With an incredible amount of musical skills, today we have Australia’s Prescient and their debut EP titled “The Polynomial Framework”. Delivering six tracks of brilliant Progressive Metal with excellent technical and groovy aspects, this band crafts excellent music that is both attractive and very technically complex, allowing these two dimensions to seamlessly fuse to perfection.

Opening with the excellent “Revolutions”, the distorted guitars nicely make their way on top of well-crafted drums. While not as dominating as Meshuggah, Prescient delivers a strong foundation that features Groove-infused sections that nicely shift into more melodic passages. The album’s production allows all instruments to shine, especially the bass guitar in the more ‘mellow’ sections. The guitar wizardry makes its way on “Conductive Cell”, a very moody track that nicely shifts intensities and delivers very well crafted guitar solos and drum patterns.

After a brief split, To/Die/For finally returns with Jarno Perätalo and Juha-Pekka Sutela delivering ten powerful tracks that are designed to return the band to the spotlight. While not the best album of the band’s career, “Samsara” has quite a few catchy tracks that will entice the fans of the band to return and capture the ears of new listeners.

Initially released in Finland and other places at the end of 2011, Massacre Records is finally giving this release a wider release and exposure. Opening with “Kissing the Flames”, the band comes back to the catchy riffing and subtle keyboard hints that have made them so popular in the past. The vocals are as effective as ever and the overall pace of the song is very traditional for the band.

Delivering and excellent cinematic experience, today we have O Graceful Musing’s Burden and their latest release “Two”. Hailing from Germany, this band combines elements from bands like Cult of Luna, Godspeed Your Black Emperor, Ulver, and many other, allowing them to create a very rich and colorful palette of sounds that come together very nicely.

Opening with the monumental “Piece of Lament Mirth Thought Desperation Soul Fear Hope” (probably one of the longest song titles ever), the band outputs 23 minutes of sheer brilliance. With a very atmospheric opening filled with ambient elements and post-rock guitars, the band nicely creates momentum as the song progresses. The subtle progressive hints are quite effective and when the distorted guitars kick in, the song nicely climaxes before a long way down.

Arriving from Italy, today we have Klogr and their very dynamic and intense debut full-length “Till You Decay”. It is instantly evident that huge amount of work (and money) has been put into this very well crafted release. The production is as good as it gets and everything sounds as if you had the band playing in your living room (or car). Featuring eleven tracks of a hybrid between alt-rock and Alternative/Modern Metal, the songs presented here are very well balanced between the genres and deliver a very rich aural experience.

Opening with “Live Dying”, the band uses a melodic approach to lure the listener into their highly diverse sound. As the pounding guitars make their presence felt, that alt rock/Metal vibe is immediately present. The band’s vocalist (and guitarists) Rusty has a very strong and engaging voice, that while very commercial sounding, it gets the job done and nicely leads the songs in this release. The highly melodic “Silk and Thorns” shows a different side of the band, and a very catchy one indeed.

With a Gothic Metal style that we haven’t heard in quite a while, today we have Portugal’s Inner Blast and their debut EP “Sleepless Monster”. Reminding us of Gothic Metal bands from the early 2000’s, the simplicity behind this band’s sound makes them very fresh and something completely different to what we are currently used to these days. Providing us with nearly 28 minutes of music, the five tracks in this EP are quite enjoyable and bring back some nostalgic memories from the past.

Since the opener “Better Days”, the band delivers a very ‘old-school’ vibe thanks to the simple production. The keyboards are just present to add atmosphere, and are never overdone like in all bands these days. Liliana’s vocals are very natural and don’t try to be operatic or anything, just filled with feeling and that is all. We have missed music like this since bands like Nightwish, Epica, etc., now sound like a movie soundtrack and some of the emotion behind the music is greatly lost.

