Unleashing a truly transformative and trascendental release, today we have Finland’s Vesperith and her self-titled full-length release. As a one woman entity, Sariina Tani has crafted a unique experimental release that will transport the listener to the bowels of hell with waves of aural dissonance and will bring them back to the surface with angelic chants. Not for the impatient listener, this release will grow on you with time, but once it does, it is unrivaled when it comes to cinematic experiences.
Setting a very dramatic and enigmatic mood, “The Magi” gets the journey started with eerie atmospherics and haunting vocals. After some moments of peace and clarity, “Fractal Flesh” unleashes crushing drums and harsh vocals to infuse uneasiness on the listener. The mixture of Black Metal and atmospheric elements works magically on this track.
One man Australian battalion Midnight Odyssey is finally unleashing their newest full-length release “Biolume Part 1 - In Tartarean Chains”, that is by far one of the most captivating Ambient Black Metal releases of 2019. Taking the listener into a sidereal journey with his mastery of atmosphere and pace, Dis Pater delivers over 70 minutes of lush and hypnotic music.
The album kicks off with the spacey and dreamy atmospherics of “Hidden in Tartarus”. This track crafts a very unique ambiance thanks to doomy riffs and very ethereal clean vocal arrangements. Sending chills through your spine, this atmosphere is continued on the heavier “Forever Silenced”, a track with more Doom-ish undertones and contrasting harsh vocals. This song reminded us a bit of the earlier days of Therion, just when they started getting into the Symphonic days of their career.
Originally unleashed back in 2014, “Alunar” marks the debut of one-man Atmospheric/Ambient Black Metal entity Aureole. Delivering over 43 minutes of bone chilling atmospheric music, this release creates a very cavernous vibe that will send shivers down your spine. Brilliantly crafted for those who are patient and like things to slowly evolve and unravel, this release is ready to take you on a sidereal journey.
The album kicks off with the haunting “I: Citadel Alunar”, a track that slowly builds up momentum with its mellow riffs and hellish screams. Perfectly mixing dramatic synths with tense drone-ish moments, this track creates a chilling vibe. In tracks like “II: The Voice of Nebular Flame” and “III: The Senility of the Hourglass”patience rewards the listener with slow and intricate build-ups and crafty transitions.
From mastermind Naas Alcameth (Nightbringer, Akhlys), today we have a very interesting Black Metal/Dark Ambient release titled “Gods Without Name”. Under the moniker of Aoratos, this outfit unleashes nine highly atmospheric pieces to comprise their debut release. Full of ideas perfectly executed, this release is in the vein of experimental BM bands like Blut Aus Nord as well as Mysticum and with some hits of Diabolos Rising thrown in the mix.
After setting a very hellish ambiance with “Parallax I”, the band slowly drifts into heavier territories with the ravaging “Holy Mother of Terror”. The band unleashes a commanding aural onslaught filled with dissonant riffs and blistering drumming. Paired with hellish vocals, the attack continues as “Of Harvest, Scythe and Sickle Moon” unravels. The band’s sound is both raw and punishing without the need to sound like it was recorded on a shed, allowing the listener to experience it at full blast and not damage their speakers.
As the second full-length release from Unreqvited this 2018, this is certainly the most ambitious one. Mostly diverging away from the more traditional Post-Black Metal elements of their first two albums, “Mosaic I: l'amour et l'ardeur” is a lush introduction into a more atmospheric and dream-like world that is quite magical to experience. This one-man outfit does a great job in creating magical soundscapes with dreamy guitars and solemn piano elements, so be prepared to be fully immersed into Unreqvited’s musical journey.
The album sets a magical mood with the majestic “Sunrise”, a piece that is quite ethereal in nature and perfectly crafted to give that warm fuzzy sense of awe. “Dreamscape” has a distinct Blackgaze vibe, nicely created by the active guitars and a backdrop of harrowing harsh shrieks, perfectly contrasting the brightness created by the instruments. We are suckers for playful piano songs and “Radiant” delivers on this. Perfectly named, this track feels quite radiant as it shines thanks to its dramatic arrangements and masterful distorted guitars as contrast.
