With tons of unusual (read: non-Metal) stuff making it to our Infernal Masquerade review queue lists, we bumped into Darkhaus and their uber catchy debut release “My Only Shelter”. Playing a very mellow and yet well-constructed Synth-Rock/Pop with some Gothic Rock/Electro influences we were quite shocked to learn that PRO-PAIN members: Gary Meskil and Marshall Stephens are even part of such a different band. Letting the band members credentials aside, this is one very interesting release that covers a wide variety of sounds and will have you fully enjoying it in a matter of minutes.

Opening on a very high note with “Life Worth Living”, we get a very well structured track that is designed to be catchy and never leave your head… for a few days. Vocalist Kenny Hanlon has a very distinctive style and a perfect signature for the band to be recognized in the future. The music varies from Synth-Rock/Pop structures to Gothic Rock and some Dark Wave / Electro elements thrown into the mix. Tracks like “Ghost” a very good example of said mixture of elements.

Ever since catchy Tides From Nebula at the WGT in 2011 we have been amazed by their cinematic Post-Rock/Instrumental Rock music. In “Eternal Movement”, the band’s third album, they keep delivering lush atmospheric and emotional songs that transport the listener to beautifully crafted soundscapes fit for the soundtrack of an indie mute film. Greatly maturing since “Aura” and “Earthshine”, this is one release that elevates the band’s sound to new heights.

Opening with the emotive “Laughter of Gods”, the band’s lush layered guitars and atmospheric elements greatly set the tone for an excellent journey. Filled with amazing tempo and mood changes, tracks like “Only With Presence” and “Satori” elevate the listener’s spirit with a wide palette of aurally pleasing sounds. The band’s strength lies in being able to build up from dark and moody passages into full-on smile inducing happier moments, a perfect example of this is the rich “Emptiness of Yours and Me”.

Filmed at Wacken Open Air Festival in front of 85,000 fans, Nightwish brings us hands down the most complete and well-crafted live release of 2013. Directed by Ville Lipiäinen, this is one hell of a release that brings to life the band’s amazing live chemistry and unrivaled showmanship. Filled with all of the band’s hit songs, this release will impress any fan of the band and will surely convince anybody that is skeptical about Floor Jansen’s place in the band.

Opening with two of our favorite songs of the band “Dark Chest of Wonders” and “I Wish I Had an Angel”, Floor will immediately blow all the non-believers away with her commanding presence and ownership of these classic Nightwish songs. With the backdrop of 85,000 people at Wacken, this release really brings the viewer into the meat of things and gives the vibrant experience of being at the festival minus the mud, standing for hours, and sweaty Metalheads bumping into you.

Released as a deluxe hardcover book with 2 DVDs or 2 Blu-rays and 3 CDs, “Retrospect” marks the band’s 10 year anniversary with an amazing performance with more than 70 musicians on stage with the Reményi Ede Chamber Orchestra and the Choir of Miskolc National Theatre. This release features a massive 180+ minutes of material, perfect for any diehard fan of the band.

Since the first disc, the band takes the stage with a commanding presence led by Simone Simmons and Mark Jansen. The choir arrangements are amazing and all the band’s hits are delivered with perfect execution. With an impressive stage and a fired up crowd since the first minute, this live release perfectly captures the experience of watching Epica live and the incredible intensity of all band members.

Taking the North American Power Metal scene by surprise, today we have Armory and their high-octane sophomore release “Empyrean Realms”. After showing great surprise with their debut full-length “The Dawn of Enlightenment” six years ago, this band finally returns with an even more grandiose and bombastic release. Filled with over 50 minutes of blazing fast guitars, soaring vocals, and perky keyboards, this is one release that should be on your Christmas shopping list.

Immediately blasting away with “Eternal Mind”, Adam Kurland’s vocals soar like you would expect from any top vocalist of the genre. Perfectly balanced and with an impressive range, this is one of the first assets behind this very creative band. The track progresses with intricately crafted guitars and super tight drumming. Rivaling the composition and execution brilliance of bands like Rhapsody of Fire, Stratovarius, etc., tracks like “Dreamstate” and “Beyond The Horizon” keep the band’s epic delivery and vibe rolling.

Making a dominating comeback, today we have Code and their third full-length release “Augur Nox”. Pushing the sonic boundaries of Black Metal, this UK band delivers 12 uncompromising and very unique songs. Perfectly recuperating from the exit of long-term and unique vocalist Kvohst, Code delivers 51 minutes of very interesting and complex music on their own terms, allowing them to push their legacy to new levels.

Opening with the contrived “Black Rumination”, the band’s unique musical signature is immediately present with intricate guitar work and catchy drum patterns. The mixture of clean and harsh vocals is as good as ever with Wacian doing a great job in capturing the band’s essence. Mixing Progressive/Avant-garde elements into their music, the band further evolves their signature style on tracks like “Becoming Host”, “Ecdysis”, and “Glimlight Tourist”.

Being used to receive very weird and unique releases, we can’t say that we ever expected to come across an album as unique and puzzling as Albatwitch’s “Only Dead Birds Sing Over the Graves of Fallen Kings”. Mixing Folk with Americana, Drone, Sludge, d-beat, crust, Black Metal and a slew of other influences, this is one hell of a rollercoaster ride that is better left to fully unravel rather than try to understand it.

The album opens with a Folk track that brings back memories of the banjos in the movie “Deliverance”, but it quickly transforms into punishing Noise with hellish vocals. And this is just in the first 3 minutes of music. Sludgy Black Metal quickly follows in “Beneath The Flood”, just before we jump into Burzum-esque territory (his instrumental stuff) and then back into more lush Neo-Folk/Folk with very melancholic vocals and the album’s title track.

Getting tons of submissions online every week, it is quite unusual to find unique releases that command our attention like Insect Ark’s “Long Arms” EP. This one-woman entity delivers three tracks that have Ambient, Electro, and some Drone-ish elements meshed together in one very cohesive sound. A bit out of our comfort zone, we found ourselves enjoying this release more than we expected.

Opening with the hypnotic “Long Arms”, the release starts in a very ritualistic fashion. There are plenty of trippy elements to make anybody’s drug induced hallucinations 100 times more vivid. Dana Schechter does a great job in putting together interesting percussions, dissonant bass guitar lines, and interesting electronic sounds. “Lift Off” continues in a hypnotic fashion, letting the listener know that this is one album he will not forget thanks to its dramatic and pseudo-psychedelic elements.

Delivering what is probably the most punishing Funeral Doom Metal release of 2013; today we have France’s Monolithe and their one-track behemoth: “Monolithe IV”. In this 57 minute release, the band captivates the listeners with an immersive soul draining single track release that features all the good stuff of Funeral Doom minus the mind numbing endless droning sections and adds a bit of flairs with keyboards and female vocals here and there.

Divided in a certain way in multiple movements, this release features great melodic passages and demolishing riffs. We have to say that this release is a lot more dynamic that what you usually get with bands like Shape of Despair, Esoteric, and Mournful Congregation. Featuring constant tempo changes and very well placed atmospheric sections, the band avoids any monotony in this release – quite a feat for a Funeral Doom Metal band. The growls are superb and they fit the powerful riffing perfectly. The drums are perfectly executed and the bass guitar is nicely mixed to deliver power in the right moments.