With Roy Khan reviving Conception back in 2018, the band took a while to deliver their return full-length “State of Deception”. Delivering around 40 minutes of music, this release has that old Kamelot vibe with a few sprinkles of Evergrey and Queensrÿche. The nine tracks here are catchy and engaging and will surely be loved by Roy Khan fans, as his vocals take front and center to solid songwriting skills and crafty arrangements.
After the mood setting intro, the album kicks off with the hard rocking “Of Raven and Pigs”, a track that starts a bit slow and it takes a while to settle with its lush vocal melodies and crafty guitars. With “Waywardly Broken”, the band goes into that Power/Progressive Metal vibe that we were expecting, thanks to the lively vocal leads and lush atmospheric keyboards. Thankfully, “No Rewind” continues this mood with dynamic guitars and crafty tempo changes, making it one of our favorite songs in this release.
Perfectly fitting for a dark and gloomy day, today we have Aeonian Sorrow’s latest EP: “A Life Without”. As the title indicates, this release is full of melancholy and gloom, delivering exactly what the fans of the band and the genre expects. For over 30 minutes the band explores cavernous atmospheres filled with crushing riffs, demoralizing growls and angelic female vocals.
The album slowly builds up with the opener “The Endless Fall of Grief”. Instead of the traditional long instrumental intro, this track quickly unravels brutal growls and heavy guitars, creating a very imposing and commanding mood since the first few minutes. Ville Rutanen (Red Moon Architect) handles all growls, perfectly contrasting them from Gogo Melone’s sultry female vocals, a brilliant example of this is the emotional “One Love” and its dramatic guitar leads and ‘beauty and the beast’ vocal interchanges.
As one of our favorite bands, Clouds delivers one of the most melancholic and depressive brands of Atmospheric Death/Doom Metal ever created. With “Durere”, the band’s mastermind, Daniel Neagoe, continues to explore the process of grief and loss in seven tracks and nearly one hour of soul crushing music. Never disappointing, the tracks in this release are filled with grief and despair perfectly translated into musical notes.
The album opens with solemn acoustic guitars and clean vocals in “Cold Guiding Light”, just before switching gears into ravaging growls and mournful violin arrangements. This track slowly erodes at the listener’s psyche with dramatic atmospherics. “Empty Hearts” continues the misery with distant weeping guitars and melancholic vocals. The band’s signature contrast between crushing riffs and growls with more mellow passages is very effectively delivered in this track.
Hailing from Slovakia, Malokarpatan delivers a re-issue of their 2018 EP via Sun & Moon Records. While we don’t really subscribe to the hype behind the band, this 7” presents us two conceptually related tracks that continue to push the boundaries of the genre, as the band has set to do since their origins a few years ago.
The release opens with an instrumental/atmospheric side A track that sets a very sinister and engaging mood. Not too much else to talk about here. Side B gives us a proper old-school Black Metal piece, sounding like Master’s Hammer and Tormentor, but with thicker and more punishing atmosphere. The riffing and vocal’s give this track a very raw and punishing vibe, thanks to the contrasting underlying melodic nature of the track.
Making our start of 2019 a lot more gloomier, today we have SLOW and the re-recording of their 2015 release “IV - Mythologiæ”. Helmed by the multitalented Déhà, this outfit delivers some of the most painful and crushing Atmospheric/Funeral Doom to ever exist and with this release they unleash nearly 60 minutes of monolithic bleakness. Only for fans of bands like Thergothon, Shape of Despair, etc., this music will certainly strike a nerve with its sheer raw power.
The album kicks off with the desolate soundscape painted by “The Standing Giant”. This track starts with minimalist atmospheric elements and weeping guitars that slowly progress to powerful riffs and deep growls. The pace of this song makes it just magical, allowing the listener to be at the edge of their seat for over 10 minutes. The build-up is one of our favorite elements of the genre and on “The Drowning Angel”, we get a majestic one that takes nearly half the song but unravels into demoralizing brilliant as the song comes to a climax.
