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  • Thy Catafalque - Vadak (2021)

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    For those of us that like weird music that pushes the boundaries while keeping Metal elements in the mix, Thy Catafalque has been delivering highly innovative releases over the years. Tamás Kátai returns after one year since the band’s last release with “Vadak”, featuring over 62 minutes of captivating and yet difficult to digest music. If you like the band’s brand of weirdness, you know that this release will demand your full attention for more than a few dozen spins to be fully digested and appreciated.

    After setting a weird and futuristic sounding mood with the first few minutes of “Szarvas”, the jazzy weirdness instantly takes center stage as the track is quite intricate and yet delicate. As you can imagine, elements are mixed from all kinds of genres, and the resulting amalgamation mixes harsh BM screams with jazzy/proggy influences. Completely flipping the script, “Köszöntsd a hajnalt” has a nice Eluveitie folky vibe, while “Gömböc” mixes heavier Death Metal-esque elements with funky instrumental passages.

  • Eisenkult - ...vom Himmel, hoch herab (2021)

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    Further settling into their own brand of Black Metal, Eisenkult delivers their excellent sophomore release “...vom Himmel, hoch herab”. With a mixture of old-school Black/Symphonic Black Metal with some Eisregen-like theatrics, this release unleashes 41 minutes of crafty music that is both fierce and playful enough to entice listeners that like the more bizarre side of the genres they cover.

    After the 8-bit/MIDI vibe from the instrumental opener “Einklang”, “Ein Leib, ein Feuer” delivers Eisregen-esque onslaughts of harsh screams, playful tempo changes and crafty drumming. The band’s sound is quite melodic in nature, but the bizarreness of the mixture of elements really works to separate them from the pack. The versatility of the band can quickly be noticed as “Ein Brunnen voller Aas” unleashes traditional old-school BM fury with piercing riffs and a great sense of melody.

  • Angstskríg - Skyggespil (2021)

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    Unleashing a very unique brand of Black’n’Roll with Groove Metal elements, Denmark’s Angstskríg manages to inject extra catchiness to an already catchy subgenre of Black Metal. Featuring six tracks and plenty of guests, “Skyggespil” is an engaging and highly unconventional killer release.

    From the start, the album title track takes on guitar-driven Black Metal reminiscent of older Immortal and Satyricon, but introducing additional grooviness, making their music quite catchy and yet incisive. The vocalist snarls are the perfect fit for the guest appearance of usually live-guitarist Attila Vörös. Showing more of the band’s own brand of chaos, “Uhygge” is an excellent old-school BM piece filled with a pulsating bass guitar line and some interesting surprises as the song progresses, touching some decadent Gothic influences.

  • Firienholt - By the Waters of Awakening (2021)

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    Delivering over 55 minutes of lush and epic Atmospheric Black Metal with some Dungeon Synth elements, today we have Firienholt and their debut full-length release “By the Waters of Awakening”. Highly recommended for fans of bands like Bal-Sagoth, Summoning, Enid, and Mortis, this release creates a very regal and epic atmosphere that immerses the listener into the band’s musical realm.

    Opening with the lush “A Forgotten Legacy”, which sets a very cinematic and dramatic atmosphere that is led by over-the-top synths and crafty drum programming. With nearly all songs being over 10 minutes each, tracks like “War of Wrath, War of Ruin” and “Ashes of the Golden Hall”, slowly develop via melodic passages into heavier territories with the use of harsh vocals and imposing guitars with some BM riffs thrown into the mix.

  • Marras - Endtime Sermon (2021)

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    Unleashing the most impressive Symphonic/Melodic Black Metal release of 2021 (to date), today we have Finland’s Marras and their sophomore release “Endtime Sermon”. Comparable to outfits like Dimmu Borgir, Cradle of Filth, Graveworm (old), etc., this release delivers 44 minutes of lush and yet highly aggressive music. Being far from a copy-cat band, Marras makes the genre their own and creates their own signature style in this crushing release.

    Opening with a cinematic intro, “Shadows Upon the Sacred Land” quickly escalates into furious riffing and hellish vocals, first showcasing the aggressive side of the band. We particularly love that the band splits the release into ‘movements’ with a few instrumental/atmospheric interludes as tracks 2,6, 8 and 10. After the first interlude, “Endtime Sermon” returns with a killer mixture of dramatic atmospheric/keyboard arrangements alongside crafty tempo changes, piercing riffs and a mixture of growls and harsh screams.

