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    Gökböri – Balbal (2013)

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    With a very interesting sound mixing old-school Thrash with Black’n’roll. Punk/crust, and even some Doom elements, today we have Gökböri and their debut full-length “Balbal”. Featuring members of Daylight Dies, Pagan, and Sun Descends, this is one of those albums that is quite good, but very hard to peg down since every track offers a wide palette of sounds and influences.

    As the album begins, the opener “Sarp Geçitler İçinde/Balbal” is a very cool retro-sounding track that reminds us of the riffing power of Vreid and the old-school Black’n’Roll bands like Midnight. The same continues with the catchy “Ulu Dağlar, Atalar”, which really engages the listener with very effective riffs. The vocals are quite fitting for the music and also have that retro-vibe. However, there are some questionable clean vocals on this last song, luckily some solid growling remedies the situation.

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    Levitator – The Abuse of Amplification (2013)

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    Staying very true to their debut EP title: “The Abuse of Amplification”, today we have Levitator and their very crunchy and totally Sludgy music arriving all the way from Australia. In this four song EP, the band delivers 40 minutes of pounding guitars and catchy melodies. Take a page from bands like Black Cobra, Icabod, etc., this band pummels through this release with ease and elegance.

    Opening with the 10-minute behemoth “The Ballad of the Long Distance Drug Mule”, we immediately feel the power of the band’s commanding distortion. The riffing is quite engaging and hooks you from the first few minutes we get to hear it. The vocals are a mixed a bit low, but you can hear your typical hardcore-esque screams. “Haystacker (16 Tons)” opens with some potent feedback and a very cool bass-guitar line courtesy of their female bass player Jess. This song got a bit on our nerves since the riffs are quite basic and very repetitive, however, any huge fan of Sludge Metal will found value in this catchy little song (only 6 minutes long).

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    Pellek – Ocean of Opportunity (2013)

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    Today we have Norwegian Metal/Rock vocalist Pellek (Per Fredrik Asly) delivering is sophomore album titled “Ocean of Opportunity”. As a highly ambitious self-released album, Pellek and company (he now has band members for this album cycle) deliver more than 45 minutes of expertly crafted Power/Progressive Metal with a nice dosage of symphonic elements. Being a concept album, the nine tracks in this release nicely come together and keep a very steady and engaging flow making the release very solid and interesting.

    Opening with very regal orchestrations on “Elucidation”, we can immediately enjoy the album’s crystal-clear production and PelleK’s talented vocals. This song is quite powerful and enjoyable, but it holds itself from letting the listener know all that is hidden under Pellek’s bag of tricks. Immediately reminding us of Nightwish, “Northern Wayfarer” makes things more dynamic with lush guitar work and very solid solos.

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    Crownless – Dark Evolution (2011)

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    In the very crowded Symphonic/Gothic Metal scene, it is quite the challenge to pick out the gems from the duds.  However, Crownless makes it very easy since their musical style is quite diverse and perfectly executed, delivering ten tracks of majestic music. For all fans of Epica, Xandria, After Forever, etc., this band crafts super catchy songs with excellent melodic elements and even better vocal arrangements.

    Opening with the very engaging “Lost Inside”, we immediately hear the Epic influences in the catchy guitars and solid orchestrations. Vanessa 'Nane' Ramirez vocals are quite powerful and are the perfect signature elements for the band’s music. Things get more dynamic with the exciting “Dark Embrace” and “Ravens in the Storm”, filled with lush vocal arrangements and some awesome guitar work. The band’s ability to combine many other’s elements into a compact and powerful sound is one of their best assets in the scene.

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    Aratron – The Recovery (2013)

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    With the costs of professionally producing demo’s and releases getting lower by the day, we are glad that bands like Aratron can showcase their quality and have a powerful and lively sound on their demo’s. “The Recovery” is the band’s latest demo and it features five crushing tracks with a timeless Thrash infused Death Metal sound that is quite powerful and well crafted.

