Unsigned

  • Champions of Sorrow - The Night Makes Us (2024)

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    Hailing from Finland, today we have a very interesting duo, Champions of Sorrow, with a crafty take on Symphonic Death Metal/Deathcore. On their debut EP, “The Night Makes Us”, this outfit delivers a Fleshgod Apocalypse-meets-Lorna Shore onslaught of 16 minutes of well crafted music filled with epic arrangements, crushing drumming, and hearty growls to keep things heavy.

  • Axamenta - Spires (2024)

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    Returning after a 10 year hiatus, Axamenta is a very unique Belgian band that combines cinematic elements with a well polished dose of Melodic Death/Black Metal. In this return EP, the band delivers a 23-minute track that is divided in seven acts, creating a very immersive and engaging experience. Recommended for fans of Fleshgod Apocalypse and Septicflesh, this release is both explosive and bombastic.

  • Shivered - Existential Mourning (2024)

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    Unleashing a very melancholic and bleak sounding Gothic Doom Metal release, today we have a one-man outfit from Iran named Shivered. In “Existential Mourning”, Mohammad Maki delivers ten tracks and nearly one hour of music, in the vein of bands like Katatonia, Fall of the Leafe, Shallow the Sun, and similars. If you are a fan of the genre, this is a very good addition to your collection as each track oozes melancholy and sadness, in a brilliant way.

    Opening with “Paranoiac”, we get a very bleak mood right out the door with weeping guitars, subtle keyboards and very mournful clean vocals. The clean and harsh vocals are very well interwoven, making songs like “Ashes of Innocence”, “The Lighthouse”, and “Existential Mourning” remind you of older My Dying Bride, but with a heaty dose of Katatonia. We love the balance between the aggressive part with lush and solemn instrumental passages.

  • Dialith - Alter (2024)

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    Unleashing a very lively and engaging EP, today we have North American Symphonic/Power Metal outfit Dialith with “Alter”. Featuring four bombastic tracks and around 14 minutes of music, this release is a great calling card from a promising young band. If you are a fan of bands like Visions of Atlantis, Xandria, Serenity, Delain, etc., this release will be a solid addition to your rotation.

  • Oblivium Regnum - Zrádce (2023)

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    It has been a while since we received a physical promo CD, and luckily for us it was from this promising Czech band Named Oblivium Regnum. With their EP titled “Zrádce”, the band showcases four diverse and equally engaging tracks. Showing that the Czech Republic is not only good at making beer and having some awesome festivals, shout out to Brutal Assault, they have some very interesting bands that nicely combine old-school elements with a raw and direct take to unleash some crafty Melodic Death Metal songs.

  • ONI - The Silver Line (2023)

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    Delivering a guest-appearances filled full-length release, today we have Canadian ONI and their return “The Silver Line”. As a brainchild of Jake Oni, the music created is an interesting mixture of Progressive/Djent Metal with some Metalcore elements. Featuring nine tracks and 30 minutes of music, this release has quite enjoyable and epic songs that are quite dynamic and engaging.

    Opening with “Silhouette”, we get a nice contrast between powerful distorted guitars, clean soaring vocal harmonies, and crafty atmospheric synths. The songs are well written and all have catchy hooks, what makes the release even more enjoyable is the assortment of guests used like Sueco on “Spark”, “Underneath my Skin” featuring Kellin Quinn, and “Aura” with Jost Gilbert and Howard Jones. They all bring a different edge to each track, keeping things fresh.

  • Anatomy of Habit - Black Openings (2023)

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    Immediately doing a double take to figure out if Garm from Ulver was singing on this one, Anatomy of Habit unleashes their latest release “Black Openings”. Creating a very unique and intricate atmosphere, this release delivers over 38 minutes of an experimental amalgamation of Doom, Post-Punk, Drone, and a few other genres. If you like hypnotic music with singular vocals and crafty instrumentation, you can’t miss out on this one.

    Opening with the engaging “Black Openings”, the band quickly sets a very mellow mood that slowly progresses as it hooks the listener with its mystery. As Mark Solotroff vocals come on, the listener will immediately think of Ulver as he sounds just like Garm. However, this is not the only stand-out element from the music as it brilliantly layers tons of elements like a vibraphone, lap steel, and analog synths to create a nice and warm loungey vibe.

  • Serotonin Syndrome - Seed of Mankind (2023)

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    Unleashing aural waves of misery, today we have Finland’s, Serotonin Syndrome, and their third full-length release “Seed of Mankind”. Perfectly blending Post-Metal/Post-Black Metal elements with sobering melancholy, this release unleashings five tracks and nearly 40 minutes of brilliant music. Highly recommended for fans of bands like Karg, Harakiri for the Sky, and Heretoir, this release will certainly turn days cloudy and gloomy.

    Opening with “Among Others”, the release starts heavy hitting with piercing riffs and crushing vocals. This slowly transforms into slower passages that set a very bleak mood early on. As “The Pitiful One” rolls in, the band keeps unleashing blistering aggressive sections in between dreamy guitars and crafty tempo changes. With “Seed Of Mankind” the release takes an interesting tour into Karg/Harakiri for the Sky-esque territories with lush guitars and some shoegazey passages.

  • Isafjørd - Hjartastaki (2022)

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    Formed by Aðalbjörn Addi Tryggvason (Sólstafir) and Ragnar Zolberg (Sign/x-Pain of Salvation), Isafjørd is a new project that delivers a very unique and bleak form of Post-Rock, filled with desolation and despair. Perfect for the winter, this release clocks around 52 minutes of expertly crafted music divided in eight tracks filled with melancholy and atmosphere. If you like Post-Rock, but of the more depressive kind, this is an album you can't miss.

    Opening with the trance-inducing “Falin Skemmd”, the band really sets a low-energy desolate mood with weeping guitars and crafty percussions. Aðalbjörn Tryggvason’s vocals perfectly fit the level of melancholy created by the group and when sung in Icelanding add that extra layer of uniqueness as they transmit emotions without necessarily understanding the lyrics, as “Mín Svarta Hlið” and “Hjartastjaki” perfectly capture.

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