Delivering high-intensity old-school Thrash Metal, today we have Canada’s latest export Mortillery and their debut album “Murder Death Kill”. As a full package that includes the typical Thrash Metal outfit, Mortillery is one of those bands that try to keep the past alive with some kickass songs featuring excellent musical abilities.

Reminding us of Kreator with the excellent opener “Murder Death Kill”, this Canadians start their release with a huge bang. It is ridiculous to think that this band formed in 2009 and they are this good already. The track delivers awesome guitar skills paired with very crunchy drums. The girl on bass guitar also does a great job in keeping things bounded together with the pulsating bass line. Filled with catchy riffs and even better solos, “Sacrifice”, “Evil Remains”, and “Fritzls Cellar” further cement the band’s old-school roots and provide great headbanging passages.

After a four year absence, now we get the second release in the same amount of years from Vintersorg. “Orkan” continues the same predictable and highly typical path that Vintersorg has taken, providing just very few flashes of brilliant, and a whole lot more of the same. If you are a die-hard Vintersorg fan this release will be sweet music to your ears, but if you have been annoyed by the lack of creativity of the last release, then you will surely not like this one either.

The traditional Vintersorg vocal melodies nicely adorn the opener “Istid”. Here, the combination of growls and clean vocals are very well layered at first, and then used to near perfection as we are all used to, in bands like Borknagar and everything else that Vintersorg has been involved in. The fancy synth work is very typical and the riffing is as powerful as always. The progressive elements in the music make it quite enjoyable to hear, particularly on tracks like “Polarnatten”, “Myren”, and “Orkan”. The playfulness of “Myren” is something that we had missed from the band in the last release. We have to say that this is our favorite song in this release, and the only one we really liked too.

What do you get when you mix Falkenbach with Moonsorrow and Candlemass? Ereb Altor is the answer. Mixing Viking Metal elements with some Doom, this Swedish band has been constantly releasing albums since 2008 with a few tweaks in-between but nothing really revolutionary. In “Gastrike”, the band delivers seven tracks of catchy guitar-driven tunes that ultimately feel a bit repetitive and quite dull in some points.

Leading with the atmospheric opening section to “The Gathering of Witches”, Ereb Altor nicely transitions into some power riffs and typical Viking Metal elements bordering on the Black Metal side of things. There is a rawness to the band’s sound that is quite nice, but sometimes makes the music feel a bit convoluted. “Dance of Darkness” moves a bit into Doom territory, but the guitars nicely shift back and forth between Black Metal and Doom Metal.

With very few bands coming out of the small country of Lithuania, it is to our great pleasure to witness the quality and excellent musicianship behind Mandagora’s “Carnal Cage”. Being the band’s first release in seven years, it kind of seems that it was stuck in Melodic Death Metal limbo, allowing this album to sound like the good old days of the genre. With this old-school vibe and a pristine production, this album is our favorite Melodic DM release of 2012 (so far).

Opening with some funky Middle-Eastern sounding riffs in “Masquerade”, the album sets of on a very well defined path of excellent melodic passages and riffing wizardry. Reminding us a bit of older Dark Tranquility and Dark Lunacy, the band nicely opens with an excellent riffing onslaught the song “In Doubt”. The tempo changes are very well introduced and the drumming is just right, the growls are your typical ‘manly’ melodic DM growls, allowing the music to sound both powerful and very melodic. There is a particularly awesome bass guitar section that made this song even more amazing for us.

Delivering one of the darkest and most evil sounding releases of 2012, today we have Necrovation and their self-titled sophomore release. With nine tracks and around 45 minutes of crushing brutality, each of the tracks in this release features a very dark and cavernous atmosphere that is rarely matched by anything we have heard this year and reminds us of the crazy atmospheres created by bands like Shinning (Sweden) and Bethlehem.

Delivering the first blast full of hate with “Necrovorous Insurrection”, this release opens with a bang. Featuring an old-school raw Death Metal vibe, the Swedish influences are extremely clear in this epic track. The quality riffing makes this song even more enjoyable, and the crystal clear production makes brings the full experience to your speakers. The intoxicating rhythms of “Dark Lead Dead” make this very weird song extremely intoxicating indeed.