It is not everyday that you receive a release from a band hailing from Iran. With our curiosity peaked, Eternal Candle’s debut full-length “The Carved Karma”, is one hell of a Progressive Death/Doom Metal release. Combining elements from old-school Death Metal, Doom Metal all perfectly paired with a Progressive edge, this release delivers almost one full hour of masterful music. For fans of old Opeth, Katatonia, My Dying Bride, this release will certainly resonate with you.
Immediately after the dreamy instrumental opener, the band gets down to business with the sheer power of “The Ripped Soul”. Reminding us of Amorphis on their “Privilege of Evil” days, this track is heavy and pummeling, thanks to its powerful riffs and old-school vibe. Things quickly move into more Progressive / Katatonia-esque territories with the intricate “Sick Romance”, and even further into old-school Death/Doom influences with “A Path to Infinity”.
It is rare for us to find a release that is just so catchy that we drop everything else we have to review and focus 100% on it. Luckily for us, The Moor’s latest album “Jupiter’s Immigrants” falls in this very elusive category. Delivering nine brilliant and super melodic tracks, this Italian band managed to capture our undivided attention for hours on end. Mixing Progressive Metal and Rock elements, this album will captivate you since the first few seconds until the last note.
Opening with the highly melodic riffing of “Lead the Difference”, the band’s vocal melodies are what hooks you right in. Reminding us a bit of Edu Falaschi’s Almah, this band does a super job in oozing melody and catchines as we can hear in the album’s titled track. Packed with hefty dose of heavy riffs, subtle atmospheric keyboards and the guest appearance of Mikael Stanne, this title track is hands down one of the best songs of 2018.
Unleashing one of the most inventive and catchy Progressive/Technical Death Metal releases of 2018, today we have Burial in the Sky and their sophomore release “Creatio Et Hominus”. Filled with lush instrumental passages and highly crafty pummeling sections, this release perfectly balances the best of two worlds to deliver seven expertly crafted tracks that will keep you entertained for hours at a time.
Opening with the dreamy jazzy sax of “Nexus”, the band sets a mysterious tone while intoxicating the listener with their atmospheric intro. This peaceful mood quickly changes into growls and crushing drumming with “Tesla”. This track reminds us of a mixture of Cynic and Fallujah, as the moody bass guitar line perfectly contrasts the aggressive guitar riffs and blistering solos. Perfectly dancing between lush atmospheric passages into more technical brutality, the band tiptoes through tracks like “Nautilus’ Cage” and the playful “The Pivotal Flame”.
Fronted by Daniel Neagoe (Clouds, Shape of Despair), today we have Funeral Doom outfit Eye of Solitude and their latest opus “Slaves to Solitude”. Just fresh from their North American West Coast mini-tour, this band unleashes one of the most misery inducing Funeral Doom releases of the last few years. Up with Mournful Congregation, Clouds, and Shape of Despair, this band creates uniquely melancholic crushing songs that will extinguish your will to live.
The album kicks off with the dreamy “The Blind Earth”, a song that takes a while to build up, but once it reaches the 7 minute mark it becomes increasingly punishing. Daniel’s inhuman growls perfectly complement the bleak and desolate atmosphere created. With Mark Antoniades and Steffan Gough handling the guitar dutties, tracks like “Still Descending” perfectly deliver that brilliant Doomy sound of weeping guitars and well-timed heavy riffs.
Formed by musicians from Finland and Greece, Aeonian Sorrow is set to unleash their debut album “Into The Eternity A Moment We Are” on April 11, 2018. Featuring nearly 60 minutes of beautiful and yet demoralizing Melodic/Gothic Doom Metal, this release caters to the fans of bands like Draconian, Swallow the Sun, old Tristania etc. This young band manages to release eight brilliant tracks full with memorable moments and expert musicianship.
Opening the album with "Forever Misery", we are instantly greeted by solemn keyboards and piercing Doom riffs. Alejandro Lotero’s growls are exactly what the doctor ordered in these types of releases and perfectly contrast Gogo Melone’s enchanting female vocals. With Gogo also handling the keyboard duties, the band creates a very dense and crushing atmosphere, as heard in “Shadows Mourn”. The My Dying Bride-esque “Under the Light” delivers ripping guitars and very well-spaced drums, crafting the perfect mournful headbanging tune.