Two years have passed since their crushing release “Weltenasche”, and now Karg returns with a more refined and poignant release with “Dornenvögel”. As a one-man project from V. Wahntraum of Harakiri for the Sly fame, the band’s sound is quite melancholic with plenty of Post-Black Metal elements thrown into the mix. Clocking in at 76 minutes, this album has a lot of intricacies to be discovered before it fully unravels to the listener, making it a very rich listening experience.
Exploring the darker sides of Atmospheric Black Metal/Post-Black Metal, “Drangsal” starts off the release with melancholic weeping guitars and a very desolate vibe. This track nicely weaves back and forth between bleak soundscape and heavier sections filled with aggression and desperation. The dreamy and Post-Rock-ish passage in “La tristesse durera toujours” is definitely one of the best and most emotionally charged sections we have heard in a while.
Unleashing one of the Doomiest and most intoxicating release of 2018, today we have Italy’s Messa and their sophomore full-length release “Feast for Water”. Featuring around 50 minutes of highly mysterious and intricately crafted music, the band perfectly combines Doom and Sludgy undertones with enchanting female vocals and oppressive atmospheric elements. If you are a fan of Jex Thoth, Jess and the Ancient Ones, Bohren Und Der Club Of Gore, and similar bands with very apocalyptic vibes, this is certainly an album for you.
After opening with the mood setting Ambient/Drone-ish “Naunet”, the band instantly makes a splash with “Snakeskin Drape” and its incisive riffs. Sara’s sultry voice instantly captures the listener’s attention thanks to its commanding presence and how it shines through the very moody music. Her unique vocals can be said to be a certain mixture of Jex Thoth, Jess from Jess and the Ancient Ones and Farida Lemouchi from The Devil’s Blood, creating a fierce presence that magically brings songs to life like jazzy “Leah” and the funky “The Seer”.
Crafting a very disturbing and eerie dark cloud of sound, today we have Sum of R and their full-length release “Orga”. Hailing from Switzerland, this two-man outfit unleashes a very unique aural exploration that is quite minimalist and ritualistic in nature, with plenty of creepy elements. Recommended for fans of Void ov Voices, Raison D'Etre, Sunn O))), etc., this release will induce nightmares if played in the dark.
The album sets a very martial and disturbing tone with the first few tracks, “Please Ring the Bells”, “Overgrown” and “We Have to Mark This Entrance”, allowing the listener to get into a very eerie and spacey frame of mind. We were particularly disturbed (in a good way) by the funky samples at the end of the third track. The unnerving aural dissonance of pieces like “Cobalt Power” make this release quite a treat to listen to, while others like “Hypnotic State” bring back some more familiar Lustre-influenced elements.
Arriving all the way from Lebanon, today we have one-man project Moonaadem and their self-titled debut release. Featuring seven tracks of very well crafted Atmospheric Black Metal, this release is filled with raw misery and solemn music that will crush your spirits and soul. Staying away from the clichés of the genre, and avoiding sounding like everybody else, this outfit keeps things very dark and melancholic for over 25 minutes.
Starting with “Multivers”, the album sets a very sinister mood with a mid-paced Black Metal piece that is quite engaging. Blending atmospheric elements with traditional riffs allows this track to have that certain BM-vibe, while further expanding its effect with an eerie atmosphere. The punishing “Pleine Lune”, is one of the best tracks in this release with its very melodic approach and furious intensity. This is masterfully contrasted by dreamy atmospherics and violent BM shrieks, leading to trippy passages.
Originally released back in 2012, Panopticon’s “Kentucky” is the band’s seminal release in which they mix both Black Metal and Folk/Americana/Bluegrass elements in a brilliant way. Just as when it was originally released, this release will certainly catch a new wave of people by surprise as the genres are not intuitively easily combined. Multi-instrumentalist Austin L. Lunn certainly pulled of one of the most unique releases of all times, and this is you latest chance to get a copy of it.
The album instantly raises eyebrows with the Folky/Americana-inspired “Bernheim Forest in Spring” as it leads into the explosive and very aggressive “Bodies Under the Falls”. With this transition we are back into more familiar territories with harsh vocals, punishing riffs and tight drums. This track masterfully weaves back and forth between heavy passages and lush banjo-led sections that work perfectly with the flow of the song.