    The starts leads with guns blazing on the song “The Recovery”, a very direct and brutal track that combines relentless riffing with excellent vocals. The band’s sound reminded us of early days Grave and similar Swedish DM outfits that rely on Thrash Metal foundations. “Imprisoned” keeps the album flowing with another dosage of solid riffs and very tight drumming. The band’s musicianship is quite good and they are not afraid to show it with their incisive tracks.

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    September Murder - He Who Invokes Decadence (2013)

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    Germany has always been one of the best countries for Metal music to flourish over the years, with a huge scene and tons of quality bands emerging every year. Today we have September Murder and their sophomore release “He Who Invokes Decadence”. Delivering eight tracks of high quality Melodic/Progressive Death Metal, this band is ready for prime time and they have a very convincing case with this impressive release.

    The album’s opening statement is “Under Severed Skies”, an excellent track that combines heavy intricate guitar work and crushing growls. The band is in no hurry of blasting you away, opting to deliver precise blows of hyper-fast sections surrounded by excellent melodic passages. The band’s old-school Death Metal influences are clear, but they manage to clean them up with incise guitar and bass guitar work in killer tracks like “Two Culprits, One Oath” and Death-esque “Among Vultures”.

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    Entropia – Vesper (2013)

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    Hailing from Poland, today we have Entropia and their debut full-length release “Vesper”. Mixing Black Metal with some Sludge and Post-Metal elements, this band shows great promise in their six tracks spanning over 49 minutes of music. While not being overly cliché, the band nicely mixes different influences to create some interesting atmospheres in their very decently crafted sound.

    Opening with “Dante”, we get a typical Black Metal opening followed by some powerful atmospheric keyboards and some solid Sludge/Post-Metal rhythmical section. “Gauss” shows off some of the band’s more melodic side while keeping their effective riffs and very well paced drums. Things get a bit more dramatic with the harsh screams of desperation in “Pascal”, one of the best tracks in this release thanks to the very slow tempo and rawness of the song.

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    Agony of the Bleeding Flesh – Everlasting Piracy (2013)

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    Hailing from France today we have the self-labeled Metal pirates of Agony of the Bleeding Flesh and their exciting debut release “Everlasting Piracy”. Delivering seven tracks of well-crafted Black Metal, the band focuses on having a powerful and direct sound with mostly traditional elements and an enhanced sense of catchiness.

    The album opens with a very solemn acoustic intro to the track “Those Buried Treasures” and it slowly builds up as the distorted guitars and shrieks come in. The drumming is quite solid and perfectly captured by the production of this release. Things gradually get more interesting as “The Call of The Sea” and “Return from Death” continue the riffing onslaught. The band perfectly combines fast paced sections with slower interludes to allow the music to grow and capture the listener’s attention.

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    Embersland – Sunrise (2013)

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    Arriving all the way from Spain, today we have the debut release of Embersland, a very interesting and unique band. In “Sunrise” the band mixes elements of Gothic Rock, Symphonic Metal, and even some growls are thrown into the mix to create a very different and enjoyable sound. Featuring almost 50 minutes of music, this self-released album is quite diverse and will constantly keep you guessing what is coming up next.

    Opening with the epic “Why”, the band starts in very HIM-like manner with the deep male vocals. Growls and diverse backing vocals make this track (and album) quite tricky to pin down, and this is one of its best attributes. The keyboard arrangements are quite lush and the guitars quite powerful making for very engaging and enjoyable music. The band’s ability to switch between moods in a song is quite good, and the best example of this is the progression of the song “In Vain”.

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    Alter Self – Seven Deadly Blessings (2013)

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    Hailing from Athens, Greece today we have Alter Self, a killer Death/Thrash Metal band that delivers eleven punishing tracks on their debut full-length release “Seven Deadly Blessings”. For this release being the band’s debut full-length, their sound is very mature and the songs are perfectly executed. Mixing Thrash and Death Metal, the band achieves a timeless sound that is quite catchy and appealing.

    After the traditional intro track, “My Sober Reflection” has a very Sepultura-esque ring to it and it also showcases the band’s ability to craft catchy and brutal songs. The drumming is quite impressive and the guitar work is pretty well crafted, allowing the song to flow naturally. The band’s songs keep getting more and more interesting as the funky riffs/bass guitar sections of “Fovea” make for a very cool track.

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