Spewing a grim style of Norwegian Black Metal today we have Avmakt and their debut release “Satanic Inversion of....”. With a sound reminiscent of Dark Throne, Sarke, and Tulus, this outfit keeps the old-school flame alive with six crushing tracks. As a no-frills approach to the genre, this release is primal and raw, unleashing 45 minutes of gut-wrenching music.

As the release opens with “Ordinance”, we get that raw and unfiltered vibe from the music as the riffing and drumming create that old-school vibe while the harsh snarls add that extra punch to the music. The band’s style is familiar and yet engaging enough to deliver tracks like “Poison Reveal” and “Sharpening Blades of Cynicism”, with their catchiness and subtle Black’n’Roll/Punkish elements.

Hailing from the USA, Progressive Black Metal outfit Amiensus returns with part II of their “Reclamation” saga. Released a few months back, part I showcased the band’s excellent musicianship and creativity, and with part II, the band continues to unleash superbly crafty and engaging songs with elements from bands like Enslaved, Agalloch, alongside their distinctive vocal onslaughts.

Opening with “Sólfarið”, we get a pretty intense track that slowly builds up to a hectic cathartic closing, instantly reminding us of the proggy-ness of Enslaved alongside the band’s diverse vocal onslaught. After making an impression with the opener, “Acquiescence” has more of an Agalloch dreamy opening that quickly expands to heavy riffs, pummeling drumming, and hellish harsh vocals. The band expertly mixes slower and dreamy passages with some pretty engaging blistering sections that weave back and forth different moods and tempos.

Unleashing an extreme level of grimness and rawness, today we have France’s Gravenoire and their debut EP “Devant la porte des étoiles”. Trying to bring some of that 90’s Black Metal spirit, this relatively new outfit, featuring members (and ex-members) of bands like BA’A, Anorexia Nervosa, Seth and Diablation, delivers some of the most stripped down and yet intense BM music in the last few years. If you are a fan of uncompromising Black Metal removed from commercial gimmicks and current trendiness, this is the release for you.

Setting a regal mood with “Pavens”, the band really lashes out at the listener with the piercing “France de l'Ombre” featuring crafty drumming, intense riffing and the signature vocals of RMS Hreidmarr, perfectly augmented by Vicomte Vampyr Arkames equal rawness and sheer aggression. Besides the dual vocal onslaught, the music has that old-school rawness thanks to a lo-fi production, said to be recorded in a live rehearsal, which delivers a very organic and natural incisive edge to the music as tracks like "Ordo Opera Cultura” and “Aux Chiens” demonstrate.

Everybody’s favorite Egyptian-inspired Brutal/Technical Death Metal outfit is finally back with another high-octane release titled “The Underworld Awaits Us All”. Featuring eleven tracks and nearly 55-minutes of music, the band returns with masterful incisive onslaughts of brutality, perfectly paired with crafty atmospheric elements and crushing tempo changes. If you are a fan of the band’s earlier work, you will love this album as it keeps things hectic and punishing from start to end.

Blasting away with “Stelae of Vultures”, we get those sweet chuggy Death Metal riffs the band is known for alongside the crushing drumming of George Kollias. Pummeling through blistering fast tracks like “To Strike with Secret Fang” and “Naqada II Enter the Golden Age”, to the traditional instrumental pieces like “The Pentagrammathion of Nephren-Ka”, Nile continues to polish their style while delivering intense pieces of music, only getting better with time.

Finally getting around to unleashing her ‘solo’ music, Simone Simons of Epica fame delivers one of the most bombastic and explosive Symphonic/Progressive Metal releases of 2024. Featuring ten tracks and over forty six minutes of music, this album shows the versatility of Simone’s vocals and creativity. With tracks reminding us from everything between Epic and Ayreon, this release will certainly be a hit with her fans and fans of the genre.

Opening with the mysterious “Aeterna”, we get a very bombastic and engaging first taste into this excellent release. More than just more of the same, the tracks in this release add electronic and progressive elements to clearly delineate that this is Simone’s own project and not just an extension of Epica. Tracks like, our personal favorite, “In Love We Rust”, really showcase her vocals in a different light, with more of an Ayreon-esque edge.