  • Archaeopteris - Visions chaotiques d´un songe halluciné (2021)

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    Unleashing a very unique and disturbing combination of Black Metal, Death Metal, and some atmospheric elements, today we have France’s Archaeopteris and their debut EP “Visions chaotiques d´un songe halluciné”. With a short but chaotic duration, this release delivers both aggression and extreme weirdness. Definitely recommended for fans of the bizarre and unconventional.

    Opening with “Visions Chaotiques”, after a short atmospheric intro, the band instantly dives into the depths of hell with a fierce combination of punishing riffs and crafty drums. Far from traditional, this track changes tempos very oddly, creating a very cavernous and yet disturbing atmosphere. The second song, “Songe Halluciné” leads with lush acoustic guitars as it quickly transitions into piercing aggressive guitars and deep harsh screams.

  • The Nightly Disease - Delicate White Sound (2021)

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    One man Italian outfit The Nightly Disease is ready for the spotlight with their excellent debut full-length release “Delicate White Sound”. Unleashing nearly 40 minutes of highly intoxicating atmospheric music, this release delicately blends Doom and Atmospheric Metal with additional instrumental elements. While many bands seem formulaic in nature, this one-man project carves very unique moods through the four tracks presented here.

    After creating an eerie atmosphere with its first few minutes, the first part slowly transforms into a doomier version of older Burzum music. The hypnotic drums and guitars create a very regal and yet piercing vibe. We particularly enjoy the Doomy vibe the song features in its second half, as it nicely progresses with the acoustic guitars and more ambient elements of the second part.

  • CMPT - Mrtvaja (2021)

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    Hailing from Serbia, CMPT is an anonymous punishing Black Metal outfit with hints of atmospheric elements. In this two song EP, the band instantly makes a name for themselves with a very unique and highly engaging 20 minutes of music. For fans of piercing BM that is both melodic and highly aggressive, this release will leave you wanting more.

    Opening with an ominous atmospheric intro that suddenly transforms into all-out-war, this first track creates a lasting impression on the listener. The contrast of imposing atmospherics with the ravaging guitars and intense drumming perfectly set the backdrop from the harsh screams and crafty tempo changes. With a more hellish vibe, the second track in this release is filled with pummeling riffs and creepy transitions from raw aggression to eerie atmospherics.

  • Order of Nosferat - Arrival of the Plague Bearer (2021)

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    Being huge fans of Black Metal with additional elements other than raw power, we are quite enthralled by Order of Nosferat and their latest release “Arrival of the Plague Bearer”. Unleashing over 50 minutes of vampiric BM, we get a wide variety of haunting piano interludes, dreamy atmospherics, and savagely raw BM, with all elements blending in perfect harmony. If you are looking for creepy and cinematic BM releases, this one will satisfy your thirst.

    Starting with an atmospheric mood setting intro, the album title track transforms into a behemoth with blistering drums, inhuman screams and a turmoil of high powered distorted riffs. Alongside the violent core sound, the keyboards provide a nice melodic contrast in this piece. The album’s atmosphere is greatly enhanced by instrumental tracks like “Sleepless in Sorrow and Bloodthirst”, “The Castle of Haunting Silence”, “Lost in the Crypts of my Need for Affection”, “As She Fades in Lamenting Winds”, and “Dance of the Wallachian Winter Spirits” which create a very spooky and solemn backdrop to the aggressive pieces.

  • Seeming Emptiness - Bliss Entombed (2021)

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    Always surprising us with high quality and engaging releases, Rain Without End records is ready to unleash the third full-length release of Seeming Emptiness, titled “Bliss Entombed”. For the uninitiated, this band features members/ex-members of In Mourning and October Tide while creating a very unique blend of Melodic Death Metal, Doom, with some Post-Rock elements. With over 50 minutes of highly melancholic music, this release will please any fan of the previously mentioned bands and genres.

    Opening with the Katatonia-esque “An Impious End”, we get a very moody track with crafty drums, incisive guitars and a well balanced mix of growls and clean vocals. Showing a more dynamic and yet melancholic side, tracks like “What Spirits Forebode” and “Infernal Charade” perfectly mix all of the band’s influences and are complemented with soaring clean vocals and engaging tempo changes.

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