Album Reviews

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    Deficiency – The Prodigal Child (2013)

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    Hailing from France, today we have Deficiency, a very promising young band that plays a mean modern sounding Thrash Metal. Presenting us with ten superb tracks, this band showcases that not everybody is just trying to copy what old-school Thrash Metal bands have did in the past. Giving us a certain flair of bands like Mercenary, EverEve (sans the experimental craziness), etc., this is a very entertaining album that will not get dull at any point.

    Blasting away instantly with the album title opening track, the band showcases vicious riffing and versatile vocals. Not settling for your typical Thrash style, the band throws some growls into the mix. As “Unleashed” and “A Prospect of Traveling Beyond” unfolds, the band clearly showcases their unique signature into the music with emphasis on epic vocal sections and incisive riffs. For those of us that enjoy dark and melodic songs, “Those Who Behold” is one hell of a track with lush drumming and the perfect tempo to make it quite memorable.

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    Autumn’s Dawn – Gone (2014)

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    Arriving on Eisenwald Tonschmiede, today we have Australian duo Autumn’s Dawn and their debut full-length release “Gone”. Being no strangers to the scene, Sorrow and Anguish are musicians that play in at least 4 bands each, the most famous of them being Tim Yartas of Germ and Austere fame. Anyways, the band presents nine melancholic tracks of pure brilliance that eerily remind us a whole lot of Tim’s previous band Grey Waters.

    Opening this release we have the very emotive “The Ashes of a Life”, a track that has a very Rock-ish structure and melancholic clean vocals from Tim Yartas. The very ethereal atmosphere is always present and it is allowed to shine (even more) in some instrumental passages. Don’t you think this release only features clean vocals, we get a treat of Tim’s harsh singing through this release, starting with the epic “Until My Heart Corrodes with Rust”.

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    Accept – Blind Rage (2014)

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    As one of the songs in this release mentions, Accept is one of the last of a dying breed of hard rocking bands that constantly deliver quality over quantity. Wolf Hoffmann and company manage to set the bar even higher after their most recent scorcher releases “Blood of the Nations” and “Stalingrad: Brothers in Death”. With their newly found singer, Mark Tornillo, the band is soaring higher than ever before and “Blind Rage” is a testament to that.

    Opening with the no-bullshit onslaught led by “Stamped” and the super catchy “Dying Breed”, the band continues to do what they do best: deliver epic Heavy Metal songs without complications. Being consistent is one of the Accept’s best assets and through songs like “Dark Side of My Heart” and “Fall of the Empire” we can hear the band’s signature sound greatly enhanced by a modern production.

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    Destitution - Beware the Fury of the Patient Man (2014)

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    With the Netherlands being a huge supplier of female-fronted Metal bands, it is always quite refreshing to hear bands trying different genres. Desitution delivers ten tracks of old-school Thrash Metal with modern production values and the original attitude of the 80’s. Featuring a very retro sound and packaging, this digipack is one solid debut release.

    Instantly channeling their inner Kreator, “Mr. Greedy” opens the release with solid vocals and excellent guitar leads. The vocals have that very distinct Thrash ring to them that allows them to fully take command of each song. Not being slackers, Destitution delivers plenty of songs over 3:30 minutes long, with some of them even clocking 5 or more minutes. This allows the tracks to fully develop by themselves and features a wide variety of guitars leads and melodic sections like “Criticize”, “”Vigilante” and “Alcathrash”.

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    Dragonforce – Maximum Overload (2014)

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    Arriving with one of the most expected releases of 2014, today we have Dragonforce and their epic “Maximum Overload”. Featuring nearly 50 minutes of signature Dragonforce Power Metal, this release further develops their sound and delivers a wide variety of tracks that appeal to fans of the band as well as genre enthusiasts. With Marc Hudson fully incorporated to the band’s style and tempo, this is one the best releases of their career.