Led by Luca Princiotta of Doro fame, today we have Clairvoyants and their excellent Power/Heavy Metal release titled “The Shape of Things to Come”. Delivering eleven tracks of brilliantly crafted old-school Power/Heavy Metal, this is one hell of a catchy and enjoyable release. With 10 our 11 tracks composed by Luca, we have a very solid Power/Heavy Metal foundation that can compare to any big-name band in the scene.

With a very catchy chorus section, “No Need to Surrender” opens this release showcasing the band’s firepower. The guitars are very solid, the drumming is well crafted, and the singing is pretty ok for a Power/Heavy Metal band. Luca clearly knows how to open and album and with this epic anthem, “The Shape of Things to Come” is off to a great start. “Endure and Survive” is the next super catchy song in this release thanks to some meaty riffs and, again, a very catchy chorus section. This track also reminds us more of older Heavy Metal songs than any Power Metal we have heard in the last few years.

With a deeply disturbing thick Black Metal sound, today we have Poland’s Demonic Slaughter and their latest EP titled “Dark Essence”. Being almost a full-length release by today’s Black Metal standards, this killer release showcases a very thick and extremely intoxicating devilish atmosphere. Thanks to the heavy guitars and firm vocals, this release surely will unnerve even the most seasoned BM listener.

After the extremely cliché acoustic atmospheric opener, the band goes into full steam with “Inner-self Transfiguration”. In this track the riffing is very typical and the drumming provides the perfect complement. The strong snarls that the band’s vocalist Xaos Oblivion delivers are just right for such a dark and foul sound. While not your average BM release, the band has great knack for creating thick atmospheres with a the basic guitar-drum combo, and being produced and mixed by Xaos Oblivion we suspect this is exactly what the band was going for.

Attacking our ears with relentless riffing, today we have Malfeitor’s “Dum Morior Orior”. For a band that formed in 1990, it is quite suspect that they are finally releasing their debut full-length in 2012. Anyways, this old-school Swedish Death Metal band does a pretty solid job in delivering Grave-like song structures that while effective, they feel a bit outdated by current standards.

“Conversation in Minor” delivers the first onslaught of riffing and the nostalgic feelings begin. Reminding us of the great Grave, this band does pack a lot of heat in this release, but it also seems like it was in the ‘cooler’ for a bit too long. There are pretty solid riffs and excellent bass guitar sections in this track, and the growls are very typical of the period, but it just fails to move us like other recent Swedish DM releases.

With a cover that reminds us of Cannibal Corpse’s infamous “Tomb of the Mutilated” or “Gallery of Suicide” uncensored covers, today we have Sweden’s Intestinal and their second full-length “The Rottening”.  Featuring eleven tracks of Swedish Death Metal with a bit of a modern flair, this release is actually far more unconventional that one would expect just from the cover.

Opening with a traditional sample, the music soon start flowing and while the Swedish DM vibe is present, the band tends to start away from the formulaic meaty hooks approach. Instead in “Flesh for Living” we have a more playful approach with the music being quite exciting, having some Hardcore and even some Modern metal hints, this track is quite enjoyable. The electrifying drumming in “Vaginal Vomination” delivers excellent sections that are quite a revelation for what we were expecting form this release.

The Thrash Metal revival up to date has been mostly from USA bands, but today we have one of Poland’s ‘first’ Thrash Metal bands, Fanthrash, returning from a 10 year hiatus and delivering a pretty solid ‘debut’ full-length titled “Duality of Things”. Featuring twelve tracks of high-intensity Thrashtastic music, this band has a hearty old-school vibe that perfectly blends with a few more modern and experimental elements.

After the instrumental opener, “Allocation of The Soul” brings solid riffing and very firm singing, none of that high-pitched bullshit that many Thrash bands call singing. With a few unconventional tempo changes, this is not your typical Thrash Metal song, but neither is Fanthrash your typical run of the mill band. With some serious Death-like opening vibe, “Forced” delivers a pretty good dosage of riffs and intricate drumming sections, making this a very diverse and highly entertaining song.