Ambient

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    Akhlys - House of the Black Germinus (2024)

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    Taking their nightmare inducing sound to a whole new level, today we have Akhlys and their latest opus “House of the Black Germinus”. With an Industrial edge to their already piercing Ambient Black Metal sound, this release delivers six tracks and over 50-minutes of some of the most hellish soundscapes you will ever witness.

    Opening with the Blut Aus Nord-esque “The Mask of Night-speaking”, the band sets a very intimidating atmosphere flanked by crafty synths, crushing drumming, and pummeling Black Metal onslaughts. Naas Alcameth is a master in creating unsettling atmospherics with excruciating tempo changes, with tracks like “Maze of Phobetor” and “Through the Abyssal Door” being perfect examples of this.

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    Eivør - Enn (2024)

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    Hailing from the Faroe Islands, today we have Eivør with her major label debut “Enn”, released under Season of Mist. Featuring a very dreamy and upbeat sound, this release delivers eight tracks and over 40 minutes of highly addictive music. While not the usual stuff we review, there is a certain magic to Eivør’s ethereal vocals and style that we got hooked on, and hence reviewing for you.

    Setting a very dreamy vibe, the opening track “Ein Klóta” unleashes waves of hypnotic electronics and sweet angelic vocals. With “Jadartra” we get a nice droney melody with a mysterious edge, reminding us a bit of Kari Rueslåtten’s “Pilot” days. Just like something out of an Eurovision contest, “Hugsi Bert Um Teg” is a catchy track that quickly grabs your attention thanks to the masterfully crafted beat and dreamy electronics.

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    Midnight Odyssey - Closer to the Sky (2024)

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    Always consistent and oozing creativity, Dis Pater and Midnight Odyssey return with an epic EP titled “Closer to the Sky”. In this five track, thirty-three minute outing, the listener is treated to magical ambient soundscapes that are masterfully adorned with harsh screams and relentless Black Metal onslaughts. Filled with quality music and engaging atmospherics, this is yet another triumphant release from the band.

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    i Häxa - Part 1 (2024)

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    Unleashing a short but very interesting release, today we have i Häxa and the chaotic and yet lush “Part 1”. Featuring four songs and over 16 minutes of music, the listener is taken on an aural journey that weaves between ambient, darkwave, avant-garde, and highly atmospheric passages. If you like weird and yet cohesive and engaging releases, with no Metal elements whatsoever, give this one a spin.

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    Tenhi - Valkama (2023)

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    After all the new releases and surprise returns from many of our favorite bands, Tenhi was the one we least expected. Marking their first release in nearly 12 years, after the excellent “Saivo”, the band returns with “Valkama”. Featuring 12 tracks and 70 minutes of solemn and enigmatic music, it is like the band never left as the melancholy and mysterious beauty of this release oozes through your speakers. Needing no introduction, if you are into Dark Folk/Neo-folk music, and never heard of Tenhi, you are missing out.

    The release kicks off with the gentle and immersive “Saattue”, the band always crafts dark and powerful atmospheres with very minimal instrumentation and this track is a clear example of this. Fully enveloping the listener in the band’s world, “Valkama”, “Kesävihanta”, and “Rannankukka”, are tracks that mix lush acoustic guitars with hypnotic Finnish-only vocal arrangements and very subtle atmospheric arrangements.

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    ISON - Stars & Embers (2023)

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    Just when you think a band and their music can’t get any better, ISON comes at us with the majestic “Stars & Embers”. Daniel Änghede brings back Lisa Cuthbert to achieve total dreaminess in the eight tracks presented in this release. Perfectly blending Ambient with Darkwave and some additional ‘Doomgaze’ elements, this release is both haunting and captivating. While it might require a specific mood for full enjoyment, this release has been a great backdrop to some long days at work.