    Opening with the tour-de-force epic “The Game”, the band deliver their signature vocal melodies alongside the ridiculous guitar skills of Herman Li and Sam Totman. This opening track features some intense growls, making the band sound a bit like Mercenary in their good days, but the band’s traditional playfulness is always present. With epic chorus sections like on “Tomorrow’s Kings” and “No More”, the band will not disappoint any of their legions of fans.

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    Kvity Znedolenykh Berehiv – Za Nebokray Mriy (2014)

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    Being huge fans of any variants of Death/Doom Metal, when we received Kvity Znedolenykh Berehiv - (Kvity - for short) demo release “Za Nebokray Mriy” (aka “Beyond the Horizon of Dreams”) we instantly put it on our stereo system. Featuring two songs of monumental atmospheric Death/Doom Metal, this release will intoxicate you with sadness and melancholy for the 20 minutes it runs for. Both songs deliver elements from the genre greats like Saturnus, (old) Anathema, My Dying Bride, Lethian Dreams. Morgion, etc., making them quite awesome.

    Opening with “У обіймах (Тихі води)”, the release sets a very dramatic and engaging tone. Merciless weeping guitars surrounded by heavy growls and bleak atmospheric elements. This one-man band provides an excellent rendition of melancholy through music thanks to its lush keyboards/piano arrangements. Clocking in at nine and a half minutes, this track reminds us of Draconian minus the female vocals with some Forest of Shadows influences.

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    Kaosophia – The Origins of Extinction (2013)

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    Delivering 46 minutes of ravishing Black Metal, Ukarine’s Kasophia will blow you away with their brutal debut “The Origins of Extinction”. Filled with oppressive riffs and brutal drums, this release delivers hate-filled onslaught of crushing Black Metal that no fan of the genre will want to miss.

    Wasting no time in making their presence heard, “March of the Antichrist’s Soldiers” delivers intense tremolo picking and ghoulish vocals. Being a mixture of Pest and Abbath, the vocals in this release is quite authentic and perfectly fitting for the fury behind the music. The band also specializes in creating decadent atmospheric songs like the chilling “Cotard Delusion” and “Rituale Romanum”, filled with incisive guitars and hypnotic tempos.

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    Eluveitie – Origins (2014)

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    With a thunderous release, today we have Eluveitie and their premier Folk Metal in the shape of “Origins”. Featuring over 55 minutes of music, the band further develops their sound while retaining their signature instrumentation in 16 action filled tracks. With no signs of slowing down after the departure of their longtime violinist Meri Tadic, the band delivers one of their finest releases to date.

    Quickly exploding into action with “The Nameless” after their intro track, the band delivers a catchy Folk tune filled with Bagpipes and contrasting crushing guitars. The band’s catchy atmosphere is nicely implanted in epic tracks like “From Darkness”, “Celtos”, and the melodramatic “Virunus”, a personal favorite of us. Chrigel’s vocals are as good as ever and his mastery of instruments like Mandolin, Ulieann pipes, etc. really put the band above all others that rely on computer generated instrumentations to fill their sound.

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    Deadlock – The Re-Arrival (2014)

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    Arriving today from LifeForce records, we have Germany’s Deadlock with an excellent compilation/rarities/best of + new songs double CD release. Featuring a wide variety of tracks, this release re-interprets/arranges some of their older classics and presents a few new songs that showcase the exciting evolution of the band’s rich sound. With the second CD being rarities and older tracks, we will focus or review on the first CD that has more interesting material.

    The album opens with the Groovy “An Ocean’s Monument”, a new track that shows the band’s further evolution into Groove Metal territories. Sabine’s soaring vocals are great, and John Gahlert’s screams fit nicely with the atmospheric elements of this track. The next set of tracks are re-arrangements or re-recording of older songs: “Code of Honor” with guest vocals from Marcus Bischoff that sounds almost the same as the original version but with harsher vocals, an “Earthlings” version that features new arrangements and we assume vocals, and an improved version of “The Brave / Agony Applause”.

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