can crank out self-released albums that are actually pretty good and worth to listen to.

With a very experimental edge to their sound, Shroud of Despondency mixes Black Metal with progressive and acoustic elements and creates a very aggressive sound that has excellent melodic and atmospheric passages. The first sample of these atmospheric elements is immediately found in the opener “Wander Lust (Winged Seed in the Breeze)”. Things get a bit more hectic and crazy with the deranged vocals of “Overshadow”, something we quite haven’t heard before.

As a new entry in our “raw as fuck” category, today we have Demoncy and their latest release “Enthroned is the Night”. As the band’s first full-length release in almost 9 years, we get 40 minutes of soul crushing Black Metal that is very raw and demonic in nature. This one man Black Metal machine does a great job in delivers a think atmosphere that will unsettle even the most devote fans of the genre.

Opening with an intro that reminded us of the movie “Event Horizon”, the band fully explodes with “Winds of Plague”. In this hectic ritual, Demoncy immediately established its riffing power and thanks to the hellish vocals, this song (and release) sounds as inhuman as you can get. The album’s production actually gives the band that raw and lo-fi sound that many BM bands look for, but it does not keep the listener from enjoying this album. Pummeling through tracks like “Unclean Spirits”, “Into the Twilight Mists”, and “Opening the Lunar Bloodgate”, Demoncy does a great job in writing simple songs that pack enough aggression and rawness to please any fan of the genre.

We are always skeptical about underground Black Metal releases since they are usually really bad, but to our surprise (and enjoyment) Forever Plagued Records re-release of Do Skonu’s debut full-length “Womb of Primeval Darkness” is a winner. This release showcases bands that has great songwriting skills, but are heavily damaged by the crappy production behind the original recording of this album.

As we mentioned, the whole sound is a bit muffled in the sense that you can hear the excellent riffing, but the drumming and bass guitar get drowned away by being fused into a big lump. The vocals are also pretty crisp, but the overall experience is similar to the ones we used to have when the cassette player was crapping out and destroying our tapes back in the day. Aside from the sound issues (of the original recording we assume), this release is one hell of an album that any Black Metal fan should take note.