Post-Rock

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    Tides From Nebula – Eternal Movement (2013)

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    Ever since catchy Tides From Nebula at the WGT in 2011 we have been amazed by their cinematic Post-Rock/Instrumental Rock music. In “Eternal Movement”, the band’s third album, they keep delivering lush atmospheric and emotional songs that transport the listener to beautifully crafted soundscapes fit for the soundtrack of an indie mute film. Greatly maturing since “Aura” and “Earthshine”, this is one release that elevates the band’s sound to new heights.

    Opening with the emotive “Laughter of Gods”, the band’s lush layered guitars and atmospheric elements greatly set the tone for an excellent journey. Filled with amazing tempo and mood changes, tracks like “Only With Presence” and “Satori” elevate the listener’s spirit with a wide palette of aurally pleasing sounds. The band’s strength lies in being able to build up from dark and moody passages into full-on smile inducing happier moments, a perfect example of this is the rich “Emptiness of Yours and Me”.

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    Doyle Airence – Monolith (2013)

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    With a French scene recently growing in numbers and strength, Doyle Airence is another excellent band that is finally getting some attention in the international scene. “Monolith” marks the band’s sophomore release and mixes elements of Post-Hardcore with Ambient. Rock, and Metal. The band’s very unique sound will surely grab you attention and divide opinions since they are far from your typical run-of-the-mill ‘up and coming’ band.

    Kicking off with a mood setting atmospheric track, “03.11.11”, it is not until “Painting with Lights” were we first hear the band’s punishing guitars. In this track we have a very typical Pos-Hardcore approach to thins, with devastating screamed vocals and pummeling drums. It is not until “Friendly Fire” that we get some of the band’s more experimental side with a modern sounding Metalcore-ish vibe and some very solid Post-Rock/Post-Metal passages thrown in between. While we are not huge fans of the Metalcore-ish clean vocals, they still fit the melodic aspect of the song very well.

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    Autumnblaze – Every Sun is Fragile (2013)

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    The killer releases of summer of 2013 keep piling up with Autumnblaze delivering the long awaited “Every Sun is Fragile”. With an ever changing musical style, the German outfit delivers a very heartfelt Depressive/Post-Rock album that is filled with amazingly catchy songs and very melancholic atmospheres. Pushing their sound even further than on “Perdition Diaries”, fans of Green Carnation to Gothic Rock outfits will love this release instantly.

    Markus Baltes has really pushed the band’s sound over the years but with the opener “New Ghosts in Town”, the listener will immediately know how far they have gone now. There are almost no harsh vocals, and the music is mostly on the Rock side of things, however, there are still some Metal influences present. This track is quite dramatic and thanks to the imposing clean vocals the overall atmosphere is quite dramatic. As heard on “Invisible Fields”, the band guitars are still quite catchy making the music perfect for some heavy duty headbanging.

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    Australasia – Sin4tr4 (2013)

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    Being huge fans of Post-Rock and Post-Metal, we were pretty psyched about this release after doing our research on the band. Needless to say, this release is one of those albums that feels extremely repetitive and after a while gets on your nerves. We do not doubt the band’s abilities or flow of ideas, but the songs in this release get very repetitive and dull after 15 minutes.

    The album open with “Antenna”, a very dreamy Post-Rock piece that is quite good and engaging, the only issue is that all the remaining songs sound the same. The Black Metal-esque riffing is quite effective and promising, but was used more as a gimmick than actually part of the band’s sound. With “Spine” and “Apnea” we start getting quite sleepy since there are not many different things except for some cool keyboards and atmospheric elements, but not enough to really help discern the songs.

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    Lost in Kiev – Motions (2012)

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    Arriving from Moodisorder, today we have Lost in Kiev and their debut full-length release “Motions”. Featuring seven lush Post-Rock tracks, this French band specializes in creating very emotional cinematic music that any fan of the genre would greatly appreciate. Heavily focusing on highly atmospheric content, this five-piece crafts very unique and powerful music that will transport you to landscapes painted by your imagination thanks to the very ethereal musical style.

    The mood setting intro “>” nicely builds up to the hypnotic “A Mere Shift Of Origin”. This tracks atmosphere is greatly aided by the spoken vocals, creating a nice complementing feature that slowly explode into powerful distorted guitars. The band’s very martial approach allows the track to perfectly progress and the lush keyboards create a solid contrast in the atmosphere.

