Just when you think you have a band figured out, Unreqvited continues to push its aural boundaries with the lush and brilliant “Mosaic II: la déteste et la détresse”. Taking the best elements of its earlier releases and adding more dynamic and contrasting ones, this one-man outfit manages to create a magical atmosphere that is quite hard to come out of. If you are into Atmospheric Post-Black Metal and you think you have heard it all, this release will change your opinion.
Opening with subtle atmospherics in “Nightfall”, the track slowly evolves into an excruciating passage to the bowels of hell thanks to its punishing shrieks. However, the music stays dreamy and ethereal, creating a very interesting and powerful contrast. With a heavier vibe, “Wasteland” continues spiraling into madness with dramatic guitar work and intricate drum patterns, creating a very visceral and yet melodic experience.
Constantly getting better with time, Cult of Luna is ready to unravel their latest non-collaborative release: “A Dawn to Fear”. Featuring nearly 80 minutes of demoralizing music, this release showcases the band’s evolution into one of the most versatile and complex bands in the world. Picking up where they left off on their “Mariner” collaboration, the band creates lush soundscapes full of intricacies and magical details, making their music highly enjoyable and engaging.
The band wastes no time in setting up a very hypnotic mood with “The Silent Man”. Weaving back and forth between crushing guitar riffs, a trembling bass guitar onslaught and the band’s signature harsh vocals, this track perfectly prompts the listener to strap down to their seats and enjoy the ride. With the ritualistic “Lay Your Head to Rest”, the band sets a trance-like mood that bleeds into the more mellow album title track. We particularly enjoy how the band perfectly times the tempo changes, while keeping things fresh and interesting.
Unleashing one of the most disarming and lush Post-Rock releases, today we have Texas outfit Driving Slow Motion and their debut full-length release “Arda”. Featuring 10 tracks and around 42 minutes of instrumental music, this band delivers lush soundscapes similar to outfits like EF, Tides From Nebula and Mono. Filled with quality and engaging music, this debut release is one of the best Post-Rock albums to drop in 2019, so be sure to not miss out on it.
The album sets a very somber and yet optimistic mood with the moody opener “Far from Home”. We particularly love how cinematic and otherworldly the atmosphere is crafted as songs like “The Way the World Was” and “In Exchange for a Memory” roll in. The band’s ability to slowly build into cathartic moments is just brilliant, with a crescendo of weeping guitars and crafty percussions.
Unleashing a masterful aural experience, today we have France’s Lost in Kiev and their latest opus “Persona”. Featuring nine tracks and over 44 minutes of lush Atmospheric Post-Rock music, this band is set to dominate audiences with their keen sense of melody and crafty tempo progressions. Being fans of Post-Rock music, it is quite interesting to hear how bands create an even more immersive experience with heavier atmospheric elements like in this album.
The release sets a very lively mood with the futuristic album title track. Crafting a very dense atmosphere, the band creates the perfect backdrop for their intricate guitar work and song development. Tracks like “Lifelooper” and the magical “The Incomplete” showcase the band’s focus in creating lush and expansive soundscapes, while dropping crafty tempo changes to keep things interesting.
Unleashing a very unique an dreamy EP, today we have UK’s Parting Gift with “Ensom”. Featuring five tracks and around 18 minutes of music, this release blends Post-Rock/Shoegazey elements with moody vocal arrangements and lush atmospheric elements. If you are into Post-Rock, Dream Pop, Shoegaze and have a sweet spot for Alternative rock, this is certainly a release that will appeal to your senses.
The album kicks off with the dreamy intensity of “Pale”, a track that instantly showcases the band’s moody vocals and excellent guitar work. This track feels a bit heavier than it sounds, as the guitars could pass on for Melodic DM, but the vocals and overall atmosphere change the vibe to a mellower one. With “3:07 (Moonlight)” the band opens the song in an Alcest-like manner with a very subtle atmosphere, as the vocals nicely elevate the song and complete the moody atmosphere.