Returning with another very interesting and totally intoxicating release, today we have Manuel Gagneux and Zeal & Ardor with their latest opus “GREIF”. Featuring fourteen tracks of pure genius, this release feels more chaotic and yet more raw than their previous ones, thanks to the full incorporation of the band’s live members into songwriting and recording roles. With a very unique and hard to pin down style, the band presents a very diverse and dynamic palette of sound, ranging from completely wild experimental pieces to your ‘standard’ Black Metal-infused heaviness.

Opening with the solemn “the Bird, the Lion and the Wildkin”, we get a nice warm-up featuring crafty atmospherics and Manuel’s Signature vocals, preparing us for the madness that is to come. With a more epic feel, “Fend You Off” we get the band’s multi layered vocal approach that creates such epic soaring melodies, alongside a hefty dose of heaviness. With a great knack for catchiness, “Kilonova” creates a very lively and engaging atmosphere, with an excellent chorus section and highly addictive percussions.

As one of the most anticipated releases of 2024, today we have Italy’s Fleshgod Apocalypse marking their return with the impressive “Opera”. As their first full length release in five years, this album delivers ten tracks and nearly 45 minutes of high-octane Orchestral arrangements paired with crafty Technical Death Metal and lush vocals. With a very lively pace and masterful arrangements, this release is definitely one of the best that the band has ever released.

Setting the mood with a very operatic opener, “I Can Never Die” opens this release with pummeling drumming alongside dramatic orchestrations and the super vocals of Veronica Bordacchini. Francesco Paoli handles the growls quite well, providing masterful contrast between the female counterparts. Aside from being explosive and crafty, the band’s music perfectly exploits catchy and cinematic elements to keep this release rolling with excellent songs like “Pendulum”, “Bloodclock”, and the Omen-esque “At War With My Soul”.

As one of our favorite bands of all time, Dark Tranquillity has always consistently delivered high quality releases and “Endtime Signals” is not the exception. After shedding a few members since their 2020 release, the band returns with fourteen tracks of signature DT music, filled with dynamic guitars, immersive keyboards and Mikael Stanne’s characteristic snarl. There are definitely some minor noticeable adjustments as now Martin Brändström and Johan Reinholdz have taken over the songwriting from departed drummer Anders Jivarp.

Opening with “Shivers and Voids”, we get the traditional guitar driven DT music that we all love, full of highly melodic passages and subtle keyboards to keep things smooth and enjoyable. On “Unforgivable” we have a more dynamic style of guitar leads that have a different but still well crafted and blistering style. Johan Reinholdz is a good guitarist, but certainly not at the level of Christopher Amott, who did the leads on 2020 “Moment”.

Unleashing nearly 45 minutes of lively Melodic Death Metal, today we have Germany’s Robse and their debut release “Harlekin & Krieger”. With an old-school European Melodic DM style, this outfit delivers eleven tracks of high-octane moments filled with crafty melodic onslaughts and engaging vocals. If you are a fan of bands like Crematory, Dawn of Disease, and Night in Gales, this is another outfit that will satisfy your headbanging cravings.

After a cinematic intro, the release kicks into full gear with the crafty album title track. Paired with engaging melodic riffs, intense drumming and Robert-Martin Dahn’s harsh vocals, this track sets a very lively and engaging tone. Short, catchy, and full of melody, songs like “Hey Sturm”, “Amenthes”, and our favorite “Aus dem Gleichgewicht”, create a very seamless and enjoyable experience as the album plays. We particularly enjoy the additional elements thrown into the mix like subtle keyboards, different vocal styles, and engaging tempo changes.

Today we have a very pleasant surprise from Austria’s Ellende, a re-recorded and reinterpreted version of their amazing second release “Todbringer”. With “Todbringerin”, the band takes control of the music behind this release by re-recording it (no studio masters from the original exist) and making it available in all formats for listeners. We are huge fans of the original, and have a physical copy of that release as one of our treasured items on our collection, so we were psyched to hear how the band, eight years after, would take on such an excellent release.