    The release opens with the lush and sidereal “Luminescent Reverie”, a piece that instantly transports the listener to have an astral projection experience as the music blends with the hypnotic vocals and masterful pacing. ISON always has this experience on us, as their music is quite lush in the atmosphere and vocals department. Lisa’s range is amazing, allowing her voice to shift across songs this release progresses, additionally, Mikael Stanne lends his signature clean vocals in a duet on the shoegazey “Peregrination”.

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    Forlesen - Black Terrain (2022)

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    After blowing us away with their 2020 debut “Hierophant Violent”, Forlesen is back for more with a poignant sophomore release titled “Black Terrain”. Clocking in at nearly 60 minutes of crushing and yet experimental music, this album perfectly blends elements of Ambient music and Doom/Black Metal to create a massive slab of enigmatic atmospheric brilliance. Better digested after more than a dozen spins, this release is a killer follow-up to their antics.

    The release opens with the 19-minute behemoth “Strega” and its slow burning approach, flanking distorted guitars with crafty vocal arrangements and additional subtle instrumentation. The solemn combination of male and female vocals alongside a super slow tempo creates a very unique and devastating aura as more colorful guitar leads are introduced. The song reaches an excellent climax and we will definitely not ruin it for listeners here.

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    Remina - Strata (2022)

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    Unleashing one of the dreamiest and most ethereal releases of 2022, today we have Remina and their debut album “Strata”. Formed as a project of vocalist Heike Langhans (ex-Draconian, Light Field Reverie) and Mike Lamb (Sojourner, Light Field Reverie), this release delivers over 40 minutes of highly atmospheric and truly cinematic music. Mixing elements from ISON and Light Field Reverie, this band creates truly emotive music that will take the listener on a magical journey.

    The release starts building momentum with the solemn opener “Aeon Rains”, which slowly progresses with Heike’s enchanting vocals and a slew of distant guitars, crafty electronics and melancholic atmospherics. The Doominess first comes under the name of “Obsidian” and its slow and mournful riffs, perfectly enshrouding the layered vocals. By the time “Dying Sun” comes around, the listener is already fully immersed in a trance, perfectly crafted by the band’s powerful atmosphere and melancholic powers.

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    Maulén - El Miedo de Amar (Part 1) (2022)

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    Hailing from Sweden, Maulén is a music collective with a very unique and engaging sound. We like weird and atmospheric stuff and this EP perfectly fits into both categories. With three tracks and nearly 20 minutes of music, Carlos Ibarra (Age of Woe) and company take listeners through desolate soundscapes that are both exotic and quite melancholic. Not for the close minded, this release has a certain magic that will find you listening to it over and over without even noticing.

    Opening with the dreamy “Rostro” and its droney core, nicely adorned by minimalistic guitars and haunting vocal arrangements. This track immediately drew our attention and hooked us on this musical journey. On “Sirjatan” we have Lea Alazam unleashing her hypnotic vocals, reminding us a bit of bands like Wolvennest and Jex Thoth, this track nicely sets a very somber tone that slowly gains momentum until reaching its climax.

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    Terra - Für dich existiert das alles nicht (2022)

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    Unleashing a gargantuan slab of Black Metal with tons of atmospherics, today we have UK’s Terra and their sophomore release “Für dich existiert das alles nicht”. In the vein of Ash Borer, Fell Voices, and the like, this release punishes the listener with ravaging onslaughts of Black Metal aural abuse thanks to its unsettling atmosphere. With four tracks clocking in at over 60 minutes, this release is as brutal as it is brilliant.

    Opening with “The Beginning”, the band slowly envelops the listener with raw distortion, massive drums and piercing vocals. The band’s style is definitely an acquired taste as it relies heavily on its punishing atmosphere but once it settles, it is demoralizing and extremely powerful. The riffs on tracks like “Verisimilitude” are as heavy as they can get and nicely weave back and forth from the drone-ish/ambient-like atmospherics. This particular style is quite effective and immediately transports the listener to a dark and foggy world where sound transcends consciousness.

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