Led by Luca Princiotta of Doro fame, today we have Clairvoyants and their excellent Power/Heavy Metal release titled “The Shape of Things to Come”. Delivering eleven tracks of brilliantly crafted old-school Power/Heavy Metal, this is one hell of a catchy and enjoyable release. With 10 our 11 tracks composed by Luca, we have a very solid Power/Heavy Metal foundation that can compare to any big-name band in the scene.

With a very catchy chorus section, “No Need to Surrender” opens this release showcasing the band’s firepower. The guitars are very solid, the drumming is well crafted, and the singing is pretty ok for a Power/Heavy Metal band. Luca clearly knows how to open and album and with this epic anthem, “The Shape of Things to Come” is off to a great start. “Endure and Survive” is the next super catchy song in this release thanks to some meaty riffs and, again, a very catchy chorus section. This track also reminds us more of older Heavy Metal songs than any Power Metal we have heard in the last few years.

With a deeply disturbing thick Black Metal sound, today we have Poland’s Demonic Slaughter and their latest EP titled “Dark Essence”. Being almost a full-length release by today’s Black Metal standards, this killer release showcases a very thick and extremely intoxicating devilish atmosphere. Thanks to the heavy guitars and firm vocals, this release surely will unnerve even the most seasoned BM listener.

After the extremely cliché acoustic atmospheric opener, the band goes into full steam with “Inner-self Transfiguration”. In this track the riffing is very typical and the drumming provides the perfect complement. The strong snarls that the band’s vocalist Xaos Oblivion delivers are just right for such a dark and foul sound. While not your average BM release, the band has great knack for creating thick atmospheres with a the basic guitar-drum combo, and being produced and mixed by Xaos Oblivion we suspect this is exactly what the band was going for.

Attacking our ears with relentless riffing, today we have Malfeitor’s “Dum Morior Orior”. For a band that formed in 1990, it is quite suspect that they are finally releasing their debut full-length in 2012. Anyways, this old-school Swedish Death Metal band does a pretty solid job in delivering Grave-like song structures that while effective, they feel a bit outdated by current standards.

“Conversation in Minor” delivers the first onslaught of riffing and the nostalgic feelings begin. Reminding us of the great Grave, this band does pack a lot of heat in this release, but it also seems like it was in the ‘cooler’ for a bit too long. There are pretty solid riffs and excellent bass guitar sections in this track, and the growls are very typical of the period, but it just fails to move us like other recent Swedish DM releases.

With a cover that reminds us of Cannibal Corpse’s infamous “Tomb of the Mutilated” or “Gallery of Suicide” uncensored covers, today we have Sweden’s Intestinal and their second full-length “The Rottening”.  Featuring eleven tracks of Swedish Death Metal with a bit of a modern flair, this release is actually far more unconventional that one would expect just from the cover.

Opening with a traditional sample, the music soon start flowing and while the Swedish DM vibe is present, the band tends to start away from the formulaic meaty hooks approach. Instead in “Flesh for Living” we have a more playful approach with the music being quite exciting, having some Hardcore and even some Modern metal hints, this track is quite enjoyable. The electrifying drumming in “Vaginal Vomination” delivers excellent sections that are quite a revelation for what we were expecting form this release.

The Thrash Metal revival up to date has been mostly from USA bands, but today we have one of Poland’s ‘first’ Thrash Metal bands, Fanthrash, returning from a 10 year hiatus and delivering a pretty solid ‘debut’ full-length titled “Duality of Things”. Featuring twelve tracks of high-intensity Thrashtastic music, this band has a hearty old-school vibe that perfectly blends with a few more modern and experimental elements.

After the instrumental opener, “Allocation of The Soul” brings solid riffing and very firm singing, none of that high-pitched bullshit that many Thrash bands call singing. With a few unconventional tempo changes, this is not your typical Thrash Metal song, but neither is Fanthrash your typical run of the mill band. With some serious Death-like opening vibe, “Forced” delivers a pretty good dosage of riffs and intricate drumming sections, making this a very diverse and highly entertaining song.

Led by the strong vocals of Sandrine Humbert, today we have Useless Concept and their latest release “Mysterious Impact”. Combining Hard Rock with some Metal and Progressive elements and a few jazzy/funky hints, this release delivers twelve tracks of excellent and catchy music. Being originally and instrumental, and then a Progressive Metal band, Useless Concept has come a long way to their current shape, but it sure works for them and to the advantage of the listeners.

Opening with “Emphatic Experience”, the band starts on a high note thanks to Sandrine’s vocal and the excellent music behind this track. The heavy Rock vibe is quite enjoyable, but the little progressive elements are what makes the music standout even more. The riff centric “Live and Learn” keeps things rolling, but the atmospheric elements of “Amy” really give the band that extra depth that many inexperienced bands are lacking.

Packing a lot of heat in their traditional Death Metal, today we have Escarnium and their first full-length release “Excruciating Existence”. Featuring nine track of neck-breaking Death Metal, this band delivers excellent guitar riffs and tight drumming throughout this whole release. If you are a fan of Suffocation, Cannibal Corpse, Incantation, etc., this is the release for you.

With the crushing opener “731” the band delivers a powerful blow in the shape of relentless drumming and devastating riffs. The deep growls are up to par with any of the genre’s greats, but the overall meatiness of the music is what makes this release very appealing. The devastation rolls on with tracks like “Excruciating Existence”, “Self-Proclaimed Messiah”, and “Nuclear Burial”. While the band is not the most original in the world, they do an excellent job in delivering catchiness and brutality.

Remember the good old days when extreme music did not had faggy clean vocals and breakdowns?, if you do, then Refusal’s latest demo “Grasp” provides a nice stroll through memory lane. Delivering four songs of very typical Swedish Death Metal, this band from Finland does a great job in capturing a timeless sound and making it their own with super catchy tracks.

Opening with the neck breaking “Do Your Part”, the band’s sound immediately has that old-school vibe. The riffing is quite catchy and the vocals are raspy and powerful. This song also features a pretty solid tempo that is nicely marked by the well-crafted drums. The band reminds us of Grave in certain instances. Keeping the catchiness flowing, “Grip” delivers nice and meaty guitars paired with excellent growls. In this track we can verify that the band does a great job in creating a certain tempo that works perfectly with the riffing and the vocals.

Delivering their first demo “Through Emptiness”, today we have the incredible Swedish/Russian collaboration named Wall of the Eyeless. Mixing Death Metal with some Doom and melodic passages, this two-person band delivers quite an interesting release. With four tracks covering around 24 minutes of music, this demo is one of the most promising ones we have received in quite a while.

Opening with “The Hands”, the band starts with a very typical Death Metal piece that features a few hints of melodic sections at first, and then it explodes into an excellent Doom-ish atmospheric section after the 3:30 mark. We love that the production is a bit raw and it allows the guitars to sound very crunchy. Things open in a more melodic fashion in “Do We Belong Here?”, a track that is more dramatic and quite crushing. The vocals are pretty solid, and the acoustic passages in this track are excellently crafted.