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    Entropia – Vesper (2013)

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    Hailing from Poland, today we have Entropia and their debut full-length release “Vesper”. Mixing Black Metal with some Sludge and Post-Metal elements, this band shows great promise in their six tracks spanning over 49 minutes of music. While not being overly cliché, the band nicely mixes different influences to create some interesting atmospheres in their very decently crafted sound.

    Opening with “Dante”, we get a typical Black Metal opening followed by some powerful atmospheric keyboards and some solid Sludge/Post-Metal rhythmical section. “Gauss” shows off some of the band’s more melodic side while keeping their effective riffs and very well paced drums. Things get a bit more dramatic with the harsh screams of desperation in “Pascal”, one of the best tracks in this release thanks to the very slow tempo and rawness of the song.

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    Asofy – Percezione (2013)

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    Hailing from Italy, today we have one-man project Asofy and their latest full-length “Percezione”. With a very bleak and somewhat minimalist sound, Asofy delivers four tracks of very emotional Black/Doom Metal with some Post-Black Metal elements. The music is quite direct and very well paced, enough to enchant any Doom or Suicidal Black Metal fan, very similar to the experimental stuff of Svarti Loghin.

    On the first track, “Luminosita”, the Post-Black Metal influences nicely make this very melancholic song even more bleak and desolate. Tryfar handles all instruments and does a very good job with the guitars and bass guitar. The drums are programmed so they sound a bit fake in some points, but they are pretty decent compared to other releases. The pace of this song is quite slow and dabbles around some jazzy/doomy sections very nicely.

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    Apocynthion – Sidereus Nuncius (2013)

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    Going over tons of releases every month, we rarely get to enjoy unexpected masterpieces like Apocynthion’s “Sidereus Nuncius”. Having received the promo directly from the band, we got immediately hooked into their music after the first song and we have been constantly listening to it non-stop since then. Delivering seven tracks of majestic Post-Rock/Post Black Metal with Shoegaze and some Doom elements, the band’s sound is quite moving and powerful.

    Opening in a very dreamy note with a sample from “2001: A Space Odyssey” on top of atmospheric arrangements, the band commands attention with this hypnotic opening. “Redshift” continues with a Post-Rock vibe, similar to Godspeed Your Black Emperor and God is an Astronaut, filled with cool percussions and dreamy clean vocals. This ten-minute track slowly morphs into Post-Black Metal territories with powerful and dreamy guitars accompanied by shrieks of desperation. The band reminded us of Heretoir, Lantlos and similar outfits, but they always keep their own musical identity.

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    Born of the Stars – Born of the Stars (2012)

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    As the brainchild of multi-instrumentalist Michael Kushner, today we have Born of the Stars and their/his self-titled EP. Mixing elements of Progressive Metal, Alternative Rock and Post-Rock, the ‘band’ manages to craft very emotional and melancholic songs that are actually very appealing and engaging.

    Opening with powerful Groove Metal-style guitar riffs, “One Day” immediately morphs into a more melodic and diverse track. Michael delivers a solid vocal performance, but we are more surprise on the quality of the instrumentation behind the song. Particularly the drums are quite good, which are usually the pitfall of one-man bands, and most of the time sound like very evidently programmed ‘robotic’ track.

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    Lovely Girls Are Blind – Brésil (2012)

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    Delivering nine tracks of exquisite and playful instrumental Rock, today we have France’s Lovely Girls Are Blind and their third full-length release “Brésil”. Combining elements from Instrumental Rock, Post-Rock, and Progressive Rock, this French quartet manages create their own unique sound while reminding us of bands like Mogwai, God Is An Astronaut, and the more refined parts of Russian Circles.

    Opening with the very eerie “Catatonie”, the band sets the mood with dreamy guitars and very well paced percussions. The band does a great job in crafting beautiful passages in this song (and the rest) that allow the song to fully develop in a natural fashion. With a shorter duration and a more direct approach, “Robotnik” shows a heavier side to the band that nicely changes the pace of the release very quickly, just before going back to more dreaminess courtesy of “Cochise”.

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