After catching everybody by surprise with their dreamy 2017 debut, “Sirens & Slumber”, Bay Area’s Mountaineer returns with a more mature and equally aurally pleasing release titled “Passages”. Divided into two four-track sections, this album further expands the band’s dreamy Post-Metal/Post-Rock/Shoegaze sound.
The first movement, “Hymnal”, opens with the very moody and dreamy “Passage I”. The band sets a very light and emotional opening that quickly escalates into Post-Metal territories with lush guitar riffs and the visceral raspy screams of vocalist Miguel Meza. The battle between dreamy and crushing passages reaches its climax as “Passage III” intertwines both styles very skillfully and “Passage IV” slowly winds down a very emotionally intense first part of this release.
Unleashing one of the most unique and aurally abusive releases of 2017, today we have Austria’s Las Casas Viejas and their album “goul/H”. Featuring an amalgamation of dreamy Post-Rock passages, with Doom/Sluge/Black Metal elements, the band creates a very unique atmosphere and evangelizes the listener with five brilliant tracks filled with unique elements and surprises.
Slowly building up the momentum in their opener, “Morbundus”, the band starts off slow with some interesting aural abuse, luckily it slowly progresses into delivering more punishing and demoralizing guitar riffs and a plethora of harsh vocals. Mixing Sludge elements with some different ideas, this piece perfectly leads into the Doom-esque “Kein Ort 1: nicht die Stadt und Lethargie”. The female vocals at times remind us of late The 3rd and The Mortal elements, allowing the band’s sound to have an extra unconventional element.
Unleashing a very interesting sophomore release, today we have Switzerland’s Krane with “Pleonexia”. Crafting a very unique sound that blends Post-Metal with Post-Rock passages, this band sounds like the perfect child of Neurosis and From Nebula with some influences of Cult of Lune and Russian Circles sprinkled in. With over 35 minutes of music, this is one of those mostly instrumental releases that keep you wanting to play it over and over again.
Setting the mood with the mysterious “Deception”, the band slowly lures the listener into their world as “Strategic Level” kicks in with intense percussions. In this track the band comes out of its shell and delivers a somewhat ritualistic build-up into Neurosis-esque heavy riffs. With a certain futuristic edge provided by either a Theremin or some funky electronic synths. Delivering a bit of a shift in pace, “Destabilization” sooths out the listener before the next onslaught.
Hailing from the UK, today we have Telepathy and their crushing release “Tempest”. Mixing elements of Post-Rock/Metal with Sludge and a few other influences, the band manages to release a triumphant album that will put them on the spotlight right next to outfits like Cult of Luna, The Ocean, and Tides from Nebula.
Setting the mood with “First Light”, the band really showcases its riffing capabilities with the tense “Smoke from Distant Fires”. In this track we have a slow progression that weaves back and forth between Post-Metal and Post-Rock soundscapes. The drumming even reaches some Black Metal-esque passages that are actually quite fitting with the music’s direction.
Cranking up the level of melancholy to 11, today we have Bay Area’s Mountaineer and their debut full-length release “Sirens & Slumber”. After blowing us away with their two song EP back in 2016, this band formed by ex-Secrets of the Sky’s guitarist Clayton Bartholomew, continues to further develop their highly atmospheric sound by moving into Katatonia-esque territories. Delivering nine brilliant tracks, this is definitely one of the releases to get in 2017 if you are a fan of deeply melancholic music.
Opening with the dreaminess of “Foam”, the band sets a very ethereal mood with such a lush opener. Taken from the band’s first 2-song 7” release, “Coma Fever” leads with ripping Doom riffs and the contrasting vocals of Miguel Meza. The album continues with this lively pace on tracks like “Measured Breaths” and “Womb”, the band excels a wrapping a ton of atmosphere around heavy Doomy riffs.
Hailing from France, today we have Post-Rock newcomers Saar and their solid full-length release “Sol”. Featuring seven tracks and around 45 minutes of music, the band manages to capture the listeners attention with their polished songwriting skills and brilliant execution. Highly recommended for fans of bands like God is an Astronaut, Tides of Nebula, Ef and related.
Opening with the moody “Rise”, the band sets slowly progressing tone with this lush and emotional track. Things get a bit more intense with the minimalistic percussions of “Lux” and its subtle guitar work; we particularly love these kinds of songs that set you in trance. The intensity picks up on “On My Skin”, a track that shows a heavier and darker side of the band thanks to the powerful guitars and well-defined bass guitar line.
After a killer debut EP with “Waves” Owler returned in 2016 to unleash “Soil”, a highly melancholic collection of five songs that showcase more maturity and creativity from these Finns. Clocking in at around 30 minutes, this release takes all the elements of their first release and further refines them and integrates them into the band’s own signature style. This music is still highly recommended for fans of bands like Insomnium to The Man Eating Three.
Opening with the soaring vocals of “Storm”, the release kicks off with a very theatrical piece that fully takes advantage of “Juha Simola’s melancholic clean vocals. Things turn a bit darker and doomier with the heavy atmospheric and crushing riffs of “Amend”. We really enjoy how the subtle atmospheric keyboards set the mood for the harsh vocals and slower tempo.
Continuing with their impressive momentum after the release of “Moonlover”, Ghost Bath returns on a bigger label and with a more expansive sound in “Starmourner”. Delivering over 70 minutes of soul crushing music, the band continues to evolve with a richer and more diverse sound. Equally pleasing for older and new fans, this release is a perfect continuation of the band’s path.
After the mood setting intro track, the band gets down to business with the incisive lead guitars of “Seraphic” a highly emotional and ravaging track. The onslaught continues with the sheer brutality of the opening of “Ambrosial”. Here we have the traditional shrieks being outlined by pummeling drums, and before you know it the song turns highly melodic and hypnotic with some truly outstanding passages.
Unleashing their most mature work to date, today we have Iceland’s Dynfari and their fourth full-length release “The Four Doors of the Mind”. Delivering over 48 minutes of majestic music, the band finds itself transitioning into more atmospheric and dreamy music than before while retraining some of their aggressive roots.
Opening with the dreamy album title track, the mood is set with a very martial pace and very interesting spoken vocals. The album continues its build-up as “1st Door: Sleep” slowly picks up the pace and the clean guitars give way for heavier distorted riffs, harsh vocals and pummeling drums. Keeping up the intensity, “Sorgarefni segi eg þér” delivers seven-minutes of killer tempo changes and lush melodic passages.
Hailing from Finland, today we have a band that perfectly combines elements from Post-Rock/Post-Metal with traditional Finish Melodic Death Metal. Delivering over 25 minutes of melancholic music, this band could be described as a mixture of The Man Eating Three with Before the Dawn.
The EP starts with the lush “Throes”, a track filled with melancholic clean vocals and dreamy guitars. At first glance, the guitars seem a bit heavier than usual for this type of music, but they do an effective job at preparing the listener for what is to come. As “Distance” kicks off we are instantly reminded of Before the Dawn during their “Soundscape of Silence” years. The mixture of growls and clean vocals is very effective and they perfectly contrast the ethereal keyboards and weeping guitars.