Unleashing a very unique amalgamation of sounds, today we have Esben and the Witch and their latest effort “Nowhere”. Featuring a darker tone than their previous releases, this album perfectly contrast the fragility of Rachel Davies vocals and the commanding presence of heavy guitar riffs and hypnotic drumming. Blurring the lines between several genres and influences, this release is certainly one to digest after a good amount of listens and with undivided attention.
Slowing building up their atmosphere in “A Desire for Light”, the band nicely shuffles elements around to create a very powerful and direct song. The band’s sound while simplistic in nature, allows them to play around with the song tempos while crafting memorable tracks that keep you guessing and engaged. The best example of this is the exploratory nature of “Dull Gret” with its heavy guitar riffs, and the dreamy folky piece “Golden Purifier”, which mostly focuses on subtle percussions and solemn guitar leads.
Just before the end of the year we received on our review queue on of our favorite albums of 2018: Crippled Black Phoenix’s “Great Escape”. As one of the most melancholic and mellow Rock albums we have heard, this international band unleashes over one hour of truly disarming music. Mixing elements of bands like Anathema, God is an Astronaut and countless others, this is definitely one of the most unique and diverse releases you will hear in 2018.
After opening with the dreamy “You Brought it Upon Yourselves”, the band sinks into the bleakness of “To You I Give”, a Post-Rock-ish tune in nature. Masterminded by Justin Greaves, this band’s releases are always very rich and diverse and extremely hard to categorize, but always top notch in terms of quality. After the interlude “Uncivil War, Pt. 1”, “Madman” features a dark wave vibe with heavy synths and a very martial pace.
Packed with tons of great releases, this 2018 fall also gives us a brand new Sylvaine album. Filled with her characteristic charisma and angelic vocals, “Atoms Aligned, Coming Undone” is another brilliant step in her career which features a more consolidated sound and plenty of memorable songs. The combination of fragility, craftsmanship and occasional burst of aggression make this release one of the best albums of 2018.
Opening with the album title track, Sylvaine slowly builds up with an intense bass guitar line that leads into dreamy vocal arrangements a very melancholic pace. The track continues with some brilliant instrumental passages that feel exploratory in nature, but very well fitting to the overall mood of the song. The Shoegazey/Post-Rock-y vibe arrives in full force with “Mørklagt” a very lush track that explores the more ethereal side of Sylvaine’s music, but not without some heavier sections thrown into the mix.
After catching everybody by surprise with their dreamy 2017 debut, “Sirens & Slumber”, Bay Area’s Mountaineer returns with a more mature and equally aurally pleasing release titled “Passages”. Divided into two four-track sections, this album further expands the band’s dreamy Post-Metal/Post-Rock/Shoegaze sound.
The first movement, “Hymnal”, opens with the very moody and dreamy “Passage I”. The band sets a very light and emotional opening that quickly escalates into Post-Metal territories with lush guitar riffs and the visceral raspy screams of vocalist Miguel Meza. The battle between dreamy and crushing passages reaches its climax as “Passage III” intertwines both styles very skillfully and “Passage IV” slowly winds down a very emotionally intense first part of this release.
Unleashing one of the most unique and aurally abusive releases of 2017, today we have Austria’s Las Casas Viejas and their album “goul/H”. Featuring an amalgamation of dreamy Post-Rock passages, with Doom/Sluge/Black Metal elements, the band creates a very unique atmosphere and evangelizes the listener with five brilliant tracks filled with unique elements and surprises.
Slowly building up the momentum in their opener, “Morbundus”, the band starts off slow with some interesting aural abuse, luckily it slowly progresses into delivering more punishing and demoralizing guitar riffs and a plethora of harsh vocals. Mixing Sludge elements with some different ideas, this piece perfectly leads into the Doom-esque “Kein Ort 1: nicht die Stadt und Lethargie”. The female vocals at times remind us of late The 3rd and The Mortal elements, allowing the band’s sound to have an extra unconventional element.