Delivering 11 tracks of hard-chugging Death Metal, today we have Italy’s Antagonism and their debut full-length “Digging Past Sounds”. In this release, the band uses traditional Death Metal structures with a few hints of more modern grooves thrown into the mix. While release drags a bit after a while, the songs presented here are a nice tribute to some of the crushing DM tracks we loved from the 90’s.

“Skinhunter Kill(ing)” delivers a very cool Dissmember-like opener and provides high hopes for this already entertaining release. The riffing is relentless and the drumming is superb, the growls are very typical and nicely fit into the vibe. “Sick AIDS” keeps things rolling with some more chugging riffs and very well crafted drum patterns, but “No More” is a song that nicely breaks the monotony with some nice tempo changes and even tighter drumming.

Making its way from Italy, today we have Ibridoma and their second full-length release “Night Club”. Playing a very traditional and catchy brand of Heavy Metal with some Power Metal elements, this band delivers eight hard hitting tracks that will have you chanting and headbanging from start to end. If you are a fan of old-school Heavy Metal, this is one of the best releases we have heard this year.

Opening with the epic “Eagles from the Sky”, the guitars start pounding away while the very charismatic vocals of Christian Bartolacci make their presence felt. His vocals reminded us of a mixture of Geoff Tate and Geddy Lee, very firm and well delivered making them one of the flagship elements of the band’s sound. Not only featuring solid vocals, the riffing on “Cold Light of Moon” is also very well crafted, and the drums are nicely crafted to be always present but never overbearing.

Presenting a very interesting musical approach, The Sea Charmer delivers their two-song ‘demo’ “Cimmerian Repose”. Mixing Progressive elements with some Hardcore and even post-rock/metal hints, these two songs are quite interesting to listen to. Hailing from the Czech Republic, this young band managed to catch our attention immediately with some witty melodic passages inserted into their more ‘modern’ Metalcore antics.

Opening with “Trigger the Grief”, the track sounds a bit Post-rock/Metal-ish from the get go, but the clear hardcore/metalcore influences quickly sink in. We particularly hate this way of half-assed ‘singing’, but sounds a bit tolerable in this song. The clean –core singing is ok, and considerably better than the ‘harsh’ screams, this also sets the mood a bit different than what one would expect. The music is quite excellent, and even the core-ish guitars seem to work well with the atmosphere. The epic closing made us get all rattled up, too bad it was just to complete this track and it wasn’t taken advantage of (we hope to hear more of this from them in the future).

Making quite an impact since the first song, today we have Poland’s Devilish Impressions latest release titled “Simulacra”. Being properly released through Lifeforce records this July, this is one of those albums that combines so many different elements in a very cohesive and successful way, making it super diverse and extremely exciting.

“Icaros” opens with release with a mixture of Vintersorg meets Dimmu Borgir atmosphere, thanks to the hefty use of synths and the awesome clean vocals. Setting the bar this high, the band also delivers pretty solid melodic Black/Death-ish music that is very direct and well crafted. The atmospheric side of things keeps making this album very appealing in “Legion of Chaos”, but it is the massive drumming and heavy riffing that ultimately makes this song super catchy and effective.

The man with the 20 (or so) different bands Christian Älvestam, delivers yet another excellent release in the Death Metal category. Mixing elements of Technical Death Metal, Melodic Death Metal, and the rawness of pure Death Metal, “Tragedy Has Spoken” is a very brutal release that has many different facets to it, making it quite an enjoyable release to dissect over a few dozen spins (or more).

Ripping through the opener “Stepping Stone Agenda”, we immediately know we are in for a devastating release since the guitars deliver waves of aggressive riffs and the vocals are extremely brutal. Christian’s vocal talents are undeniable, and when it comes to do extreme screaming, there are only a handful of people that can be as aggressive and versatile as he is. The drumming is also pretty well crafted and hyper fast, truly crushing indeed.